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Living Pictures

Living Pictures
Author: Polina Barskova
Publisher: New York Review of Books
Total Pages: 193
Release: 2022-09-06
Genre: Fiction
ISBN: 1681376601

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A poignant collection of short pieces about the author's hometown, St. Petersburg, Russia, and the siege of Leningrad that combines memoir, history, and fiction. Living Pictures refers to the parlor game of tableaux vivants, in which people dress up in costume to bring scenes from history back to life. It’s a game about survival, in a sense, and what it means to be a survivor is the question that Polina Barskova explores in the scintillating literary amalgam of Living Pictures. Barskova, one of the most admired and controversial figures in a new generation of Russian writers, first made her name as a poet; she is also known as a scholar of the catastrophic siege of Leningrad in World War II. In Living Pictures, Barskova writes with caustic humor and wild invention about traumas past and present, historical and autobiographical, exploring how we cope with experiences that defy comprehension. She writes about her relationships with her adoptive father and her birth father; about sex, wanted and unwanted; about the death of a lover; about Turner and Picasso; and, in the final piece, she mines the historical record in a chamber drama about two lovers sheltering in the Hermitage Museum during the siege of Leningrad who slowly, operatically, hopelessly, stage their own deaths. Living Pictures introduces a startlingly daring and original new voice from world literature.


Living Pictures, Missing Persons

Living Pictures, Missing Persons
Author: Mark B. Sandberg
Publisher: Princeton University Press
Total Pages: 352
Release: 2003
Genre: Art
ISBN: 9780691050744

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Sandberg examines the practice of effigy at the wax and folk museums of the late 19th century. This study of modern visual culture on the periphery of Europe presents a context in which the idea of material mobility dominated more familiar forms of simulative media.


Living Pictures

Living Pictures
Author: Noa Turel
Publisher: Yale University Press
Total Pages: 201
Release: 2020-09-25
Genre: Art
ISBN: 0300247575

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A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.


Living Pictures

Living Pictures
Author: Deac Rossell
Publisher: SUNY Press
Total Pages: 206
Release: 1998-01-01
Genre: Performing Arts
ISBN: 9780791437674

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A history of the near-simultaneous emergence of moving pictures in several countries in the mid-1890s and a thorough reevaluation of the development of the technology.CHOICE Outstanding Academic Book 1999


W.J.T. Mitchell's Image Theory

W.J.T. Mitchell's Image Theory
Author: Krešimir Purgar
Publisher: Taylor & Francis
Total Pages: 296
Release: 2016-11-25
Genre: Art
ISBN: 1317288912

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W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.


Living Pictures

Living Pictures
Author: Sara Dickey
Publisher:
Total Pages: 266
Release: 2005
Genre: Antiques & Collectibles
ISBN:

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Living Pictures ISBN 0-949004-15-4 / 978-0-949004-15-4 Paperback, 8.5 x 9.5 in. / 260 pgs / 153 color and 8 b&w. / U.S. $35.00 CDN $42.00 August / Film


Napoleon Sarony's Living Pictures

Napoleon Sarony's Living Pictures
Author: Erin Kristl Pauwels
Publisher: Penn State Press
Total Pages: 269
Release: 2023
Genre: Photography
ISBN: 0271096446

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"Examines the career of the Gilded Age photographer Napoleon Sarony and his role in the rise of celebrity culture in the United States"--


Living Pictures: Photography in Southeast Asia

Living Pictures: Photography in Southeast Asia
Author: Charmaine Toh
Publisher: National Gallery Singapore
Total Pages: 385
Release: 2022-11-29
Genre: Photography
ISBN: 981184044X

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This richly illustrated catalogue examines the power of photography and its mobilisation within systems of knowledge and representation across Southeast Asian societies. Rather than just thinking about what photographs show, Living Pictures explores what photographs do, acknowledging that photographs have lives—they move and they act—and in the process, they affect the world around them. This groundbreaking catalogue accompanies the world’s first-ever survey of the medium’s histories across Southeast Asia, from its earliest beginnings in the 19th century until its diverse contemporary manifestations. It traces the creation, circulation and consumption of photography and how these processes have shaped the visual regimes of the region, through essays by the Living Pictures curators, interviews with artists and photographers featured in the exhibition, comprehensive plates including never-before-published images, and new research by leading international scholars focusing on the interdisciplinary intersections between photography and art history, archaeology and cultural theory.


Living Pictures, Missing Persons

Living Pictures, Missing Persons
Author: Mark B. Sandberg
Publisher: Princeton University Press
Total Pages: 349
Release: 2021-10-12
Genre: Art
ISBN: 0691238278

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In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the widespread interest in illusionistic scenes and tableaux, in the "portability" of sights, spaces, and entire milieus. Sandberg investigates this transformation of visual culture outside the usual test cases of the largest European metropolises. He argues that Scandinavian spectators desired an unusual degree of authenticity--a cultural preference for naturalism that made its way beyond theater to popular forms of museum display. The Scandinavian wax museums and folk-ethnographic displays of the era helped pre-cinematic spectators work out the social implications of both voyeuristic and immersive display techniques. This careful study thus anticipates some of the central paradoxes of twentieth-century visual culture--but in a time when the mannequin and the physical relic reigned supreme, and in a place where the contrast between tradition and modernity was a high-stakes game.


What Do Pictures Want?

What Do Pictures Want?
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
Total Pages: 419
Release: 2013-12-23
Genre: Art
ISBN: 022624590X

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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum