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Literary Circles and Cultural Communities in Renaissance England

Literary Circles and Cultural Communities in Renaissance England
Author: Claude J. Summers
Publisher: University of Missouri Press
Total Pages: 256
Release: 2000
Genre: Biography & Autobiography
ISBN: 0826264050
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Although the literary circle is widely recognized as a significant feature of Renaissance literary culture, it has received remarkably little examination. In this collection of essays, the authors attempt to explain literary circles and cultural communities in Renaissance England by exploring both actual and imaginary ways in which they were conceived and the various needs they fulfilled. The book also pays considerable attention to larger theoretical issues relating to literary circles. The essayists raise important questions about the extent to which literary circles were actual constructs or fictional creations. Whether illuminating or limiting, the circle metaphor itself can be extended or reformulated. Some of the authors discuss how particular circles actually operated, and some question the very concept of the literary circle. Literary Circles and Cultural Communities in Renaissance England will be an important addition to seventeenth-century studies.

Literary Circles and Gender in Early Modern Europe

Literary Circles and Gender in Early Modern Europe
Author: Julie Campbell
Publisher: Routledge
Total Pages: 372
Release: 2018-01-18
Genre: Literary Criticism
ISBN: 135115382X
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A comparative analysis, this study examines the interactions of early modern male and female writers within the context of literary circles. In particular, Campbell examines how the querelle des femmes as a discursive rhetorical tradition of praise and blame influenced perceptions of well-educated women who were part of literary circles in Italy, France, and England from approximately 1530 to 1650. To gain a better sense of how querelle language and issues were used for or against learned women writers, Campbell aligns selected works by female and male writers, pairing them to analyze how the woman writer responds, deflects, or rewrites the male writer's ideological script on women. She focuses first on the courtesan Tullia d'Aragona's response in her Dialogo della infinità di amore to Sperone Speroni's Dialogo di amore, and contrasts the actress/writer Isabella Andreini's pastoral La Mirtilla with Torquato Tasso's Aminta. She then discusses the influence of Italian actresses upon the manners and mores of French women of the Valois court, especially focusing on performative aspects of French women's participation in court and salon rituals. To that end, she examines the influential salon of the aristocratic, learned Claude-Catherine de Clermont, duchesse de Retz, who encouraged the writing of positive querelle rhetoric in the form of Petrarchan, Neoplatonic encomiastic poetry to buttress her reputation and that of her female friends. Next, Campbell reads Louise Lab D‘t de Folie et d'Amour against Pontus de Tyard's Solitaire premier to illustrate the tensions between a traditional and nontraditional querelle stance. She then discusses Continental influence upon English writers in the context of the Sidney circle in England. Moving to the closet dramas of the Sidney circle, Campbell examines the solidarity these writers demonstrated with nontraditional stances on querelle issues, and, finally, she explores how three generations of English literary circles con

The Mother's Legacy in Early Modern England

The Mother's Legacy in Early Modern England
Author: Ms Jennifer Heller
Publisher: Ashgate Publishing, Ltd.
Total Pages: 256
Release: 2013-05-28
Genre: Literary Criticism
ISBN: 1409478718
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Using printed and manuscript texts composed between 1575 and 1672, Jennifer Heller defines the genre of the mother's legacy as a distinct branch of the advice tradition in early modern England that takes the form of a dying mother's pious counsel to her children. Reading these texts in light of specific cultural contexts, social trends, and historical events, Heller explores how legacy writers used the genre to secure personal and family status, to shape their children's beliefs and behaviors, and to intervene in the period's tumultuous religious and political debates. The author's attention to the fine details of the period's religious and political swings, drawn from sources such as royal proclamations, sermons, and first-hand accounts of book-burnings, creates a fuller context for her analysis of the legacies. Similarly, Heller explains the appeal of the genre by connecting it to social factors including mortality rates and inheritance practices. Analyses of related genres, such as conduct books and fathers' legacies, highlight the unique features and functions of mothers' legacies. Heller also attends to the personal side of the genre, demonstrating that a writer's education, marriages, children, and turns of fortune affect her work within the genre.

The Mother's Legacy in Early Modern England

The Mother's Legacy in Early Modern England
Author: Jennifer Heller
Publisher: Routledge
Total Pages: 244
Release: 2016-03-03
Genre: Literary Criticism
ISBN: 131702365X
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Using printed and manuscript texts composed between 1575 and 1672, Jennifer Heller defines the genre of the mother's legacy as a distinct branch of the advice tradition in early modern England that takes the form of a dying mother's pious counsel to her children. Reading these texts in light of specific cultural contexts, social trends, and historical events, Heller explores how legacy writers used the genre to secure personal and family status, to shape their children's beliefs and behaviors, and to intervene in the period's tumultuous religious and political debates. The author's attention to the fine details of the period's religious and political swings, drawn from sources such as royal proclamations, sermons, and first-hand accounts of book-burnings, creates a fuller context for her analysis of the legacies. Similarly, Heller explains the appeal of the genre by connecting it to social factors including mortality rates and inheritance practices. Analyses of related genres, such as conduct books and fathers' legacies, highlight the unique features and functions of mothers' legacies. Heller also attends to the personal side of the genre, demonstrating that a writer's education, marriages, children, and turns of fortune affect her work within the genre.

Mediatrix

Mediatrix
Author: Julie Crawford
Publisher: OUP Oxford
Total Pages: 273
Release: 2014-05-29
Genre: Literary Criticism
ISBN: 0191021083
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Women, Politics, and Literary Production in Early Modern England considers the roles women played as literary patrons, dedicatees, readers, and writers in the late-sixteenth and early-seventeenth centuries, and the intimate relationship between these literary activities and what has often been called 'politically active' humanism. Focusing on the interrelated communities centered on Mary Sidney Herbert, Countess of Pembroke; Lady Margaret Hoby; Lucy Harrington Russell, the Countess of Bedford; and Lady Mary Wroth, Mediatrix argues that women played integral roles not only in the production of some of the most renowned literary texts in the period, including Philip Sidney's Arcadia, John Donne's poetry, and Mary Wroth's Urania, but also in wider networks of intellectual, religious and political activism. Each of the communities discussed was concerned with the cause loosely identified as international or militant Protestantism and frequently mediated through the circulation of texts of all kinds. Illuminating women's constitutive involvement in everything from the genres of the texts produced — romances, verse letters, texts of religious controversy — to the places in which those texts were produced and circulated - -the estates of Wilton, Penshurst, Hackness, Twickenham, and Loughton — and the conditions and hermeneutics by which they were read, Mediatrix offers an account of early modern English literary production with women at the center and political activism as one of its primary, rather than merely topical, concerns.

Doubtful Readers

Doubtful Readers
Author: Erin A. McCarthy
Publisher: Oxford University Press
Total Pages: 272
Release: 2020-02-06
Genre: Literary Criticism
ISBN: 019257356X
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When poetry was printed, poets and their publishers could no longer take for granted that readers would have the necessary knowledge and skill to read it well. By making poems available to anyone who either had the means to a buy a book or knew someone who did, print publication radically expanded the early modern reading public. These new readers, publishers feared, might not buy or like the books. Worse, their misreadings could put the authors, the publishers, or the readers themselves at risk. Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers' efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers' strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers' interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.

Women and the Bible in Early Modern England

Women and the Bible in Early Modern England
Author: Femke Molekamp
Publisher: OUP Oxford
Total Pages: 281
Release: 2013-03-21
Genre: History
ISBN: 0191643297
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Women and the Bible in Early Modern England provides an account of the uniquely important role of the Bible in the development of female interpretative and literary agency, as well as in the expression of female subjectivity in early modern England. In the later sixteenth and throughout the seventeenth century women's religious writing diversified in genre and entered increasingly into a public literary sphere. Femke Molekamp shows that the Bible was at the heart of female reading culture, and that women can be seen to have participated in multiple modes of reading it, which, in turn, fostered various kinds of literary writing. The sources used in this book to reconstruct reading practices, and trace their connection to religious writing, are drawn from diverse archives, to include the annotations, biographical writing, commonplace books, letters, treatises, and other literary writings in print and manuscript of both prominent early modern women well known to us, and women who have so far remained obscure. The book argues that the increased circulation of the Bible in English fostered reading practices that enabled a growth in female interpretative and literary agency.

Richard Brome

Richard Brome
Author: Matthew Steggle
Publisher: Manchester University Press
Total Pages: 236
Release: 2004
Genre: Literary Collections
ISBN: 9780719063589
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Richard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642.This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals.

Women in the Seventeenth-Century Quaker Community

Women in the Seventeenth-Century Quaker Community
Author: Catie Gill
Publisher: Routledge
Total Pages: 261
Release: 2017-03-02
Genre: Literary Criticism
ISBN: 135187196X
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Focussing on Quaker pamphlet literature of the commonwealth and restoration period, Catie Gill seeks to explore and explain women’s presence as activists, writers, and subjects within the early Quaker movement. Women in the Seventeenth-Century Quaker Community draws on contemporary resources such as prophetic writing, prison narratives, petitions, and deathbed testimonies to produce an account of women’s involvement in the shaping of this religious movement. The book reveals that, far from being of marginal importance, women were able to exploit the terms in which Quaker identity was constructed to create roles for themselves, in public and in print, that emphasised their engagement with Friends’ religious and political agenda. Gill’s evidence suggests that women were able to mobilise contemporary notions of femininity when pursuing active roles as prophets, martyrs, mothers, and political activists. The book’s focus on collective, Quaker identities, which arises from its analysis of multiple-authored texts, is key to its claims that gender issues have to be considered when analysing the sect’s emergent system of values, and Gill assesses the representation of women in male-authored texts in addition to female writers’ attitudes to agency. A bibliography that, for the first time, lists men and women’s involvement as contributors as well as authors to Quaker pamphlets provides a valuable resource for scholars of seventeenth-century radicalism.

Songs of Contentment and Transgression

Songs of Contentment and Transgression
Author: Tian Yuan Tan
Publisher: BRILL
Total Pages: 313
Release: 2020-10-26
Genre: History
ISBN: 1684170591
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A discharged official in mid-Ming China faced significant changes in his life. This book explores three such officials in the sixteenth century—Wang Jiusi, Kang Hai, and Li Kaixian—who turned to literary endeavors when forced to retire. Instead of the formal writing expected of scholar-officials, however, they chose to engage in the stigmatized genre ofqu (songs), a collective term for drama and sanqu. As their efforts reveal, a disappointing end to an official career and a physical move away from the center led to their embrace of qu and the pursuit of a marginalized literary genre. This book also attempts to sketch the largely unknown literary landscape of mid-Ming north China. After their retirements, these three writers became cultural leaders in their native regions. Wang, Kang, and Li are studied here not as solitary writers but as central figures in the “qu communities” that formed around them. Using such communities as the basic unit in the study of qu allows us to see how sanqu and drama were produced, transmitted, and “used” among these writers, things less evident when we focus on the individual.