Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Liturgical Influence On Punctuation In Late Old English And Early Middle English Manuscripts PDF full book. Access full book title Liturgical Influence On Punctuation In Late Old English And Early Middle English Manuscripts.
| Author | : Peter Clemoes |
| Publisher | : |
| Total Pages | : 22 |
| Release | : 1978 |
| Genre | : English language |
| ISBN | : |
| Author | : Derek Pearsall |
| Publisher | : Routledge |
| Total Pages | : 369 |
| Release | : 2019-06-27 |
| Genre | : Literary Criticism |
| ISBN | : 0429578148 |
Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.
| Author | : John Walmsley |
| Publisher | : John Wiley & Sons |
| Total Pages | : 320 |
| Release | : 2016-01-19 |
| Genre | : Literary Criticism |
| ISBN | : 1119121396 |
Inside Old English: Essays in Honour of Bruce Mitchell offers readers a comprehensive insight into the world of Old English. Brings together original essays written by prominent specialists in the field in honour of Bruce Mitchell, the eminent Oxford scholar and co-author of the bestselling A Guide to Old English, 6th edition Encourages readers to engage with the literary, cultural, intellectual, religious and historical contexts of Old English texts Explores the problems scholars face in interpreting and editing Old English texts Contributors provide authoritative and informative perspectives, drawing out connections between different contexts and pointing readers towards the essential secondary literature for each topic
| Author | : M.B. Parkes |
| Publisher | : Routledge |
| Total Pages | : 444 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351912461 |
From its publication in 1992 Pause and Effect has become a cornerstone of the study of punctuation across the world. Described as 'magisterial' by Lynne Truss in her best-selling Eats, Shoots and Leaves, this book has stimulated interest and scholarly debates among writers, literary critics, philosophers, linguists, rhetoricians, palaeographers and all those who study the use of language. To celebrate this extraordinary achievement, Pause and Effect has been republished in September 2008, coinciding with the publication of the author's new work, Their Hands Before Our Eyes. The first part of Pause and Effect identifies the graphic symbols of punctuation and deals with their history. It covers the antecedents of the repertory of symbols, as well as the ways in which the repertory was refined and augmented with new symbols to meet changing requirements. The second part offers a short general account of the principal influences which have contributed to the ways in which the symbols have been applied in texts, focusing on the evidence of the practice itself rather than on theorists. The treatment enables the reader to compare usages in different periods, and to isolate the principles which underlie the use of punctuation in all periods. The examples and plates which are at the core of the book provide the reader with an opportunity to test the author's observations. The examples are taken from a wide range of literary texts from different periods and languages. Latin texts are accompanied by English translation intended to illustrate the use of punctuation in the originals in so far as this is possible.
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 400 |
| Release | : 2009-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780521104319 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume four include: Toledo, Rome and the legacy of Gaul; Classical tragedy in the history of early opera in Rome; and Reading and singing: on the genesis of occidental music-writing.
| Author | : Mary P. Richards |
| Publisher | : Routledge |
| Total Pages | : 428 |
| Release | : 2015-12-22 |
| Genre | : Literary Criticism |
| ISBN | : 1317758897 |
The study of manuscripts is fundamental to the appreciation of Anglo-Saxon texts and culture. Anglo-Saxon Manuscripts: Basic Readings provides an introductory collection of materials covering basic terms, techniques, resources, issues, and applications. Focusing on manuscripts copied before 1100 in England, the selections gathered here consider their history, production, analysis, and significance. Drawn from a variety of published sources and new writings commissioned for this collection, these essays offer a thorough background in principles and practices, along with up-to-date coverage of new developments in paleography. This interdisciplinary collection introduces key subjects of research for Anglo-Saxon studies while suggesting potential developments and new directions within the field.
| Author | : Jesse D. Billett |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 487 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 1907497285 |
When did Anglo-Saxon monks begin to recite the daily hours of prayer, the Divine Office, according to the liturgical pattern prescribed in the Rule of St Benedict? Going beyond the simplistic assumptions of previous scholarship, this book reveals that the early Anglo-Saxon Church followed a non-Benedictine Office tradition inherited from the Roman missionaries; the Benedictine Office arrived only when tenth-century monastic reformers such as Dunstan and Æthelwold decided that "true" monks should not use the same Office liturgy as secular clerics, a decision influenced by eighth- and ninth-century Frankish reforms. The author explains, for the first time, how this reduced liturgical diversity in the Western Church to a basic choice between "secular" and "monastic" forms of the Divine Office; he also uses previously unedited manuscript fragments to illustrate the differing attitudes and Continental connections of the English Benedictine reformer, and to show that survivals of the early Anglo-Saxon liturgy may be identifiable in later medieval sources.
| Author | : John A. Burrow |
| Publisher | : Routledge |
| Total Pages | : 516 |
| Release | : 2018-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 1351219324 |
This volume brings together a selection of lectures and essays in which J.A. Burrow discusses the work of English poets of the late fourteenth and early fifteenth centuries: Chaucer, Gower, Langland, and Hoccleve, as well as the anonymous authors of Pearl, Saint Erkenwald, and a pair of metrical romances. Six of the pieces address general issues, with some reference to French and Italian writings ('Autobiographical Poetry in the Middle Ages', for example, or 'The Poet and the Book'); but most of them concentrate on particular English poems, such as Chaucer's Envoy to Scogan, Gower's Confessio Amantis, Langland's Piers Plowman, and Hoccleve's Series. Although some of the essays take account of the poet's life and times ('Chaucer as Petitioner', 'Hoccleve and the 'Court''), most are mainly concerned with the meaning and structure of the poems. What, for example, does the hero of Ipomadon hope to achieve by fighting, as he always does, incognito? Why do the stories in Piers Plowman all peter out so inconclusively? And how can it be that the narrator in Chaucer's Book of the Duchess so persistently fails to understand what he is told?
| Author | : Graham D. Caie |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 188 |
| Release | : 1999 |
| Genre | : Literary Collections |
| ISBN | : 9780859915700 |
Judgement Day II presented in its manuscript context, with discussion of function of penitential verse. Critical editions of the Old English poem Judgement Day II, its Latin source, Bede's poem De die iudicii, and the homily in Oxford, Bodleian, Hatton 113, which is based on the vernacular poem, are offered in this volume: Judgement Day IIis thus presented in its manuscript context, highlighting its links with the poems found there, and casting new light on its interpretation. The editions are accompanied with translations, a commentaryon points of linguistic and literary interest, and a glossary. The introduction includes detailed descriptions of the manuscripts in which the works appear; the function of the poems as penitential verse; and a discussion ofeschatological thought in the the early middle ages, especially with regard to Bede. There are also sections on the language, style and metre of the Old English poem, and a full literary analysis. Professor GRAHAM D. CAIEis Head of the School of English and Scottish Language and Literature at the University of Glasgow.
| Author | : Daniel Donoghue |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 245 |
| Release | : 2018-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 0812294882 |
The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.
