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The Cambridge History of Latin American Literature

The Cambridge History of Latin American Literature
Author: Roberto Gonzalez Echevarría
Publisher: Cambridge University Press
Total Pages: 896
Release: 1996-09-19
Genre: Literary Criticism
ISBN: 9780521410359

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The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.


Writing Identity

Writing Identity
Author: Emanuelle Oliveira
Publisher: Purdue University Press
Total Pages: 276
Release: 2008
Genre: History
ISBN: 9781557534859

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In the late 1970s, Brazil was experiencing the return to democracy through a gradual political opening and the re-birth of its civil society. Writing Identity examines the intricate connections between artistic production and political action. It centers on the politics of the black movement and the literary production of a Sao Paulo-based group of Afro-Brazilian writers, the Quilombhoje. Using Pierre Bourdieu's theory of the field of cultural production, the manuscript explores the relationship between black writers and the Brazilian dominant canon, studying the reception and criticism of contemporary Afro-Brazilian literature. After the 1940s, the Brazilian literary field underwent several transformations. Literary criticism's displacement from the newspapers to the universities placed a growing emphasis on aesthetics and style. Academic critics denounced the focus on a political and racial agenda as major weaknesses of Afro-Brazilian writing, and stressed, the need for aesthetic experimentation within the literary field. Writing Identity investigates how Afro-Brazilian writers maintained strong connections to the black movement in Brazil, and yet sought to fuse a social and racial agenda with more sophisticated literary practices. As active militants in the black movement, Quilombhoje authors strove to strengthen a collective sense of black identity for Afro-Brazilians.


Central at the Margin

Central at the Margin
Author: Renata Ruth Mautner Wasserman
Publisher: Bucknell University Press
Total Pages: 224
Release: 2007
Genre: Literary Criticism
ISBN: 9780838756744

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Discusses Julia Lopes de Almeida, Rachel de Queiroz, Lygia Fagundes Telles, Clarice Lispector and Carolina Maria de Jesus.


Seven Faces

Seven Faces
Author: Charles A. Perrone
Publisher: Duke University Press
Total Pages: 294
Release: 1996
Genre: Literary Criticism
ISBN: 9780822318149

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"Study of Brazilian poetry from 1950-90 examines its 'seven faces' (a pun on Drummond's poem of the same name), phases, and trends. Introductory chapter reviews movement's initial phases and sets the stage for what follows: the legacy of the Modernist movement. Chapters 2-6 cover Concrete poetry and other vanguard groups, the lyricism of popular music, and different types of 1970s youth poetry. Also examines social and esthetic tensions in contemporary Brazilian poetry"--Handbook of Latin American Studies, v. 58.


Catalog

Catalog
Author: University of Texas. Library. Latin American Collection
Publisher:
Total Pages: 746
Release: 1969
Genre: Latin America
ISBN:

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The Untimely Present

The Untimely Present
Author: Idelber Avelar
Publisher: Duke University Press
Total Pages: 316
Release: 1999
Genre: Literary Criticism
ISBN: 9780822324157

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The Untimely Present examines the fiction produced in the aftermath of the recent Latin American dictatorships, particularly those in Argentina, Brazil, and Chile. Idelber Avelar argues that through their legacy of social trauma and obliteration of history, these military regimes gave rise to unique and revealing practices of mourning that pervade the literature of this region. The theory of postdictatorial writing developed here is informed by a rereading of the links between mourning and mimesis in Plato, Nietzsche's notion of the untimely, Benjamin's theory of allegory, and psychoanalytic / deconstructive conceptions of mourning. Avelar starts by offering new readings of works produced before the dictatorship era, in what is often considered the boom of Latin American fiction. Distancing himself from previous celebratory interpretations, he understands the boom as a manifestation of mourning for literature's declining aura. Against this background, Avelar offers a reassessment of testimonial forms, social scientific theories of authoritarianism, current transformations undergone by the university, and an analysis of a number of novels by some of today's foremost Latin American writers--such as Ricardo Piglia, Silviano Santiago, Diamela Eltit, João Gilberto Noll, and Tununa Mercado. Avelar shows how the 'untimely' quality of these narratives is related to the position of literature itself, a mode of expression threatened with obsolescence. This book will appeal to scholars and students of Latin American literature and politics, cultural studies, and comparative literature, as well as to all those interested in the role of literature in postmodernity.


Literary Culture and U.S. Imperialism

Literary Culture and U.S. Imperialism
Author: John Carlos Rowe
Publisher: Oxford University Press, USA
Total Pages: 739
Release: 2000
Genre: History
ISBN: 0195131509

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John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.


Voice-Overs

Voice-Overs
Author: Daniel Balderston
Publisher: State University of New York Press
Total Pages: 280
Release: 2012-02-01
Genre: Literary Criticism
ISBN: 0791487873

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In Voice-Overs, an impressive collection of writers, translators, and critics of Latin American literature address the challenges and triumphs of translation in the publishing industry, in teaching, and in the writing culture of the Americas. Through personal anecdotes as well as critical analyses, they engage important, ongoing debates over issues of language, exile, cultural identity, and literary markets. Institutions and personalities in Latin American literary translation are highlighted to examine the genre's cultural politics and transnational impact.


Modernity in Black and White

Modernity in Black and White
Author: Rafael Cardoso
Publisher: Cambridge University Press
Total Pages: 285
Release: 2021-04-15
Genre: ART
ISBN: 1108481906

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In his first single-authored English-language work, Rafael Cardoso offers a re-evaluation of modern art and modernism in Brazil.