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Listening to Western Music

Listening to Western Music
Author: Craig Wright
Publisher: Cengage Learning
Total Pages: 0
Release: 2016-01-01
Genre: Education
ISBN: 9781305627352

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Combining a student-friendly presentation with cutting-edge digital resources, LISTENING TO WESTERN MUSIC equips you with the tools to actively listen to and inspire a lifelong appreciation for music. Known for his clear, conversational style, Professor Wright helps you immediately find connections to music by comparing pop and classical music concepts. His text is organized chronologically and discusses musical examples from each era in its social context -- describing the construction and culture of each piece. LISTENING TO WESTERN MUSIC is fully integrated with MindTap to better help you develop your listening skills and maximize your course success. Online resources include interactive exercises, streaming music, Active Listening Guides, chapter and critical thinking quizzes, iAudio lectures, YouTube videos, Beat the Clock games, and more. You also can download all music directly to a music library. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.


Listening to Music

Listening to Music
Author: Craig Wright
Publisher: Schirmer Books
Total Pages: 510
Release: 2007-01-25
Genre: Music
ISBN:

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Compact disc contains 25 tracks of music by different performers as listed in the text.


Listening to Western Music

Listening to Western Music
Author: Craig Wright
Publisher: Cengage Learning
Total Pages: 448
Release: 2010-03-31
Genre: Education
ISBN: 9781439083475

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The only music appreciation text on the market to include listening exercises throughout the book, LISTENING TO WESTERN MUSIC, Sixth Edition, masterfully develops and refines the listening skills of your students. Acclaimed for unparalleled clarity and accuracy, Wright succinctly covers traditional Western music from medieval to modern. Musical examples from each historical period are discussed within their social context, giving students a broad sense of not only the construction of a piece but also its historical and cultural meaning. This chronological text actively develops listening skills in three important ways: First, LISTENING TO WESTERN MUSIC includes detailed Listening Exercises throughout the book. These easy-to-grade exercises help students focus on important musical elements and episodes; by providing these exercises in the book, Craig Wright (who teaches music appreciation and uses these exercises himself) frees instructors to spend time on other aspects of class preparation. Second, a free Introduction to Listening CD comes packaged with each copy of the text. This CD plays all of the music and musical examples for the listening exercises in Part One, which introduces music fundamentals. Third, Active Listening Guides with streaming music and listening quizzes are available from the Schirmer Cengage Learning premium website to further challenge and test your students. For the first time, the text's companion site links to a complete online course taught by Craig Wright at Open Yale Courses, an open-access selection of introductory courses taught by distinguished teachers and scholars at Yale University. The courses include exciting live in-class performances and demonstrations! Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.


Take Note

Take Note
Author: Robin Wallace
Publisher: Oxford University Press, USA
Total Pages: 0
Release: 2014
Genre: Music appreciation
ISBN: 9780195314335

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This innovative music appreciation text is designed to help students become active and attentive listeners through in-depth examination of a recurring repertory of core musical works. By exploring each element of music through the lens of these core works - which were carefully selected torepresent a variety of styles and genres - students deepen their understanding of how music works and develop strong listening skills that will enhance their enjoyment of music.


Musical Listening in the Age of Technological Reproduction

Musical Listening in the Age of Technological Reproduction
Author: Gianmario Borio
Publisher: Routledge
Total Pages: 486
Release: 2016-04-29
Genre: Music
ISBN: 1317091442

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It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.


For the Love of Music

For the Love of Music
Author: John Mauceri
Publisher: Knopf
Total Pages: 225
Release: 2019
Genre: Music
ISBN: 0525520651

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With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.


Listening to China

Listening to China
Author: Thomas Irvine
Publisher: University of Chicago Press
Total Pages: 272
Release: 2020-05-08
Genre: Music
ISBN: 022666712X

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From bell ringing to fireworks, gongs to cannon salutes, a dazzling variety of sounds and soundscapes marked the China encountered by the West around 1800. These sounds were gathered by diplomats, trade officials, missionaries, and other travelers and transmitted back to Europe, where they were reconstructed in the imaginations of writers, philosophers, and music historians such as Jean-Philippe Rameau, Johann Nikolaus Forkel, and Charles Burney. Thomas Irvine gathers these stories in Listening to China, exploring how the sonic encounter with China shaped perceptions of Europe’s own musical development. Through these stories, Irvine not only investigates how the Sino-Western encounter sounded, but also traces the West’s shifting response to China. As the trading relationships between China and the West broke down, travelers and music theorists abandoned the vision of shared musical approaches, focusing instead on China’s noisiness and sonic disorder and finding less to like in its music. At the same time, Irvine reconsiders the idea of a specifically Western music history, revealing that it was comparison with China, the great “other,” that helped this idea emerge. Ultimately, Irvine draws attention to the ways Western ears were implicated in the colonial and imperial project in China, as well as to China’s importance to the construction of musical knowledge during and after the European Enlightenment. Timely and original, Listening to China is a must-read for music scholars and historians of China alike.


Listening to Western Music

Listening to Western Music
Author:
Publisher:
Total Pages: 426
Release: 2017
Genre: Music
ISBN: 9781305867635

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Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca

Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca
Author: James Peter Burkholder
Publisher: R.S. Means Company
Total Pages: 431
Release: 1996
Genre: Music
ISBN: 9780393969054

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Musical Listening in the German Enlightenment

Musical Listening in the German Enlightenment
Author: Matthew Riley
Publisher: Routledge
Total Pages: 199
Release: 2017-07-05
Genre: Music
ISBN: 1351556908

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The silent attentiveness expected of concert audiences is one of the most distinctive characteristics of modern Western musical culture. This is the first book to examine the concept of attention in the history of musical thought and its foundations in the writings of German musical commentators of the late eighteenth century. Those critics explained numerous technical features of the music of their time as devices for arousing, sustaining or otherwise influencing the attention of a listener, citing in illustration works by Gluck, C. P. E. Bach, Georg Benda and others. Two types of attention were identified: the uninterrupted experience of a single emotional state conveyed by a piece of music as a whole, and the fleeting sense of 'wonder' or 'astonishment' induced by a local event in a piece. The relative validity of these two modes was a topic of heated debate in the German Enlightenment, encompassing issues of musical communication, compositional integrity and listener competence. Matthew Riley examines the significant writers on the topic (Descartes, Leibniz, Wolff, Baumgarten, Rousseau, Meier, Sulzer and Forkel) and provides analytical case studies to illustrate how these perceived modes of attention shaped interpretations of music of the period.