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| Author | : Óscar Prieto Domínguez |
| Publisher | : Cambridge University Press |
| Total Pages | : 557 |
| Release | : 2021-02-04 |
| Genre | : Art |
| ISBN | : 1108491308 |
Explores the literary texts produced during Byzantine Iconoclasm and their use as ideological tools by the main political circles.
| Author | : Daniel J. Sahas |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1986 |
| Genre | : Religion |
| ISBN | : |
"An annotated translation of the sixth session of the Seventh Ecumenical Council (Nicea, 787), containing the definition of the Council of Constantinople (754) and its refutation, and the definition of the Seventh Ecumenical Council"--Title page.
| Author | : Mike Humphreys |
| Publisher | : BRILL |
| Total Pages | : 648 |
| Release | : 2021-09-27 |
| Genre | : Art |
| ISBN | : 9004462007 |
Twelve scholars contextualize and critically examine the key debates about the controversy over icons and their veneration that would fundamentally shape Byzantium and Orthodox Christianity.
| Author | : Kristine Kolrud |
| Publisher | : Routledge |
| Total Pages | : 265 |
| Release | : 2016-12-05 |
| Genre | : Art |
| ISBN | : 1351929208 |
The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.
| Author | : Jesse W. Torgerson |
| Publisher | : BRILL |
| Total Pages | : 476 |
| Release | : 2022-07-25 |
| Genre | : History |
| ISBN | : 9004516859 |
The ninth-century Chronographia of George the Synkellos and Theophanes is the most influential historical text ever written in medieval Constantinople. Yet modern historians have never explained its popularity and power. This interdisciplinary study draws on new manuscript evidence to finally animate the Chronographia’s promise to show attentive readers the present meaning of the past. Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.
| Author | : Leslie Brubaker |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Art and state |
| ISBN | : 9781472540768 |
This title presents an important re-examination of the Byzantine iconoclasm - the widespread phenomenon of destruction of images that took place in the 7th to 9th centuries AD - by the leading scholar in the field.
| Author | : Bissera V |
| Publisher | : Penn State Press |
| Total Pages | : 346 |
| Release | : |
| Genre | : Art |
| ISBN | : 0271035846 |
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 332 |
| Release | : 2023-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 9004685758 |
This volume explores concepts of fiction in late antique hagiographical narrative in different cultural and literary traditions. It includes Greek, Latin, Syriac, Armenian, Persian and Arabic material. Whereas scholarship in these texts has traditionally focussed on historical questions, this book approaches imaginative narrative as an inherent element of the genre of hagiography that deserves to be studied in its own right. The chapters explore narrative complexities related to fiction, such as invention, authentication, intertextuality, imagination and fictionality. Together, they represent an innovative exploration of how these concepts relate to hagiographical discourses of truth and the religious notion of belief, while paying due attention to the various factors and contexts that impact readers’ responses.
| Author | : Dionysios Stathakopoulos |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2023-06-15 |
| Genre | : History |
| ISBN | : 1350233439 |
Incorporating the latest scholarly developments to offer an in-depth account of the history of the Byzantine Empire, this revised edition sheds new light on the Empire's culture, theology, and economic and socio-political spheres. Charting from the Empire's origins, to its expansion and influence over the Mediterranean, later revival, and eventual fall this book covers more than 1,000 years of history. With analysis of the Empire's changing social infrastructure, key events, and the broader cultural environment, Stathakopoulos expertly analyses how and why it became a powerhouse of literature, art, theology and learning, whilst also examining its aftermath and afterlife and enduring significance today. Drawing on a variety of English and non-English sources, in addition to a plethora of visual and textual materials, this book is an invaluable resource for scholars, students, and general readers alike.
| Author | : Charles Barber |
| Publisher | : |
| Total Pages | : 207 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780691091778 |
Figure and Likeness presents a thought-provoking new account of Byzantine iconoclasm--the fundamental crisis in Christian visual representation during the eighth and ninth centuries that defined the terms of Christianity's relationship to the painted image. Charles Barber rejects the conventional means of analyzing this crisis, which seeks its origin in political and other social factors. Instead, he argues, iconoclasm is primarily a matter of theology and aesthetic theory. Working between the theological texts and the visual materials, Barber demonstrates that in challenging the validity of iconic representation, iconoclasts were asking: How can an image depict an incomprehensible God? In response, iconophile theologians gradually developed a notion of representation that distinguished the work of art from the subject it depicted. As such, Barber concludes, they were forced to move the language describing the icon beyond that of theology. This pivotal step allowed these theologians, of whom Patriarch Nikephoros and Theodore of Stoudios were the most important, to define and defend a specifically Christian art. In highlighting this outcome and also in offering a full and clearly rendered account of iconoclastic notions of Christian representation, Barber reveals that the notion of art was indeed central to the unfolding of iconoclasm. The implications of this study reach well beyond the dispute it considers. Barber fundamentally revises not only our understanding of Byzantine art in the years succeeding the iconoclastic dispute, but also of Christian painting in the centuries to come.
