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| Author | : Richard J. Utz |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 1995 |
| Genre | : Literary Criticism |
| ISBN | : 9780889462649 |
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 400 |
| Release | : 2021-11-01 |
| Genre | : History |
| ISBN | : 9004455000 |
Influential accounts of European cultural history variously suggest that the rise of nominalism and its ultimate victory over realist orientations were highly implemental factors in the formation of Modern Europe since the later Middle Ages, but particularly the Reformation. Quite probably, this is a simplification of a state of affairs that is in fact more complex, indeed ambiguous. However, if there is any truth in such propositions - which have, after all, been made by many prominent commentators, such as Panofsky, Heer, Blumenberg, Foucault, Eco, Kristeva - we may no doubt assume that literary texts will have responded and in turn contributed, in a variety of ways, to these processes of cultural transformation. It seems of considerable interest, therefore, to take a close look at the complex, precarious position which literature, as basically a symbolic mode of signification, held in the perennial struggles and discursive negotiations between the semiotic 'twin paradigms' of nominalism and realism. This collection of essays (many of them by leading scholars in the field) is a first comprehensive attempt to tackle such issues - by analyzing representative literary texts in terms of their underlying semiotic orientations, specifically of nominalism, but also by studying pertinent historical, theoretical and discursive co(n)texts of such developments in their relation to literary discourse. At the same time, since 'literary nominalism' and 'realism' are conceived as fundamentally aesthetic phenomena instantiating a genuinely 'literary debate over universals', consistent emphasis is placed on the discursive dimension of the texts scrutinized, in an endeavour to re-orient and consolidate an emergent research paradigm which promises to open up entirely new perspectives for the study of literary semiotics, as well as of aesthetics in general. Historical focus is provided by concentrating on the English situation in the era of transition from late medieval to early modern (c. 1350-1650), but readers will also find contributions on Chrétien de Troyes and Rabelais, as well as on the 'aftermath' of the earlier debates - as exemplified in studies of Locke and (post)modern critical altercations, respectively, which serve to point up the continuing relevance of the issues involved. A substantial introductory essay seeks to develop an overarching theoretical framework for the study of nominalism and literary discourse, in addition to offering an in-depth exploration of the 'nominalism/realism-complex' in its relation to literature. An extensive bibliography and index are further features of interest to both specialists and general readers.
| Author | : Hugo Keiper |
| Publisher | : Rodopi |
| Total Pages | : 404 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9789042002883 |
Influential accounts of European cultural history variously suggest that the rise of nominalism and its ultimate victory over realist orientations were highly implemental factors in the formation of Modern Europe since the later Middle Ages, but particularly the Reformation. Quite probably, this is a simplification of a state of affairs that is in fact more complex, indeed ambiguous. However, if there is any truth in such propositions - which have, after all, been made by many prominent commentators, such as Panofsky, Heer, Blumenberg, Foucault, Eco, Kristeva - we may no doubt assume that literary texts will have responded and in turn contributed, in a variety of ways, to these processes of cultural transformation. It seems of considerable interest, therefore, to take a close look at the complex, precarious position which literature, as basically a symbolic mode of signification, held in the perennial struggles and discursive negotiations between the semiotic 'twin paradigms' of nominalism and realism. This collection of essays (many of them by leading scholars in the field) is a first comprehensive attempt to tackle such issues - by analyzing representative literary texts in terms of their underlying semiotic orientations, specifically of nominalism, but also by studying pertinent historical, theoretical and discursive co(n)texts of such developments in their relation to literary discourse. At the same time, since 'literary nominalism' and 'realism' are conceived as fundamentally aesthetic phenomena instantiating a genuinely 'literary debate over universals', consistent emphasis is placed on the discursive dimension of the texts scrutinized, in an endeavour to re-orient and consolidate an emergent research paradigm which promises to open up entirely new perspectives for the study of literary semiotics, as well as of aesthetics in general. Historical focus is provided by concentrating on the English situation in the era of transition from late medieval to early modern (c. 1350-1650), but readers will also find contributions on Chrétien de Troyes and Rabelais, as well as on the 'aftermath' of the earlier debates - as exemplified in studies of Locke and (post)modern critical altercations, respectively, which serve to point up the continuing relevance of the issues involved. A substantial introductory essay seeks to develop an overarching theoretical framework for the study of nominalism and literary discourse, in addition to offering an in-depth exploration of the 'nominalism/realism-complex' in its relation to literature. An extensive bibliography and index are further features of interest to both specialists and general readers.
| Author | : Will Robins |
| Publisher | : University of Toronto Press |
| Total Pages | : 249 |
| Release | : 2010-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1442640812 |
Literary depictions of the sacred and the secular from the Middle Ages are representative of the era's widely held cultural understandings related to religion and the nature of lived experience. Using late Medieval English literature, including some of Chaucer's writings, these essays do not try to define a secular realm distinct and separate from the divine or religious, but instead analyze intersections of the sacred and the profane, suggesting that these two categories are mutually constitutive rather than antithetical. With essays by former students of John V. Fleming, the collection pays tribute to the Princeton University professor emeritus through wide-ranging scholarship and literary criticism. Including reflections on depictions of Bathsheba, Troilus and Criseyde, the Legend of Good Women, Chaucer's Pardoner, and Margery Kempe, these essays focus on literature while ranging into history, philosophy, and the visual arts. Taken together, the work suggests that the domain of the sacred, as perceived in the Middle Ages, can variously be seen as having a hierarchical or a complementary relationship to the things of this world.
| Author | : Bonnie Wheeler |
| Publisher | : Springer |
| Total Pages | : 267 |
| Release | : 2016-04-30 |
| Genre | : Literary Criticism |
| ISBN | : 1137089512 |
In what varieties of ways is late medieval literature inflected by spiritual insight and desires? What weaves of literary cloth especially suit religious insight? In this collection dedicated to Elizabeth D. Kirk, Emeritus Professor of English at Brown University, several renowned scholars assess those related issues in a range of Medieval texts.
| Author | : Thomas Hill |
| Publisher | : Routledge |
| Total Pages | : 158 |
| Release | : 2013-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 1135510288 |
She, This in Blak takes a fresh look at Chaucer's great Trojan romance, Troilus and Criseyde, in light of recent scholarship on late scholastic discourses on representation and causality as they pertain to human perception and judgment. This study also contributes to a growing literature on the impact of scholastic psychological theory upon contemporary cultural forms by examining the way in which late medieval accounts of perception and cognition can illuminate the construction of the poem's subjects, including one of the most compelling and controversial figures in medieval literature, Chaucer's Criseyde. By examining Chaucer's depiction of Troilus, Pandarus, and Criseyde within this contemporary cultural context, She, This in Blak offers a better grounded and more historically illuminating view of the poem than is provided by psychological readings based on modern constructions of intentionality.
| Author | : Jessica Rosenfeld |
| Publisher | : Cambridge University Press |
| Total Pages | : 257 |
| Release | : 2010-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1139495259 |
Jessica Rosenfeld provides a history of the ethics of medieval vernacular love poetry by tracing its engagement with the late medieval reception of Aristotle. Beginning with a history of the idea of enjoyment from Plato to Peter Abelard and the troubadours, the book then presents a literary and philosophical history of the medieval ethics of love, centered on the legacy of the Roman de la Rose. The chapters reveal that 'courtly love' was scarcely confined to what is often characterized as an ethic of sacrifice and deferral, but also engaged with Aristotelian ideas about pleasure and earthly happiness. Readings of Machaut, Froissart, Chaucer, Dante, Deguileville and Langland show that poets were often markedly aware of the overlapping ethical languages of philosophy and erotic poetry. The study's conclusion places medieval poetry and philosophy in the context of psychoanalytic ethics, and argues for a re-evaluation of Lacan's ideas about courtly love.
| Author | : Anita Gilman Sherman |
| Publisher | : Cambridge University Press |
| Total Pages | : 281 |
| Release | : 2021-04-29 |
| Genre | : Literary Criticism |
| ISBN | : 1108905358 |
This ambitious account of skepticism's effects on major authors of England's Golden Age shows how key philosophical problems inspired literary innovations in poetry and prose. When figures like Spenser, Shakespeare, Donne, Herbert of Cherbury, Cavendish, Marvell and Milton question theories of language, degrees of knowledge and belief, and dwell on the uncertainties of perception, they forever change English literature, ushering it into a secular mode. While tracing a narrative arc from medieval nominalism to late seventeenth-century taste, the book explores the aesthetic pleasures and political quandaries induced by skeptical doubt. It also incorporates modern philosophical views of skepticism: those of Stanley Cavell, Ludwig Wittgenstein, Roland Barthes, and Hans Blumenberg, among others. The book thus contributes to interdisciplinary studies of philosophy and literature as well as to current debates about skepticism as a secularizing force, fostering civil liberties and religious freedoms.
| Author | : Jane Beal |
| Publisher | : Modern Language Association |
| Total Pages | : 262 |
| Release | : 2018-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1603292934 |
The moving, richly allegorical poem Pearl was likely written by the anonymous poet who also penned Sir Gawain and the Green Knight. In it, a man in a garden, grieving the loss of a beloved pearl, dreams of the Pearl-Maiden, who appears across a stream. She teaches him the nature of innocence, God's grace, meekness, and purity. Though granted a vision of the New Jerusalem by the Pearl-Maiden, the dreamer is pained to discover that he cannot cross the stream himself and join her in bliss--at least not yet. This extraordinary poem is a door into late medieval poetics and Catholic piety. Part 1 of this volume, "Materials," introduces instructors to the many resources available for teaching the canonical yet challenging Pearl, including editions, translations, and scholarship on the poem as well as its historical context. The essays in part 2, "Approaches," offer instructors tools for introducing students to critical issues associated with the poem, such as its authorship, sources and analogues, structure and language, and relation to other works of its time. Contributors draw on interdisciplinary approaches to outline ways of teaching Pearl in a variety of classroom contexts.
| Author | : Philip R. Hardie |
| Publisher | : Cambridge University Press |
| Total Pages | : 707 |
| Release | : 2012-02-02 |
| Genre | : History |
| ISBN | : 0521620880 |
Major study of the literary treatment of rumour and renown across the canon of authors from Homer to Alexander Pope, including readings in historiographical and dramatic texts, and authors such as Petrarch, Chaucer, Spenser, Shakespeare and Milton. Of interest to students of classical and comparative literature and of reception studies.
