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| Author | : Jurij Striedter |
| Publisher | : Harvard University Press |
| Total Pages | : 340 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : 9780674536531 |
| Author | : Michael Payne |
| Publisher | : John Wiley & Sons |
| Total Pages | : 834 |
| Release | : 2013-05-06 |
| Genre | : Literary Criticism |
| ISBN | : 1118438817 |
Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
| Author | : Rolf Hellebust |
| Publisher | : Cornell University Press |
| Total Pages | : 154 |
| Release | : 2024-01-15 |
| Genre | : History |
| ISBN | : 1501773429 |
How Russian Literature Became Great explores the cultural and political role of a modern national literature, orchestrated in a Slavonic key but resonating far beyond Russia's borders. Rolf Hellebust investigates a range of literary tendencies, philosophies, and theories from antiquity to the present: Roman jurisprudence to German Romanticism, French Enlightenment to Czech Structuralism, Herder to Hobsbawm, Samuel Johnson to Sainte-Beuve, and so on. Besides the usual Russian suspects from Pushkin to Chekhov, Hellebust includes European writers: Byron and Shelley, Goethe and Schiller, Chateaubriand and Baudelaire, Dante, Mickiewicz, and more. As elsewhere, writing in Russia advertises itself via a canon of literary monuments constituting an atemporal "ideal order among themselves" (T.S. Eliot). And yet this is a tradition that could only have been born at a specific moment in the golden nineteenth-century age of historiography and nation-building. The Russian example reveals the contradictions between immutability and innovation, universality and specificity at the heart of modern conceptions of tradition from Sainte-Beuve through Eliot and down to the present day. The conditions of its era of formation—the prominence of the crucial literary-historical question of the writer's social function, and the equation of literature with national identity—make the Russian classical tradition the epitome of a unified cultural text, with a complex narrative in which competing stories of progress and decline unfold through the symbolic biographical encounters of the authors who constitute its members. How Russian Literature Became Great thus offers a new paradigm for understanding the paradoxes of modern tradition.
| Author | : Gunilla Lindberg-Wada |
| Publisher | : Walter de Gruyter |
| Total Pages | : 328 |
| Release | : 2012-03-12 |
| Genre | : Literary Criticism |
| ISBN | : 3110920557 |
In our globalised world, literature is less and less confined to national spaces. Europe-centred frameworks for literary studies have become insufficient; academics are increasingly called upon to address matters of cultural difference. In this unique volume, leading scholars discuss the critical and methodical challenges that these developments pose to the writing of literary history. What is the object of literary history? What is the meaning of the term “world literature”? How do we compare different cultural systems of genres? How do we account theoretically for literary transculturation? What are the implications of postcolonial studies for the discipline of comparative literature? Ranging in focus from the Persian epic of Majnun Layla and Zulu praise poetry to South Korean novels and Brazilian antropofagismo, the essays offer a concise overview of these and related questions. Their aim is not to reach a consensus on these matters. They show instead what is at stake in the emergent field of global comparatism.
| Author | : Michał Mrugalski |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 857 |
| Release | : 2022-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 3110400340 |
Literary theory flourished in Central and Eastern Europe throughout the twentieth century, but its relation to Western literary scholarship is complex. This book sheds light on the entangled histories of exchange and influence both within the region known as Central and Eastern Europe, and between the region and the West. The exchange of ideas between scholars in the East and West was facilitated by both personal and institutional relations, both official and informal encounters. For the longest time, however, intellectual exchange was thwarted by political tensions that led to large parts of Central and Eastern Europe being isolated from the West. A few literary theories nevertheless made it into Western scholarly discourses via exiled scholars. Some of these scholars, such as Mikhail Bakhtin, become widely known in the West and their thought was transposed onto new, Western cultural contexts; others, such as Ol’ga Freidenberg, were barely noticed outside of Russian and Poland. This volume draws attention to the schools, circles, and concepts that shaped the development of theory in Central and Eastern Europe as well as the histoire croisée – the history of translations, transformations, and migrations – that conditioned its relationship with the West.
| Author | : Hans Bertens |
| Publisher | : Taylor & Francis |
| Total Pages | : 192 |
| Release | : 2024-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 1040039693 |
Now in its fourth edition, Literary Theory: The Basics is an essential guide to the complicated and often confusing world of literary theory. Readers will encounter a broad range of topics from Marxist and feminist criticism to postmodernism, queer studies, and ecocriticism. Literary Theory: The Basics shows, in an always lucid and accessible style, how literary theory and practice are connected, and considers key theories and approaches including: humanist criticism; structuralist and poststructuralist theory; postcolonial theory; posthumanism, ecocriticism, and animal studies; digital humanities and print culture studies. Literary theory has much to say about the wider world of humanities and beyond, and this guide helps readers to approach the many theories and debates with confidence. Expanded with updates throughout, this is the go-to guide for understanding literary theory today.
| Author | : Suresh Raval |
| Publisher | : University of Illinois Press |
| Total Pages | : 276 |
| Release | : 1998 |
| Genre | : Literary Criticism |
| ISBN | : 9780252067112 |
This sophisticated and wide-ranging look at literary criticism addresses the major theorists of today and proposes a constructive approach to challenging critical debates. Disclosing conflict as the inevitable outcome of historical change, Suresh Raval refuses the stark either-or choice between the foundationalist stance, which seeks to find the right answers, and the relativist position, which denies the possibility of identifying right and wrong. Raval explores the question of conflict in literary criticism and theory by analyzing how different theories have treated key issues, not to resolve these problems but to show why they resist decisive solution.
| Author | : Julian Wolfreys |
| Publisher | : Edinburgh University Press |
| Total Pages | : 448 |
| Release | : 2006-04-21 |
| Genre | : Literary Criticism |
| ISBN | : 0748626794 |
Modern European Criticism and Theory offers the reader a comprehensive critical overview of the widespread and profound contest of ideas within European 'theory'. The book focuses primarily on the thought of major voices in poetics, philosophy, linguistics, and psychoanalysis, as well as in literary and cultural studies from the Enlightenment to the present day. Examining how conceptions of subjectivity, identity and gender have been questioned, the more than 50 essays written by acknowledged experts in their fields critically assess the ways in which we think, see, and act in the world, as well as the ways in which we represent such thought psychologically, politically, and culturally. A further reading list accompanies each chapter.
| Author | : Longxi Zhang |
| Publisher | : Duke University Press |
| Total Pages | : 260 |
| Release | : 1992-04-17 |
| Genre | : Literary Criticism |
| ISBN | : 0822379775 |
Questions of the nature of understanding and interpretation—hermeneutics—are fundamental in human life, though historically Westerners have tended to consider these questions within a purely Western context. In this comparative study, Zhang Longxi investigates the metaphorical nature of poetic language, highlighting the central figures of reality and meaning in both Eastern and Western thought: the Tao and the Logos. The author develops a powerful cross-cultural and interdisciplinary hermeneutic analysis that relates individual works of literature not only to their respective cultures, but to a combined worldview where East meets West. Zhang's book brings together philosophy and literature, theory and practical criticism, the Western and the non-Western in defining common ground on which East and West may come to a mutual understanding. He provides commentary on the rich traditions of poetry and poetics in ancient China; equally illuminating are Zhang's astute analyses of Western poets such as Rilke, Shakespeare, and Mallarmé and his critical engagement with the work of Foucault, Derrida, and de Man, among others. Wide-ranging and learned, this definitive work in East-West comparative poetics and the hermeneutic tradition will be of interest to specialists in comparative literature, philosophy, literary theory, poetry and poetics, and Chinese literature and history.
| Author | : Terry Eagleton |
| Publisher | : Yale University Press |
| Total Pages | : 261 |
| Release | : 2012-05-29 |
| Genre | : Literary Criticism |
| ISBN | : 0300182597 |
In this characteristically concise, witty, and lucid book, Terry Eagleton turns his attention to the questions we should ask about literature, but rarely do. What is literature? Can we even speak of "literature" at all? What do different literary theories tell us about what texts mean and do? In throwing new light on these and other questions he has raised in previous best-sellers, Eagleton offers a new theory of what we mean by literature. He also shows what it is that a great many different literary theories have in common. In a highly unusual combination of critical theory and analytic philosophy, the author sees all literary work, from novels to poems, as a strategy to contain a reality that seeks to thwart that containment, and in doing so throws up new problems that the work tries to resolve. The "event" of literature, Eagleton argues, consists in this continual transformative encounter, unique and endlessly repeatable. Freewheeling through centuries of critical ideas, he sheds light on the place of literature in our culture, and in doing so reaffirms the value and validity of literary thought today.
