Literary History of Taiwanese Indigenous Peoples
| Author | : 浦忠成 |
| Publisher | : |
| Total Pages | : |
| Release | : 2012 |
| Genre | : Ethnology |
| ISBN | : 9789866178542 |
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Indigenous Writers of Taiwan
| Author | : John Balcom |
| Publisher | : Modern Chinese Literature from |
| Total Pages | : 194 |
| Release | : 2005 |
| Genre | : Literary Collections |
| ISBN | : 9780231136501 |
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Few people beyond the shores of Taiwan are aware that it is home to a population of indigenous peoples who for more than fifteen thousand years have lived on the island. Over the years, through the Chinese imperial period, the Japanese occupation, and for most of the twentieth century, the indigenous peoples of Taiwan were marginalized and deprived of rights. However, with the lifting of martial law in 1987, new government policies regarding ethnic groups, and growing interest in Taiwan's aboriginal peoples, indigenous writing began to blossom. With its intense and lyrical explorations of a fading culture, indigenous writing has become an important topic of discussion in Taiwanese literary circles. This collection of indigenous literature is the first such anthology in English. In selecting the stories, essays, and poems for the anthology, the editors provide a representative sampling from each of Taiwan's nine indigenous tribes. The writers explore such themes as the decline of traditional ways of life in Taiwan's aboriginal communities, residual belief in ancestral spirits, assimilation into a society dominated by Han Chinese, and the psychological and economic encroachment of the outside world. Their writings offer previously unheard perspectives on the plight of aboriginal cultures and the experiences of Taiwanese minorities. John Balcom has included an introduction to provide the reader with background information on Taiwan's indigenous peoples. The introduction addresses the origins of Taiwan's Austronesian peoples and general information on their culture, languages, and history. A discussion of the growth and development of indigenous literature, its sociolinguistic and cultural significance, and the difficulties faced by such writers is also included.
Indigenous Writers of Taiwan
| Author | : John Balcom |
| Publisher | : Columbia University Press |
| Total Pages | : 232 |
| Release | : 2005-07-27 |
| Genre | : Literary Criticism |
| ISBN | : 9780231509992 |
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Few people beyond the shores of Taiwan are aware that it is home to a population of indigenous peoples who for more than fifteen thousand years have lived on the island. Over the years, through the Chinese imperial period, the Japanese occupation, and for most of the twentieth century, the indigenous peoples of Taiwan were marginalized and deprived of rights. However, with the lifting of martial law in 1987, new government policies regarding ethnic groups, and growing interest in Taiwan's aboriginal peoples, indigenous writing began to blossom. With its intense and lyrical explorations of a fading culture, indigenous writing has become an important topic of discussion in Taiwanese literary circles. This collection of indigenous literature is the first such anthology in English. In selecting the stories, essays, and poems for the anthology, the editors provide a representative sampling from each of Taiwan's nine indigenous tribes. The writers explore such themes as the decline of traditional ways of life in Taiwan's aboriginal communities, residual belief in ancestral spirits, assimilation into a society dominated by Han Chinese, and the psychological and economic encroachment of the outside world. Their writings offer previously unheard perspectives on the plight of aboriginal cultures and the experiences of Taiwanese minorities. John Balcom has included an introduction to provide the reader with background information on Taiwan's indigenous peoples. The introduction addresses the origins of Taiwan's Austronesian peoples and general information on their culture, languages, and history. A discussion of the growth and development of indigenous literature, its sociolinguistic and cultural significance, and the difficulties faced by such writers is also included.
Taiwan’s Contemporary Indigenous Peoples
| Author | : Chia-yuan Huang |
| Publisher | : Routledge |
| Total Pages | : 213 |
| Release | : 2021-07-08 |
| Genre | : Social Science |
| ISBN | : 1000407918 |
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This edited volume provides a complete introduction to critical issues across the field of Indigenous peoples in contemporary Taiwan, from theoretical approaches to empirical analysis. Seeking to inform wider audiences about Taiwan’s Indigenous peoples, this book brings together both leading and emerging scholars as part of an international collaborative research project, sharing broad specialisms on modern Indigenous issues in Taiwan. This is one of the first dedicated volumes in English to examine contemporary Taiwan’s Indigenous peoples from such a range of disciplinary angles, following four section themes: long-term perspectives, the arts, education, and politics. Chapters offer perspectives not only from academic researchers, but also from writers bearing rich practitioner and activist experience from within the Taiwanese Indigenous rights movement. Methods range from extensive fieldwork to Indigenous-directed film and literary analysis. Taiwan's Contemporary Indigenous Peoples will prove a useful resource for students and scholars of Taiwan Studies, Indigenous Studies and Asia Pacific Studies, as well as educators designing future courses on Indigenous studies.
The Anthology of Taiwan Indigenous Literature
| Author | : Fang-Ming Chen |
| Publisher | : |
| Total Pages | : 287 |
| Release | : 2015 |
| Genre | : Folk literature |
| ISBN | : 9789860442267 |
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The Anthology of Taiwan Indigenous Literature
| Author | : Fang-Ming Chen |
| Publisher | : |
| Total Pages | : |
| Release | : 2015 |
| Genre | : Folk literature |
| ISBN | : 9789860442274 |
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Indigenous Knowledge in Taiwan and Beyond
| Author | : Shu-mei Shih |
| Publisher | : Springer Nature |
| Total Pages | : 362 |
| Release | : 2021-01-15 |
| Genre | : Social Science |
| ISBN | : 9811541787 |
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This book situates Taiwan’s indigenous knowledge in comparative contexts across other indigenous knowledge formations. The content is divided into four distinct but interrelated sections to highlight the importance and diversity of indigenous knowledge in Taiwan and beyond. It begins with an exploration of the recent development and construction of an indigenous knowledge and educational system in Taiwan, as well as issues concerning research ethics and indigenous knowledge. This is followed by a section that illustrates diverse forms of indigenous knowledge, and in turn, a theoretical dialogue between indigenous studies and settler colonial studies. Lastly, the Paiwan indigenous author Dadelavan Ibau’s trans-indigenous journey to Tibet rounds out the coverage. This book is useful to readers in indigenous, settler colonial, and decolonial studies around the world, not just because it offers substantive content on indigenous knowledge in Taiwan, but also because it offers conceptual tools for studying indigenous knowledge from comparative and relational perspectives. It also greatly benefits anyone interested in Taiwan studies, offering an ethical approach to indigeneity in a classic settler colony.
The Columbia Sourcebook of Literary Taiwan
| Author | : Sung-sheng Yvonne Chang |
| Publisher | : Columbia University Press |
| Total Pages | : 1072 |
| Release | : 2014-09-02 |
| Genre | : Literary Criticism |
| ISBN | : 0231537549 |
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This sourcebook contains more than 160 documents and writings that reflect the development of Taiwanese literature from the early modern period to the twenty-first century. Selections include seminal essays in literary debates, polemics, and other landmark events; interviews, diaries, and letters by major authors; critical and retrospective essays by influential writers, editors, and scholars; transcripts of historical speeches and conferences; literary-society manifestos and inaugural journal prefaces; and governmental policy pronouncements that have significantly influenced Taiwanese literature. These texts illuminate Asia's experience with modernization, colonialism, and postcolonialism; the character of Taiwan's Cold War and post–Cold War cultural production; gender and environmental issues; indigenous movements; and the changes and challenges of the digital revolution. Taiwan's complex history with Dutch, Spanish, and Japanese colonization; strategic geopolitical position vis-à-vis China, Japan, and the United States; and status as a hub for the East-bound circulation of technological and popular-culture trends make the nation an excellent case study for a richer understanding of East Asian and modern global relations.
The Musha Incident
| Author | : Michael Berry |
| Publisher | : Columbia University Press |
| Total Pages | : 421 |
| Release | : 2022-05-10 |
| Genre | : History |
| ISBN | : 0231552181 |
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On October 27, 1930, members of six Taiwanese indigenous groups ambushed the Japanese attendees of an athletic competition at the Musha Elementary School, killing 134. The uprising came as a shock to Japanese colonial authorities, whose response was swift and brutal. Heavy artillery and battalions of troops assaulted the region, spraying a wide area with banned poison gas. The Seediq from Mhebu, who led the uprising, were brought to the brink of genocide. Over the ensuing decades, the Musha Incident became seen as a central moment in Taiwan’s colonial history, and different political regimes and movements have seized on it for various purposes. Under the Japanese, it was used to attest to the “barbarity” of Taiwan’s indigenous tribes; the Nationalist regime cited the uprising as proof of the Taiwanese peoples’ heroism and solidarity with the Chinese in resisting the Japanese; and pro-independence groups in Taiwan have portrayed the Seediq people and their history as exemplars of Taiwan’s “authentic” cultural traditions, which stand apart from that of mainland China. This book brings together leading scholars to provide new perspectives on one of the most traumatic episodes in Taiwan’s modern history and its fraught legacies. Contributors from a variety of disciplines revisit the Musha Incident and its afterlife in history, literature, film, art, and popular culture. They unravel the complexities surrounding it by confronting a history of exploitation, contradictions, and misunderstandings. The book also features conversations with influential cultural figures in Taiwan who have attempted to tell the story of the uprising.
Beyond 'Innocence': Amis Aboriginal Song in Taiwan as an Ecosystem
| Author | : ShzrEe Tan |
| Publisher | : Routledge |
| Total Pages | : 312 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351574094 |
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Taiwan aboriginal song has received extensive media coverage since the launch and settlement of a copyright lawsuit following pop group Enigma's allegedly unauthorized use of Amis voices in the 1996 Olympics hit, Return To Innocence. Taking as her starting point the ripple effects of this case, Shzr Ee Tan explores the relationship of this song culture to contemporary Amis society. She presents Amis song in its multiple manifestations as an ecosystem, symbiotic components of which interact and feed back upon one another in cross-cutting platforms of village life, festival celebration, cultural performance, popular song, art music and Christian hymnody. Tan's investigation hinges upon drawing a conceptual line between ladhiw, the Amis term for 'song' - a word vested with connotations of life-force, tradition, ritual and taboo - and the foreign term of yinyue ('music' - borrowed from Mandarin). This difference forms the basis of how Amis song is (re)constructed through processes of modernization, Christianization and politico-economic change. A single Amis melody, for example, can exist in several guises that are contextually exclusive but functionally mutually-supportive. Thus, a weeding song (ladhiw), which may have lost its traditional context of existence following advancements in farming technology, becomes sustained within a larger ecosystem, finding new life on the interacting platforms of Amis Catholic hymnody, karaoke and tourist shows. The latter genres (collectively, yinyue) may not rely on traditional livelihoods for survival, but thrive on a traditional melody's deeper associations to local memory and idealized Amis identities. While these new and old genres are stylistically separate, they feed into each other and back into themselves - through transforming contexts and cross-referenced memes - in organic and developing cycles of song activity. Drawing from fieldwork conducted from 2000-2010 as well as a background in ethnomusicology and journalism, Ta
