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| Author | : Donald Wesling |
| Publisher | : SUNY Press |
| Total Pages | : 254 |
| Release | : 1995-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780791426272 |
This response to Derrida's critique of the spoken uses dozens of examples in four languages to explore the voice that is in writing.
| Author | : Gabriela Pereira |
| Publisher | : Penguin |
| Total Pages | : 306 |
| Release | : 2016-07-08 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1599639343 |
Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.
| Author | : Jodi Picoult |
| Publisher | : Simon and Schuster |
| Total Pages | : 544 |
| Release | : 2010-04-03 |
| Genre | : Fiction |
| ISBN | : 1439199310 |
From the #1 New York Times bestselling author of Small Great Things and the modern classics My Sister’s Keeper, The Storyteller, and more, comes a “complex, compassionate, and smart” (The Washington Post) novel about a family torn apart by a murder accusation. When your son can’t look you in the eye…does that mean he’s guilty? Jacob Hunt is a teen with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, though he is brilliant in many ways. He has a special focus on one subject—forensic analysis. A police scanner in his room clues him in to crime scenes, and he’s always showing up and telling the cops what to do. And he’s usually right. But when Jacob’s small hometown is rocked by a terrible murder, law enforcement comes to him. Jacob’s behaviors are hallmark Asperger’s, but they look a lot like guilt to the local police. Suddenly the Hunt family, who only want to fit in, are thrust directly in the spotlight. For Jacob’s mother, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, it’s another indication why nothing is normal because of Jacob. And for the frightened small town, the soul-searing question looms: Did Jacob commit murder? House Rules is “a provocative story in which [Picoult] explores the pain of trying to comprehend the people we love—and reminds us that the truth often travels in disguise” (People).
| Author | : Susan Sniader Lanser |
| Publisher | : Cornell University Press |
| Total Pages | : 304 |
| Release | : 1992 |
| Genre | : Fiction |
| ISBN | : 9780801480201 |
Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.
| Author | : Kim Scott |
| Publisher | : A&C Black |
| Total Pages | : 417 |
| Release | : 2012-01-01 |
| Genre | : Fiction |
| ISBN | : 1408829282 |
Throughout Bobby Wabalanginy's young life the ships have been arriving, bringing European settlers to the south coast of Western Australia, where Bobby's people, the Noongar people, have always lived. Bobby, smart, resourceful and eager to please, has befriended the settlers, joining them as they hunt whales, till the land, and work to establish their new colony. He is welcomed into a prosperous white family and eventually finds himself falling in love with the daughter, Christine.But slowly - by design and by hazard - things begin to change. Not everyone is so pleased with the progress of the white colonists. Livestock mysteriously starts to disappear, crops are destroyed, there are 'accidents' and injuries on both sides. As the Europeans impose ever-stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind, and Bobby is forced to take sides, inexorably drawn into a series of events that will for ever change the future of his country.That Deadman Dance is haunted by tragedy, as most stories of first contact between European and native peoples are. But through Bobby's life, this novel exuberantly explores a moment in time when things might have been different, when black and white lived together in amazement rather than fear of the other, and when the world suddenly seemed twice as large and twice as promising.
| Author | : R. Kim |
| Publisher | : Springer |
| Total Pages | : 246 |
| Release | : 2012-05-21 |
| Genre | : Literary Criticism |
| ISBN | : 113702075X |
This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.
| Author | : Maria Nikolajeva |
| Publisher | : Routledge |
| Total Pages | : 406 |
| Release | : 2009-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 1135238227 |
This book considers one of the most controversial aspects of children’s and young adult literature: its use as an instrument of power. Children in contemporary Western society are oppressed and powerless, yet they are allowed, in fiction written by adults for the enlightenment and enjoyment of children, to become strong, brave, rich, powerful, and independent -- on certain conditions and for a limited time. Though the best children’s literature offers readers the potential to challenge the authority of adults, many authors use artistic means such as the narrative voice and the subject position to manipulate the child reader. Looking at key works from the eighteenth century to the present, Nikolajeva explores topics such as genre, gender, crossvocalization, species, and picturebook images. Contemporary power theories including social and cultural studies, carnival theory, feminism, postcolonial and queer studies, and narratology are also considered, in order to demonstrate how a balance is maintained between the two opposite inherent goals of children’s literature: to empower and to educate the child.
| Author | : Janet M. Todd |
| Publisher | : New York : Holmes & Meier |
| Total Pages | : 296 |
| Release | : 1980 |
| Genre | : Authorship |
| ISBN | : |
Is literature androgynous? Can a language used by men effectively express women's perceptions? This book debates the presence of a distinctive female style, voice, or content in the literature written by women from the middle ages to the twentieth century. Mary Wollstonecraft and Fanny Bur-ney wrote on the linguistic difficulties of women's prose; Virginia Woolf expressed hopes for an androgynous literary future. The authors of Gender and Literary Voice consider thematic and stylistic differences and then range themselves on both sides of this debate. The role of female experi-ence; the passive mode; female appropriation of traditionally male forms of literature such as the bildtingsroman: semantic idiosyncrasies -- these are the elusive topics raised by contemporary critics of women's literature. Among the contributors to this important volume of feminist criticism are Joyce Carol Oates, Judith Wilt, Marilyn Butler, and Mary Ann Caws.
| Author | : Anna Snaith |
| Publisher | : Cambridge University Press |
| Total Pages | : 750 |
| Release | : 2020-06-18 |
| Genre | : Literary Criticism |
| ISBN | : 1108809200 |
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.
| Author | : Courtney Maum |
| Publisher | : Tin House Books |
| Total Pages | : 133 |
| Release | : 2019-07-16 |
| Genre | : Fiction |
| ISBN | : 1947793373 |
"Delightful ... In Lara, Maum has given a little-considered daughter a more hopeful future." —Mona Simpson, The New York Times Book Review “Maum’s slender, intelligent Costalegre is about many things: art as spectacle and art as discipline; life as joke and life as tragedy; the role of unreason in paintings and politics. But most of all, it’s about the youthful desire to be, in Lara’s words, contemplated and considered — to be, in short, loved." — The Boston Globe One of Glamour's Best Books of the Decade and a Best Book of Summer at AM New York, Moda Operandi, GOOP, Publishers Weekly, TIME, Southern Living, and Thrillist. It is 1937, and Europe is on the brink of war. Hitler is circulating a most-wanted list of “cultural degenerates”—artists, writers, and thinkers whose work is deemed antithetical to the new regime. To prevent the destruction of her favorite art (and artists), the impetuous American heiress and modern art collector Leonora Calaway begins chartering boats and planes for an elite group of surrealists to Costalegre, a mysterious resort in the Mexican jungle. The story of what happens to these artists when they reach their destination is told from the point of view of Lara, Leonora’s neglected fifteen-year-old daughter. Forced from a young age to live with her mother’s eccentric whims, tortured lovers, and entourage of gold-diggers, Lara suffers from emotional, educational, and geographical instability that a Mexican sojourn with surrealists isn’t going to help. But when she meets the outcast Dadaist sculptor Jack Klinger, Lara thinks she might have found the understanding she so badly craves. Heartbreaking and strange, Costalegre is inspired by the real-life relationship between the heiress Peggy Guggenheim and her daughter, Pegeen. Courtney Maum triumphs with this wildly imaginative and curiously touching story of a privileged teenager who has everything a girl could wish for—except a mother who loves her back.
