Les vêtements dans la région de Ginestas, Aude
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Release | : 1939 |
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Release | : 1939 |
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Author | : Manuel Castiñeiras |
Publisher | : |
Total Pages | : 232 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Aquesta publicació ofereix un recorregut pel romànic català, una de les etapes m és enriquidores de la història de l'art català, que va de l'inici del segle XI f ins a mitjan segle XIII, a través d'algunes de les seves obres mestres, com lesp intures de l'absis de Sant Climent de Taüll, el frontal d'Avià o la Majestat Bat lló. El llibre inclou apartats dedicats al context general del romànic, a la his tòria de les col·leccions i a l'interès que va despertar en els artistes de l'av antguarda del segle XX, reflex de la importància i la vigència del romànic en l' actualitat.
Author | : Victoria Charles |
Publisher | : Parkstone International |
Total Pages | : 200 |
Release | : 2016-03-09 |
Genre | : Art |
ISBN | : 1781602220 |
In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the importance of this art which is today often overshadowed by the later Gothic style.
Author | : Eric Fernie |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Architecture, Romanesque |
ISBN | : 9780300203547 |
Eric Fernie presents a chronological survey of Romanesque architecture and the political systems that gave rise to the style. It is known for its massiv quality, thick walls, round arches, piers, groin vaults, large towers, and decorative arcading, as well as the measured articulation of volumes and surfaces. Romanesque architecture was also, at the time of its greatest popularity in the 11th and 12th centuries, the first destinctive style to dominate western and central Europe. The book includes an exploration of the gestation of the style in the 9th and 10th centuries and its survival in competition with the Gothic up to the 14th century.
Author | : Robert Allan Maxwell |
Publisher | : Penn State Press |
Total Pages | : 290 |
Release | : 2010 |
Genre | : Art |
ISBN | : 0271036362 |
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.
Author | : Eric Fernie |
Publisher | : Oxford University Press, USA |
Total Pages | : 256 |
Release | : 1993 |
Genre | : Architecture |
ISBN | : |
A history of the building of Norwich Cathedral, this work sets out its written evidence for dating the different parts, establishes which parts belong to different periods, and examines how the building was designed and how it relates to contemporary architecture in Anglo-Saxon and Norman England.
Author | : Eric Fernie |
Publisher | : Oxford University Press, USA |
Total Pages | : 384 |
Release | : 2002 |
Genre | : Architecture |
ISBN | : 9780199250813 |
This important addition to the literature is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Eric Fernie, a recognized authority on the subject, begins with an overview of the architecture ofthe period, paying special attention to the importance of the architectural evidence for an understanding of the Norman Conquest. The second part, the core of the book, is an examination of the buildings defined by their function, as castles, halls, and chamber blocks, cathedrals, abbeys, andcollegiate churches, monastic buildings, parish churches, and palace chapels. The third part is a reference guide to the elements which make up the buildings, such as apses, passages, vaults, galleries, and decorative features, and the fourth offers an account of the processes by which they wereplanned and constructed. This book contains powerful new ideas that will affect the way in which we look at and analyze these buildings.
Author | : Eric Fernie |
Publisher | : |
Total Pages | : 200 |
Release | : 1983 |
Genre | : Architecture, Anglo-Saxon |
ISBN | : |
Author | : Paul Binski |
Publisher | : Association of Human Rights Institutes series |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Church architecture |
ISBN | : 9780300241433 |
In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts. Published in association with the Paul Mellon Centre for Studies in British Art
Author | : John McNeill |
Publisher | : Routledge |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Architecture, Romanesque |
ISBN | : 9781909662100 |
The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.