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Writing for Visual Media

Writing for Visual Media
Author: Anthony Friedmann
Publisher: CRC Press
Total Pages: 764
Release: 2014-04-16
Genre: Performing Arts
ISBN: 1317964810

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This updated edition of Writing for Visual Media will enable you to understand the nature of visual writing that lies behind the content of all visual media. This unique kind of writing must communicate to audiences through content producers, since audiences don’t read the script. Most media content provides a solution to a communication problem, which the writer must learn to analyze and solve before writing the script. The Fourth Edition strengthens the method for creating content and writing in the correct language and established format for each visual medium, including commercial communication such as ads and PSAs, corporate communications, and training. An extended investigation into dramatic theory and how entertainment narrative works is illustrated by examples and detailed analysis of scenes, scripts and storylines, designed to save writers from typical pitfalls and releasing your creative powers of invention. Writing for Visual Media will help you to develop an improved foundation for understanding interactive media and writing for non-linear content, while gaining the tools to effectively connect with your audience like a professional. Purchase of this book includes access to the companion website, which provides: Sample scripts and video clips of those produced scripts An interactive glossary of camera shots, movements, and transitions Storyboards, scripts, screenplays, and links to industry resource Instructor materials such as PowerPoint lecture slides, a sample syllabus, and a test bank. Visit the site at www.routledgetextbooks.com/textbooks/9780415815857


Literature and the Visual Media

Literature and the Visual Media
Author: David Seed
Publisher: DS Brewer
Total Pages: 220
Release: 2005
Genre: Literary Collections
ISBN: 9781843840565

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Essays on the links between film and fiction, and their mutual influence. Fiction and film interrelate closely to each other, and the specially commissioned essays in this volume all consider different aspects of this relationship. Beginning with discussions of Dickens and Victorian literature, the contributors, all leading scholars in this field, demonstrate how visual devices like the magic lantern caught the interest of writers and affected their choice of subject and method. The impact of the cinema on the British modernistsis then discussed, and the remaining essays provide detailed case studies on such subjects as Hemingway, Updike, and the depiction of women in contemporary fiction and film.


Dracula in Visual Media

Dracula in Visual Media
Author: John Edgar Browning
Publisher: McFarland
Total Pages: 313
Release: 2014-01-10
Genre: Social Science
ISBN: 0786462019

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This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.


Technologies of History

Technologies of History
Author: Steve F. Anderson
Publisher: UPNE
Total Pages: 223
Release: 2011
Genre: Psychology
ISBN: 1611680085

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Captain Kirk fought Nazis. JFK's assassination is a videogame touchstone. And there's no history like "Drunk History."


Residual Futures

Residual Futures
Author: Franz Prichard
Publisher: Columbia University Press
Total Pages: 396
Release: 2019-04-23
Genre: Literary Criticism
ISBN: 0231549334

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In the postwar years, an eruption of urbanization took place across Japan, from its historical central cities to the outer reaches of the archipelago. During the 1960s and 1970s, Japanese literary and visual media took a deep interest in cities and their problems, and what this rapid change meant for the country. In Residual Futures, Franz Prichard offers a pathbreaking analysis of the works wrought from this intensive urbanization, mapping the ways in which Japanese filmmakers, writers, photographers, and other artists came to grips with the entwined ecologies of a drastic transformation. Residual Futures examines crucial works of documentary film, fiction, and photography that interrogated Japan’s urbanization and integration into the U.S.-dominated geopolitical system. Prichard discusses documentary filmmaker Tsuchimoto Noriaki’s portrait of the urban “traffic war” and the remaking of Tokyo for the 1964 Olympics, novelist Abe Kōbō’s depictions of infrastructure and urban sociality, and the radical notions of landscape that emerge from the critical and photographic work of Nakahira Takuma. His careful readings reveal the shifting relationships among urban materialities and subjectivities and the ecological, political, and aesthetic vocabularies of urban change. A novel cultural history of critical urban discourse in Japan, Residual Futures brings an interdisciplinary approach to Japanese literary and visual media studies. It provides a vital new perspective on the infrastructural aesthetics and entangled urban and media conditions of the global Cold War.


Gender in Popular Culture

Gender in Popular Culture
Author: Peter C. Rollins
Publisher:
Total Pages: 280
Release: 1995
Genre: Literary Criticism
ISBN:

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Image operations

Image operations
Author: Jens Eder
Publisher: Manchester University Press
Total Pages: 373
Release: 2016-12-14
Genre: Social Science
ISBN: 1526108658

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Still and moving images are crucial factors in contemporary political conflicts. They not only have representational, expressive or illustrative functions, but also augment and create significant events. Beyond altering states of mind, they affect bodies and often life or death is at stake. Various forms of image operations are currently performed in the contexts of war, insurgency and activism. Photographs, videos, interactive simulations and other kinds of images steer drones to their targets, train soldiers, terrorise the public, celebrate protest icons, uncover injustices, or call for help. They are often parts of complex agential networks and move across different media and cultural environments. This book is a pioneering interdisciplinary study of the role and function of images in political life. Balancing theoretical reflections with in-depth case studies, it brings together renowned scholars and activists from different fields to offer a multifaceted critical perspective on a crucial aspect of contemporary visual culture.


Writing for Visual Media

Writing for Visual Media
Author: Anthony Friedmann
Publisher: Taylor & Francis
Total Pages: 409
Release: 2012-11-12
Genre: Performing Arts
ISBN: 1136028013

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Writing for Visual Media looks at the fundamental problems a writer faces in learning to create content for media that is to be seen rather than read. It takes you from basic concepts to practice through a seven-step method that helps you identify a communications problem, think it through, and find a resolution before beginning to write. Through successive exercises, Writing for Visual Media helps you acquire the basic skills and confidence you need to write effective films, corporate and training videos, documentaries, web sites, PSAs, TV shows, nonlinear media, and other types of visual narratives. You'll explore your visual imagination and try out your powers of invention. The companion web site enriches the content of the printed book with video, audio, and sample scripts. It includes scripts and the video produced from them; visual demonstrations of concepts; and an interactive, illustrated glossary of terms and concepts. Please visit www.focalpress.com/cw/friedmann-9780240812359 click on the Interactive Content tab, and follow the registration instructions.


Literature and visual culture

Literature and visual culture
Author: Dagný Kristjánsdóttir
Publisher: University of Iceland Press
Total Pages: 437
Release: 2005
Genre: Social Science
ISBN: 9789979546696

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These days the written word is coming under a great deal of pressure from visual media. Increasingly we feel we have to refer to films "which everyone knows" or contemporary mass culture in order to explain theories and discuss the pattern of a text. Photography, television and films have taken over a large share of information exchange, education and entertainment. The flow of images reaches us via the ever-changing forms of new technologies and the "medium is the message." But visual media are not merely part of our reality: we talk of a "world wiew" and this reflects the fact that the public space, and therefore our culture, is becoming more visual by the day. This anthology considers literature and visual culture from a number of different perspectives. It provides valuable assistance in the quest for a new understanding of the interplay and fusion of image and text in the modern era, in new yet at the same time well-established forms.


Literature and Visual Technologies

Literature and Visual Technologies
Author: J. Murphet
Publisher: Springer
Total Pages: 228
Release: 2003-11-05
Genre: Literary Criticism
ISBN: 0230389996

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This is the first major collection of essays specifically to address the impact of visual technologies on the production of literature in the twentieth-century. Literature and Visual Technologies investigates the manifold effects which a visual century has wrought upon literary conventions. From the influence of Mutoscope parlours on Joyce's fiction, to the interrelation between Peter Greenaway's A TV Dante , the collection consists of an integrated series of high-level intellectual engagements with a hundred years of cultural revolution, and covers the whole twentieth-century, from silent to digital film.