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| Author | : Mark Girouard |
| Publisher | : Yale University Press |
| Total Pages | : 358 |
| Release | : 1978-01-01 |
| Genre | : History |
| ISBN | : 9780300058703 |
Based on the author's Slade lectures given at Oxford University in 1975-76.
| Author | : Mary Miers |
| Publisher | : Rizzoli International publication |
| Total Pages | : 494 |
| Release | : 2009-10-06 |
| Genre | : Architecture |
| ISBN | : |
Sixty-two stunning houses in a range of architectural styles spanning seven centuries are brought to life through glorious imagery from the photography library of Country Life magazine.
| Author | : Adrian Tinniswood |
| Publisher | : Random House |
| Total Pages | : 416 |
| Release | : 2016-06-02 |
| Genre | : History |
| ISBN | : 1448191246 |
'A masterpiece of social history' Daily Mail There is nothing quite as beautiful as an English country house in summer. And there has never been a summer quite like that Indian summer between the two world wars, a period of gentle decline in which the sun set slowly on the British Empire and the shadows lengthened on the lawns of a thousand stately homes. Real life in the country house during the 1920s and 1930s was not always so sunny. By turns opulent and ordinary, noble and vicious, its shadows were darker. In The Long Weekend, Adrian Tinniswood uncovers the truth about a world half-forgotten, draped in myth and hidden behind stiff upper lips and film-star smiles. Drawing on hundreds of memoirs, on unpublished letters and diaries, on the eye-witness testimonies of belted earls and unhappy heiresses and bullying butlers, The Long Weekend gives a voice to the people who inhabited this world and shows how the image of the country house was carefully protected by its occupants above and below stairs, and how the reality was so much more interesting than the dream.
| Author | : John Goodall |
| Publisher | : Rizzoli Publications |
| Total Pages | : 434 |
| Release | : 2019-09-10 |
| Genre | : House & Home |
| ISBN | : 0847865517 |
An inspirational look at the most iconic interior styles of magnificent English country houses: a thousand years of decorating as told through famous and many never-published photographs, all culled from the incomparable archive of Country Life magazine. This gorgeously illustrated tome is as indispensable as it is beautiful, a rich resource and a visual guide of quintessential British country house style for decorators, architects, designers, and the many armchair travelers who fantasize about revitalizing or re-creating their own castle on the hill. English House Style traces the evolution of sixteen quintessential interior styles found in British homes that have helped lay the foundations for what have become the touchstones for every decorator, designer, and architect working today. Each style, from Gothic and Tudor to Cottage, Arts and Crafts, and Palladian, is represented through lavish photography culled from the rich archive of Country Life, the hugely popular 120-year-old British magazine about life and living in the estates, castles, and cottages that are ubiquitous across the countryside. Also explored are the most influential tastemakers through the centuries, from Horace Walpole and William Morris to Nancy Lancaster and Colefax and Fowler. Decorators across the globe draw from these styles, which are embodied in the most important homes across England, Scotland, Wales, and Ireland, many of which are featured here, including the magnificent Castle Howard, Chatsworth House, Strawberry Hill, and Hatfield House, along with exquisite hidden gems, such as Wardington Manor, Marchmont House, and Lindisfarne Castle.
| Author | : Jeremy Musson |
| Publisher | : Rizzoli Publications |
| Total Pages | : 274 |
| Release | : 2011-10-11 |
| Genre | : House & Home |
| ISBN | : 0847835693 |
A highly detailed look at the English country house interior, offering unprecedented access to England’s finest rooms. In this splendid book, renowned historian Jeremy Musson explores the interiors and decoration of the great country houses of England, offering a brilliantly detailed presentation of the epitome of style in each period of the country house, including the great Jacobean manor house, the Georgian mansion, and the Gothic Revival castle. For the first time, houses known worldwide for their exquisite architecture and decoration--including Wilton, Chatsworth, and Castle Howard--are seen in unprecedented detail. With intimate views of fabric, gilding, carving, and furnishings, the book will be a source of inspiration to interior designers, architects, and home owners, and a must-have for anglophiles and historic house enthusiasts. The fifteen houses included represent the key periods in the history of English country house decoration and cover the major interior fashions and styles. Stunning new color photographs by Paul Barker-who was given unparalleled access to the houses-offer readers new insights into the enduring English country house style. Supplementing these are unique black-and-white images from the archive of the esteemed Country Life magazine. Among the aspects of these that the book covers are: paneling, textile hangings (silks to cut velvet), mural painting, plasterwork, stone carving, gilding, curtains, pelmets, heraldic decoration, classical imagery, early upholstered furniture, furniture designed by Thomas Chippendale, carved chimney-pieces, lass, use of sculpture, tapestry, carpets, picture hanging, collecting of art and antiques, impact of Grand Tour taste, silver, use of marble, different woods, the importance of mirror glass, boulle work, English Baroque style, Palladian style, neo-Classical style, rooms designed by Robert Adam, Regency, Gothic Revival taste, Baronial style, French 18th century style, and room types such as staircases, libraries, dining rooms, parlors, bedrooms, picture galleries, entrance halls and sculpture galleries. Houses covered include: Hatfield - early 1600s (Jacobean); Wilton - 1630/40s (Inigo Jones); Boughton - 1680/90s (inspired by Versailles); Chatsworth -1690/early 1700s (Baroque); Castle Howard - early 1700s (Vanbrugh); Houghton - 1720s (Kent); Holkham - 1730s-50s (Palladian); Syon Park - 1760s (Adam); Harewood - 1760s/70s (neo-Classical); Goodwood - 1790s/1800s (neo-Classical/Regency); Regency at Chatsworth/Wilton/C Howard etc - 1820/30s; Waddesdon Manor - 1870/80ss (French Chateau style); Arundel Castle -1880s/90s (Gothic Revival); Berkeley Castle - 1920/30s (period recreations and antique collections); Parham House - 1920s/30s (period restorations and antique collections). The range is from the early 17th century to present day, drawn from the authenticated interiors of fifteen great country houses, almost all still in private hands and occupied as private residences still today. The book shows work by twentieth-century designers who have helped evolve the country house look, including Nancy Lancaster, David Hicks, Colefax & Fowler, and David Mlinaric
| Author | : Mark Girouard |
| Publisher | : Alfred A. Knopf |
| Total Pages | : 360 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : |
With all the wit and authority that made his "Life in the English Country House" an enduring classic, Girouard uses letters, diaries, inventories, books of etiquette and scores of photos to conjure up the days and nights of the original inhabitants of French country houses. Illustrations.
| Author | : Adrian Tinniswood |
| Publisher | : |
| Total Pages | : 346 |
| Release | : 2016-05-03 |
| Genre | : History |
| ISBN | : 0465048986 |
"Drawing on thousands of memoirs, unpublished letters and diaries, and the eye-witness testimonies of belted earls and bibulous butlers, historian Adrian Tinniswood brings the stately homes of England to life ..., opening the door onto a world half-remembered, glamorous, shameful at times, and forever wrapped in myth. [His book] revels in the sheer variety of country house life: from King George V poring over his stamp collection at Sandringham to fascist leader Sir Oswald Mosley collecting mistresses at ancestral homes across the nation, from Edward VIII entertaining Wallis Simpson at Fort Belvedere to the Duke of Marlborough at Blenheim, whose wife became obsessed with her pet spaniels"--
| Author | : |
| Publisher | : |
| Total Pages | : 218 |
| Release | : 1901 |
| Genre | : Architecture, Domestic |
| ISBN | : |
| Author | : Jeremy Musson |
| Publisher | : White Lion Publishing |
| Total Pages | : 200 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : |
The English manor house represents an architectural ideal which has been central to the vision of the magazineCountry Life.For this book, Jeremy Musson has selected 200 of the best photographs from the magazine's picture archive.
| Author | : Joan Coutu |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 343 |
| Release | : 2023-02-15 |
| Genre | : History |
| ISBN | : 0228014972 |
Politics has always been at the heart of the English country house, in its design and construction, as well as in the activities and experiences of those who lived in and visited these places. As Britain moved from an agrarian to an imperial economy over the course of the eighteenth century, the home mirrored the social change experienced in the public sphere. This collection focuses on the relationship between the country house and the mutable nature of British politics in the eighteenth century. Essays explore the country house as a stage for politicking, a vehicle for political advancement, a symbol of party allegiance or political values, and a setting for appropriate lifestyles. Initially the exclusive purview of the landed aristocracy, politics increasingly came to be played out in the open, augmented by the emergence of career politicians – usually untitled members of the patriciate – and men of new money, much of it created on Caribbean plantations or in the employ of the East India Company. Politics and the English Country House, 1688–1800 reveals how, during this period of profound change, the country house remained a constant. The country house was the definitive tangible manifestation of social standing and, for the political class, owning one became almost an imperative. In its consideration of the country house as lived and spatial experience, as an aesthetic and symbolic object, and as an economic engine, this book offers a new perspective on the complexity of political meaning embedded in the eighteenth-century country house – and on ourselves as active recipients and interpreters of its various narratives, more than two centuries later.
