Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Liminal Belongings PDF full book. Access full book title Liminal Belongings.
| Author | : Kavita Daiya |
| Publisher | : Temple University Press |
| Total Pages | : 274 |
| Release | : 2011-02-04 |
| Genre | : Literary Criticism |
| ISBN | : 159213744X |
Violent Belongings examines transnational South Asian culture from 1947 onwards in order to offer a new, historical account of how gender and ethnicity came to determine who belonged, and how, in the postcolonial Indian nation.
| Author | : Anne-Marie Fortier |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2020-06-03 |
| Genre | : Social Science |
| ISBN | : 100018417X |
This book traces the formation of Italian migrant belongings in Britain, and scrutinizes the identity narratives through which they are stabilized. A key theme of this study is the constitution of identity through both movement and attachment. The study follows the Italian identity project since 1975, when community leaders first raised concerns about 'the future of invisible immigrants'. The author uses the image of 'invisible immigrants' as the starting point of her inquiry, for it captures the ambivalent position Italians occupy within the British political and social landscape. As a cultural minority absorbed within the white European majority, their project is steeped in the ideal of visibility that relies on various 'displays of presence'. Drawing on a wide range of material, from historical narratives, to political debates, processions, religious rituals, activities of the Women's Club, war remembrances, card games, and beauty contests, the author explores the notion of migrant belongings in relation to performative acts that produce what they claim to be reproducing. She reveals how these acts work upon the historical and cultural environment to re-member localized terrains of migrant belongings, while they simultaneously manufacture gendered, generational and ethnicized subjects. Located at the crossroads of cultural studies, 'diaspora' studies, and feminist/queer theory, this book is distinctive in connecting an empirical study with wider theoretical debates on identity. Nominated for the Philip Abrams Memorial Book Prize 2001.
| Author | : Maree Anderson |
| Publisher | : Maree Anderson |
| Total Pages | : 150 |
| Release | : 2013-07-23 |
| Genre | : Juvenile Fiction |
| ISBN | : 0992249864 |
Now you see me, now you don’t! My name’s Wren, and I’m a liminal who can phase in and out of the real world. Sounds like an awesome trick, right? Yeah. Like everything that’s supposed to be cool, it’s complicated. I’m caught between two warring factions who’d kill to get a piece of me. Someone’s blocked my energy flows so if I phase I’ll get trapped in a ghostlike plane called Between…and die. And to top it all off, I’m totally crushing on my only ally, mysterious bad boy Kade. Sad thing is he’s keeping secrets from me, just like everyone else. My life’s spinning out of control. I don’t know who to trust anymore. And what I find lurking Between is the biggest shock of all. ~Winner, Editor’s Choice Division: Romance Writers of New Zealand Strictly Single contest ~Second place, Published Authors Division: From the Heart Romance Writers Golden Gateway contest Young Adult paranormal romance, approx 79,000 words Warning: Contains swearing that may be more suited to older readers The Liminals series so far: ~Tangent (Novella-length prequel) ~Liminal (Liminals, Book One) ~Phase (Liminals, Books Two) Other YA books by Maree Anderson: ~Freaks of Greenfield High (Freaks, Book One) ~Freaks in the City (Freaks, Book Two) ~Freaks Under Fire (Freaks, Books Three)
| Author | : Sandra H. Dudley |
| Publisher | : Routledge |
| Total Pages | : 215 |
| Release | : 2020-11-29 |
| Genre | : Education |
| ISBN | : 1317392361 |
Displaced Things in Museums and Beyond looks anew at the lives, effects and possibilities of things. Starting from the perspectives of things themselves, it outlines a particular, displacement approach to the museum, anthropology and material culture. The book explores the ways in which the objects are experienced in their present, displaced settings, and the implications and potentialities they carry. It offers insights into matters of difference and the hope that may be offered by transformative encounters between persons and things. Drawing on anthropological studies of ritual to conceptualise and examine displacement and its implications and possibilities, Dudley develops her arguments through exploration of displaced objects now in museums and dislocated or exiled from their prior geographical, historical, cultural, intellectual and personal contexts. The book’s approach and conclusions are relevant far beyond the museum, showing that even in the most difficult of circumstances there is agency, distinction and dignity in the choices and impacts that are made, and that things and places as well as people have efficacy and potency in those choices. In Displaced Things, displacement emerges as fundamental to understanding the lives of things and their relationships with human beings, and the places, however defined, that they make and pass within. The book will be essential reading for academics and students engaged in the study of museums, heritage, anthropology, culture and history.
| Author | : Joowon Park |
| Publisher | : Univ of California Press |
| Total Pages | : 223 |
| Release | : 2022-11-22 |
| Genre | : History |
| ISBN | : 0520384245 |
Belonging in a House Divided chronicles the everyday lives of resettled North Korean refugees in South Korea and their experiences of violence, postwar citizenship, and ethnic boundary making. Through extensive ethnographic research, Joowon Park documents the emergence of cultural differences and tensions between Koreans from the North and South, as well as new transnational kinship practices that connect family members across the Korean Demilitarized Zone. As a South Korean citizen raised outside the peninsula and later drafted into the military, Park weaves in autoethnographic accounts of his own experience in the army to provide an empathetic and vivid analysis of the multiple overlapping layers of violence that shape the embodied experiences of belonging. He asks readers to consider why North Korean resettlement in South Korea is a difficult process, despite a shared goal of reunification and the absence of a language barrier. The book is essential reading for anyone interested in anthropology, migration, and the politics of humanitarianism.
| Author | : Alexandra J. Cutcher |
| Publisher | : Springer |
| Total Pages | : 264 |
| Release | : 2015-04-27 |
| Genre | : Education |
| ISBN | : 9463000704 |
Displacement, Identity and Belonging is a book about difference. It deals with ethnicity, migration, place, marginalisation, memory and constructions of the self. The arts-based and auto/biographical performance of the many voices in the text compliment and interrupt each other to create a polyvocal rendition of experience. The text unfolds through fiction, memoir, legend, artworks, photographs, poetry and theory, historical, cultural and political perspectives. As such, it is a book that confronts what an academic text can be. Written in the present tense, it weaves its narrative around one small Hungarian migrant family in Australia, who are not particularly special or extraordinary. Their experience may appear, at least on first blush, to be paralleled by the post-war diasporic experience for a range of nations and peoples. However in many ways, this is not necessarily so. It is this crucial aspect, of the idiosyncrasies of difference that is at the core of this work. The layering of stories and artworks build upon each other in an engaging and accessible reading that appeals to a multitude of audiences and purposes. The book makes significant contributions to the literature on qualitative research, and in particular to arts-based research, auto/biographical research and autoethnographic research. Displacement, Identity and Belonging is in itself an experience of journey in the reading, powerfully demonstrating a life forever in transit. This work can be used as a core reading in a range of courses in education, teacher education, ethnicity studies, cultural studies, sociology, psychology, history and communication or simply for pleasure. “Displacement, Identity and Belonging offers an excellent example of the use of novel approaches to social research that are designed to raise important questions and provide unique insights. The multigenerational perspective of Hungarian migrants to, and immigrants in, Australia, disclosed and examined herein, is not merely a fascinating and urgent topic in itself. It also encourages and enables the reader to imagine analogous social phenomena in other places and times. This fact, in conjunction with an extraordinarily effective format, is what makes this, for readers of all sorts, an important and empowering book – one that I heartily recommend. – Tom Barone, Professor Emeritus, Arizona State University (USA) Dr Alexandra Cutcher is a multi-award winning academic at Southern Cross University, Australia. Her research focuses on what the Arts can be and do educationally, expressively, as research method, language, catharsis, reflective instrument and documented form. These understandings inform Alexandra’s teaching and her spirited advocacy for Arts education.
| Author | : Erica Eaton |
| Publisher | : Lulu.com |
| Total Pages | : 128 |
| Release | : 2007-06-20 |
| Genre | : Art |
| ISBN | : 0615151175 |
Art, and education, does not happen in the mainstream. It is made on the edges. Meaning does not occur on the line; it is shaped between them. Liminal is the catalog for these things, a gift of next ideas. -- taken from back cover.
| Author | : Marc Ripley |
| Publisher | : Columbia University Press |
| Total Pages | : 198 |
| Release | : 2017-11-28 |
| Genre | : Performing Arts |
| ISBN | : 023185109X |
As one of the foremost Spanish directors of all time, Luis Buñuel’s filmography has been the subject of innumerable studies. Despite the fact that the twenty films he made in Mexico between 1947 and 1965 represent the most prolific stage of his career as a filmmaker, these have remained relatively neglected in writing on Buñuel and his work. This book focuses on nine of the director’s films made in Mexico in order to show that a concerted focus on space, an important aspect of the films’ narratives that is often intimated by scholars, yet rarely developed, can unlock new philosophical meaning in this rich body of work. Although in recent years Buñuel’s Mexican films have begun to enjoy a greater presence in criticism on the director, they are often segregated according to their perceived critical value, effectively creating two substrands of work: the independent movies and the studio potboilers. The interdisciplinary approach of this book unites the two, focusing on films such as Los olvidados, Nazarín, and El ángel exterminador alongside La Mort en ce jardin, The Young One, and Simón del desierto, among others. In doing so, it avoids the tropes most often associated with Buñuel’s cinema—surrealism, Catholicism, the derision of the bourgeoisie—and the approach most often invoked in analysis of these themes: psychoanalysis. Instead, this book takes inspiration from the fields of human geography, anthropology, and philosophy, applying these to film-focused readings of Buñuel’s Mexican cinema to argue that ultimately these films depict an overriding sense of placelessness, overtly or subliminally enacting a search for belonging that forces the viewer to question what it means to be in place.
| Author | : Cameron Whiteside |
| Publisher | : Wildcard Interactive |
| Total Pages | : 64 |
| Release | : 2017-12-15 |
| Genre | : Art |
| ISBN | : |
The only way I can get this story out safely is to call it fiction. However, I assure you, it is not. I have written it in the fashion of a movie treatment, thinking this was the best way to disguise its intention. However, things have changed since I wrote this in 2017 and even though it was optioned to be made into a movie, I fear that it was actually optioned in order to be shelved so that this story never sees the light of day. Time is running out, so what you see before you is the act of a desperate man. This is a warning to all of you out there, something has been unleashed and I must accept responsibility for it. I can only hope that once you have read my confession, that you can forgive me or at least understand how this happened. If you are reading this, you are the recipient of my message in a bottle. Please don’t let all my efforts be in vain. - Cameron REVIEWS: https://whereiscameron.wtf/liminal-reviews/ Every kind of ignorance in the world all results from not realizing that our perceptions are gambles. We believe what we see and then we believe our interpretation of it, we don't even know we are making an interpretation most of the time. We think this is reality. - Robert Anton Wilson Every man is born as many men and dies as a single one. - Martin Heidegger Publisher’s note: This document came over our digital transom, stamped with a watermark that indicated that it was originally intended as a movie treatment that was supposedly based on real events. We do not claim any rights in republishing this on various platforms but rather do so in the interest of the free dissemination of important information. Cameron, if you’re out there, please contact us. We have an email just for contact from you, at [email protected]
| Author | : Ruth Rosengarten |
| Publisher | : Open Book Publishers |
| Total Pages | : 170 |
| Release | : 2022-08-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 1800643772 |
In this intimate memoir, Ruth Rosengarten explores the subject of evocative objects through a series of interconnected essays. Evocative objects reflect our attitudes to our own lives and how we seek to display ourselves to ourselves. They are therefore, closely linked to our memories, and how we filter, process and reconstruct them. Rosengarten explores the themes and associations invoked by her own evocative objects, which are frequently shabby things of no material value. They are, importantly, often objects that, in their materiality, bear traces of actions, of something-having-been. Through the associative pathways that these objects have paved, she discusses her experiences with the losses she has undergone, her family’s migrations, and what it means to be a childless woman. This leads her to address the question of what will become of her storied objects and the memories attached to them when she is no longer in existence. This memoir offers an interdisciplinary approach to collecting and compiling fragments of one’s life, paying close attention to the evocative objects that embody us. In doing so, these essays explore loss, memory, childlessness, longing, family history, literature and art theory through material entities which reveal the immaterial ‘things’ at the heart of this study. This book is sure to be of interest to anyone stimulated by memory work and the relationship between humans and their possessions
