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Limits in Perception

Limits in Perception
Author: Andrea J. van Doorn
Publisher: VSP
Total Pages: 616
Release: 1984-12
Genre: Science
ISBN: 9789067640343

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This book presents an analysis of limits in perception from the vantage point of the physicist, the engineer, the psychophysicist, the psychologist and the theorist. Limits in perception find their causal explanation at many logically and/or physically different levels. Some of the most fundamental bottlenecks are due to the quantum mechanical and atomistic structure of the microworld. Other simple constraints are due to the material constitution of sensory organs. For instance, the fact that the eye is predominantly composed of water limits both the optical quality and the available spectral window. The engineer uses knowledge on such limits to design equipment that optimizes human performance in daily life. Examples include room acoustics and visual displays. Psychophysicists and psychologists deal with limits on a quite different logical level. These limits constrain much of our perceptually guided behaviour. The book includes chapters on such topics as movement perception, binocular vision, illusory phenomena, language and perception, the perception of time. A few concluding chapters on fundamental limits imposed by information theoretical constraints on the coding and representation of sensed structure are included. Limits in Perception will be important reading material for scientists and/or engineers in the following fields: perception, experimental psychology, sensory biology, physics, neuroscience, human engineering, artificial intelligence, robotics, ophthalmology, audiology, psychonomics and ergonomics, remote sensing.


Limits in Perception

Limits in Perception
Author: van Doorn
Publisher: CRC Press
Total Pages: 609
Release: 2020-01-29
Genre: Science
ISBN: 1000715140

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This book presents an analysis of limits in perception from the vantage point of the physicist, the engineer, the psychophysicist, the psychologist and the theorist. Limits in perception find their causal explanation at many logically and/or physically different levels. Some of the most fundamental bottlenecks are due to the quantum mechanical and atomistic structure of the microworld. Other simple constraints are due to the material constitution of sensory organs. For instance, the fact that the eye is predominantly composed of water limits both the optical quality and the available spectral window. The engineer uses knowledge on such limits to design equipment that optimizes human performance in daily life. Examples include room acoustics and visual displays. Psychophysicists and psychologists deal with limits on a quite different logical level. These limits constrain much of our perceptually guided behaviour. The book includes chapters on such topics as movement perception, binocular vision, illusory phenomena, language and perception, the perception of time. A few concluding chapters on fundamental limits imposed by information theoretical constraints on the coding and representation of sensed structure are included. Limits in Perception will be important reading material for scientists and/or engineers in the following fields: perception, experimental psychology, sensory biology, physics, neuroscience, human engineering, artificial intelligence, robotics, ophthalmology, audiology, psychonomics and ergonomics, remote sensing.


Limits of perception

Limits of perception
Author: Octavio Zaya
Publisher:
Total Pages:
Release: 1991
Genre:
ISBN:

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Limits of Visual Perception

Limits of Visual Perception
Author: J. J. Kulikowski
Publisher: Boca Raton : CRC Press
Total Pages: 366
Release: 1991
Genre: Medical
ISBN:

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THE LIMIT OF PERCEPTION,a preface

THE LIMIT OF PERCEPTION,a preface
Author: Manu G Raj
Publisher: Lulu.com
Total Pages: 116
Release: 2012-08-16
Genre: Science
ISBN: 1105923487

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I thought why I shouldn't just go through the science in a different way. That's when I thought of writing the book as sequels-The first one as an introduction to the subject, I went through the Internet, books that I have and from my knowledge I wrote down this book. Some parts it came to me that the expressed lines are better than mine where I have used directly from the book. After this book ,a book exclusively on Newtonian mechanics will follow next to which a book on Einsteinian methods will follow next to which a book on experimental physics will follow next to which a book exclusively on My concepts, observations and conclusions in the subject will follow.


Extended Perception

Extended Perception
Author: Matthew N. Cook
Publisher:
Total Pages: 114
Release: 2012
Genre: Cognition
ISBN:

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Bubbles of Perception

Bubbles of Perception
Author: Paul Rebhan
Publisher:
Total Pages: 72
Release: 2003*
Genre: Perception
ISBN:

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Art at the Limits of Perception

Art at the Limits of Perception
Author: Jerome Carroll
Publisher: Peter Lang
Total Pages: 288
Release: 2006
Genre: Literary Criticism
ISBN: 9783039105694

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This book traces the significance that the modulations of sensory perception have had for thinking about aesthetics and art in the last two and a half centuries. Beyond a discussion of the philosophical significance of beauty, or of the puzzle of aesthetic representation, aesthetics is conceived broadly as a means of describing our relationship to the world in terms of the habits of perception, and indeed the overturning of these habits, as in the modernist aesthetic of defamiliarisation. In the light of the ideas of the contemporary German aesthetic theorist, Wolfgang Welsch, this book offers the first discussion of the theory and practice of art that operates at the poles of perception: sensory experience that exceeds conceptual organisation, and the imperceptible, or what Welsch calls the 'anaesthetic'. These seemingly opposite poles have many parallels: a comparable indeterminacy of meaning and a similar challenge to representation, but also a shared focus on the habits and modulations of sensory perception and a similar interrogation of the boundary between art and that which surrounds it. The author applies the categories discussed to art practice, in particular to the theatre of Peter Handke, Samuel Beckett and Heiner Müller.