Liverpool Biennial of Contemporary Art
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Total Pages | : 276 |
Release | : 2004 |
Genre | : Art, Modern |
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Author | : |
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Total Pages | : 276 |
Release | : 2004 |
Genre | : Art, Modern |
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Author | : Lewis Biggs |
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Total Pages | : 0 |
Release | : 2011 |
Genre | : @Liverpool Biennial of Contemporary Art |
ISBN | : 9780953676187 |
International Festival of Contemporary Art.
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Total Pages | : 0 |
Release | : 2016 |
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Author | : Liverpool Biennial of Contemporary Art |
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Total Pages | : 204 |
Release | : 2006 |
Genre | : Art |
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The intention of the International 06 exhibition, as with its predecessors, is to recognise the specific cultural context in which it is shown: Liverpool is unique in its people, history and built environment, and yet it is also representative of many post-industrial cities. The exhibition will be sensitive to the context of the city - made and seen in Liverpool.
Author | : Paul Domela |
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Total Pages | : 300 |
Release | : 2008 |
Genre | : Art |
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Established in 1998, the Liverpool Biennial of Contemporary Art is one of the world’s largest celebrations of contemporary art, involving eight major art spaces packed with over 500,000 visitors. Made Up! celebrates 10 years of commissioning ambitious and challenging new work in public projects, as well as the exhibition’s broad-ranging exploration of “making things up”—dystopias, utopias, narrative fiction, fantasy, myths, lies, subversions, and spectacle—in order to better inform the viewer of art’s capacity to transport us and generate alternative realities. Instead of a traditional catalog, Made Up! instead features ten essays exploring imaginative themes and articulating artists’ installations though full-color images and extensive illustration.
Author | : Liverpool Biennial Staff |
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Total Pages | : |
Release | : 2001-12-01 |
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ISBN | : 9780953676125 |
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Total Pages | : 190 |
Release | : 2008 |
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ISBN | : 9781846311857 |
Author | : Rafal Niemojewski |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 144 |
Release | : 2020-11-11 |
Genre | : Art |
ISBN | : 9781848223882 |
Biennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums' acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate.
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Total Pages | : 349 |
Release | : 2011 |
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Author | : Paul Domela |
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Total Pages | : 190 |
Release | : 2008-09 |
Genre | : Art, Modern |
ISBN | : 9781846311857 |
Established in 1998, the Liverpool Biennial of Contemporary Art is the UK's and one of the world's largest celebrations of contemporary art and involves eight major art institutions. This title features one of the world's largest festivals of contemporary art. It includes illustration of works by established artists from around the world.