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| Author | : Roman Kopytko |
| Publisher | : |
| Total Pages | : 540 |
| Release | : 1995 |
| Genre | : Courtesy in literature |
| ISBN | : |
| Author | : Abdelaziz Bouchara |
| Publisher | : Diplomica Verlag |
| Total Pages | : 127 |
| Release | : 2009-08 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3836677539 |
Penelope Brown and Stephen Levinson have proposed that power (P), distance (D), and the ranked extremity (R) of a face-threatening act are the universal determinants of politeness levels in dyadic discourse. This claim is tested here for Shakespeare's use of Early Modern English in Much Ado about Nothing, Measure for Measure, The Taming of the Shrew, and Twelfth Night. The comedies are used because: (1) dramatic texts provide the best information on colloquial speech of the period; (2) the psychological soliloquies in the comedies provide the access to inner life that is necessary for a proper test of politeness theory; and (3) the comedies represent the full range of society in a period of high relevance to politeness theory. The four plays are systematically searched for pairs of minimally contrasting dyads where the dimensions of contrast are power (P), distance (D), and intrinsic extremity (R). Whenever such a pair is found, there are two speeches to be scored for politeness and a prediction from theory as to which should be more polite. The results for P and for R are those predicted by theory, but the results for D are not. The two components of D, interactive closeness and affect, are not closely associated in the plays. Affect strongly influences politeness (increased liking increases politeness and decreased liking decreases politeness); interactive closeness has little or no effect on politeness. The uses of politeness for the delineation of character in the comedies are illustrated.
| Author | : Martin Holz |
| Publisher | : GRIN Verlag |
| Total Pages | : 58 |
| Release | : 2008-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 364015505X |
Seminar paper from the year 1999 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, University of Cologne, course: Functions in English grammar, 29 entries in the bibliography, language: English, abstract: As well as being an important social and cultural phenomenon, politeness may also be regarded as a function of speech, i.e. a set of principles, rules or maxims governing a competent speaker's use of language. Although this is clearly manifested in the structure and actual use of utterances in a given conversation context, far mote than Saussure's langue and parole arc involved in that historical, sociological and psychological aspects have to be taken into account. Thus, in analysing politeness in a fictional text it is essential to establish the historical setting as well as to examine the social hierarchy and valid conventions; as far as psychology is concerned, a scrutiny of the characters is necessary. Moreover, the course their interaction takes is crucial: "Every choice A makes affects the force of B's options, and vice versa, so even politeness is determined jointly" (Clark 1996: 316). These methodological premises imply that, even though the emphasis in this paper is on linguistic results, external factors cannot be ignored without distorting the outcome. However, it seems legitimate to integrate these factors only to the degree to which they contribute to the linguistic enterprise undertaken here. As to the theories of politeness that are utilized, it must be noted that they all fall short of explaining the evidence satisfactorily, but they nevertheless allow for interesting inferences and are therefore useful heuristic tools. 1 ...]
| Author | : Andreas H. Jucker |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 645 |
| Release | : 1995-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027250472 |
Until very recently, pragmatics has been restricted to the analysis of contemporary spoken language while historical linguistics has studied historical texts and language change in a decontextualized way. This has now radically changed and scholars from around the world are trying to build a new theoretical framework that integrates recent advances both in pragmatics and in historical linguistics. The volume, which contains 22 original articles, starts with an introduction that is both a state-of-the-art account of historical pragmatics and a programmatic statement of its future potential and its different subfields. Part I contains seven pragmaphilological papers that deal with historical texts and their interpretations by paying close attention to the communicative context of these texts. The second and third parts comprise papers in diachronic pragmatics. The ten papers of part II take a linguistic form as their starting point, e.g. particular lexical items or syntactic constructions, and study their pragmatic functions at different times (diachronic form-to-function mappings), while the four papers of part III take a particular pragmatic function as their starting point, e.g. discourse strategies or politeness, and study their linguistic realisation at different times (diachronic function-to-form mappings).
| Author | : Roman Kopytko |
| Publisher | : |
| Total Pages | : 574 |
| Release | : 1993 |
| Genre | : Courtesy in literature |
| ISBN | : |
| Author | : Ulrich Busse |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 358 |
| Release | : 2002-11-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027296197 |
This study investigates the morpho-syntactic variability of the second person pronouns in the Shakespeare Corpus, seeking to elucidate the factors that underlie their choice. The major part of the work is devoted to analyzing the variation between you and thou, but it also includes chapters that deal with the variation between thy and thine and between ye and you. Methodologically, the study makes use of descriptive statistics, but incorporates both quantitative and qualitative features, drawing in particular on research methods recently developed within the fields of corpus linguistics, socio-historical linguistics and historical pragmatics. By making comparisons to other corpora on Early Modern English the work does not only contribute to Shakespeare studies, but on a broader scale also to language change by providing new and more detailed insights into the mechanisms that have led to a restructuring of the pronoun paradigm in the Early Modern period.
| Author | : Chahra Beloufa |
| Publisher | : Taylor & Francis |
| Total Pages | : 211 |
| Release | : 2024-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 1040016537 |
Speech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays. The word “thanks” appears nearly 400 times in 37 Shakespearean plays, calling for a careful investigation of its veracity as a speech act in the 16th-century setting. This volume combines linguistic analysis to explore the various uses of thanks, focusing on key thanking scenes across a spectrum of plays, including All’s Well That Ends Well, Romeo and Juliet, The Merchant of Venice, Timon of Athens, The Winter’s Tale, and the Henriad. Shakespeare’s works indicate the act of thanking to be more than a normal part of dialogue; it is an artistic expression fraught with pitfalls similar to those of negative speech acts. The study aims to determine what compels the characters in Shakespeare to offer thanks and evaluates Shakespeare’s accomplishment in imbuing the word “thanks” with performance quality in the theatrical sphere. This work adds to our comprehension of Shakespearean plays and larger conversations on the challenges of language usage in theatrical and cultural settings by examining the convergence of gratitude with power dynamics, political intrigue, and interpersonal relationships, drawing on a multidisciplinary approach that includes pragmatics, philosophy, religion, and psychology.
| Author | : Jonathan Culpeper |
| Publisher | : Springer |
| Total Pages | : 822 |
| Release | : 2017-05-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1137375086 |
This handbook comprehensively examines social interaction by providing a critical overview of the field of linguistic politeness and impoliteness. Authored by over forty leading scholars, it offers a diverse and multidisciplinary approach to a vast array of themes that are vital to the study of interpersonal communication. The chapters explore the use of (im)politeness in specific contexts as well as wider developments, and variations across cultures and contexts in understandings of key concepts (such as power, emotion, identity and ideology). Within each chapter, the authors select a topic and offer a critical commentary on the key linguistic concepts associated with it, supporting their assertions with case studies that enable the reader to consider the practicalities of (im)politeness studies. This volume will be of interest to students and scholars of linguistics, particularly those concerned with pragmatics, sociolinguistics and interpersonal communication. Its multidisciplinary nature means that it is also relevant to researchers across the social sciences and humanities, particularly those working in sociology, psychology and history.
| Author | : Beatrix Busse |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 546 |
| Release | : 2006-11-08 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027293139 |
This study investigates the functions, meanings, and varieties of forms of address in Shakespeare’s dramatic work. New categories of Shakespearean vocatives are developed and the grammar of vocatives is investigated in, above, and below the clause, following morpho-syntactic, semantic, lexicographical, pragmatic, social and contextual criteria. Going beyond the conventional paradigm of power and solidarity and with recourse to Shakespearean drama as both text and performance, the study sees vocatives as foregrounded experiential, interpersonal and textual markers. Shakespeare’s vocatives construe, both quantitatively and qualitatively, habitus and identity. They illustrate relationships or messages. They reflect Early Modern, Shakespearean, and intra- or inter-textual contexts. Theoretically and methodologically, the study is interdisciplinary. It draws on approaches from (historical) pragmatics, stylistics, Hallidayean grammar, corpus linguistics, cognitive linguistics, socio-historical linguistics, sociology, and theatre semiotics. This study contributes, thus, not only to Shakespeare studies, but also to literary linguistics and literary criticism.
| Author | : Norman Blake |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 432 |
| Release | : 2017-03-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1403919151 |
When you read Shakespeare or watch a performance of one of his plays, do you find yourself wondering what it was he actually meant? Do you consult modern editions of Shakespeare's plays only to find that your questions still remain unanswered? A Grammar of Shakespeare's Language, the first comprehensive grammar of Shakespeare's language for over one hundred years, will help you find out exactly what Shakespeare meant. Steering clear of linguistic jargon, Professor Blake provides a detailed analysis of Shakespeare's language. He includes accounts of the morphology and syntax of different parts of speech, as well as highlighting features such as concord, negation, repetition and ellipsis. He treats not only traditional features such as the make-up of clauses, but also how language is used in various forms of conversational exchange, such as forms of address, discourse markers, greetings and farewells. This book will help you to understand much that may have previously seemed difficult or incomprehensible, thus enhancing your enjoyment of his plays.
