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| Author | : Deborah Caplow |
| Publisher | : University of Texas Press |
| Total Pages | : 356 |
| Release | : 2007-12-01 |
| Genre | : Art |
| ISBN | : 9780292712508 |
Monografie over leven en werk van de Mexicaanse prentkunstenaar (1902-1969), met de nadruk op de jaren dertig en veertig waarin hij politiek zeer actief was. Ook de invloeden van en naar andere kunstenaars uit zijn tijd komen aan bod.
| Author | : Art Institute of Chicago |
| Publisher | : Yale University Press |
| Total Pages | : 41 |
| Release | : 2014-01-01 |
| Genre | : Art |
| ISBN | : 0300207786 |
Established in Mexico City in 1937, the Taller de Gráfica Popular (Popular Graphic Art Workshop) sought to create prints, posters, and illustrated publications that were popular and affordable, accessible and politically topical, and above all formally compelling. Founded by the printmakers Luís Arenal, Leopoldo Méndez, and American-born Pablo O'Higgins, the TGP ultimately became the most influential and enduring leftist printmaking collective of its time. The workshop was admired for its prolific and varied output and for its creation of some of the most memorable images in midcentury printmaking. Although its core membership was Mexican, the TGP welcomed foreign members and guest artists as diverse as Josef Albers and Elizabeth Catlett. The collective enjoyed international influence and renown and inspired the establishment of similar print collectives around the world. This bilingual publication features twenty-four works representing the finest linocuts and lithographs from the heyday of this important workshop. These arresting images are drawn from the significant holdings of TGP works in the collection of the Art Institute of Chicago.
| Author | : Leopoldo Méndez |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1999 |
| Genre | : Mexico |
| ISBN | : |
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 226 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 1588394298 |
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
| Author | : Stephanie J. Smith |
| Publisher | : UNC Press Books |
| Total Pages | : 293 |
| Release | : 2017-11-14 |
| Genre | : History |
| ISBN | : 1469635690 |
Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.
| Author | : Milena Oehy |
| Publisher | : Scheidegger and Spiess |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Drawing, Mexican |
| ISBN | : 9783858817990 |
"This new book, published to coincide with an exhibition at Kunsthaus Zurich in summer 2017 offers an overview of the development of Mexican graphic art between the late 19th-century and the 1970s, ranging from figurativism to early abstract works. It features around 50 key works on paper, printed using a range of techniques, that deal with issues such as poverty and wealth, love and cruelty, and the poetry and hardships of everyday life. In addition to prints by Jose Guadalupe Posada, there are characteristic Realist works by Leopoldo Mendez, Diego Rivera and David Alfaro Siqueiros as well as abstracts by Rufino Tamayo and Francisco Toledo. Revolutionary ideas and engagement with socio-cultural and socio-political concerns play a key role in the history of Mexican art. The members of Taller de Grafica Popular, a people's graphic art workshop established in 1937 by a collective of international artists in Mexico, produced flyers and posters for the masses supporting trade unions, popular education and socialist issues in the country. Their editions exemplify the typical Mexican tradition of black-and-white woodcuts and linoleum prints. The images depict Mexican life and the customs and characteristics of its indigenous populations, but also include the country's first forays into abstract art. The images are complemented by an introductory essay and brief texts on the artists and featured works. The Mexican Graphic Art exhibition runs from 19 May to 27 August 2017, Kunsthaus Zurich."--Résumé de l'éditeur.
| Author | : Jean Moss |
| Publisher | : Courier Corporation |
| Total Pages | : 130 |
| Release | : 2010-09-16 |
| Genre | : Art |
| ISBN | : 0486480267 |
Presents a collection of historical engravings depicting costumed skeletons representing the Mexican celebration of of Dia de los Muertos.
| Author | : |
| Publisher | : |
| Total Pages | : 176 |
| Release | : 1982-09 |
| Genre | : |
| ISBN | : |
Orange Coast Magazine is the oldest continuously published lifestyle magazine in the region, bringing together Orange County¹s most affluent coastal communities through smart, fun, and timely editorial content, as well as compelling photographs and design. Each issue features an award-winning blend of celebrity and newsmaker profiles, service journalism, and authoritative articles on dining, fashion, home design, and travel. As Orange County¹s only paid subscription lifestyle magazine with circulation figures guaranteed by the Audit Bureau of Circulation, Orange Coast is the definitive guidebook into the county¹s luxe lifestyle.
| Author | : Elissa Rashkin |
| Publisher | : Lexington Books |
| Total Pages | : 294 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9780739131565 |
In the aftermath of the Mexican Revolution, Stridentism (estridentismo) burst on the scene in the 1920s as an avant-garde challenge to political and intellectual complacency. Led by poets Manuel Maples Arce, Germán List Arzubide, and Salvador Gallardo; prose writer Arqueles Vela; painters Fermín Revucltas, Ramón Alva de la Canal, Leopoldo Mendez, and Jean Charlot; and sculptor Germán Cueto, the Stridentists rejected academic conservatism, celebrated modernity and technological novelties such as the radio, cinema, and the airplane, and sought to transform not only written and visual language but also everyday life through the creation of new aesthetic spaces and new approaches to the urban environment. By 1928 the movement had dispersed, but its iconoclastic spirit lived on in other forms, mergingin into and influencing other movements of the 1930s and beyond. This history of Stridentism as a multifacted cultural phenomenon joyfully recreates the spirit of 1920s Mexico. Bringing together original research and critical analysis, it explores the ways in which the Stridentists pushed the limits of the collective imatgination in an era of conflict and change.
| Author | : Rebecca Mina Schreiber |
| Publisher | : U of Minnesota Press |
| Total Pages | : 333 |
| Release | : 2008 |
| Genre | : Social Science |
| ISBN | : 0816643075 |
The onset of the Cold War in the 1940s and 1950s precipitated the exile of many U.S. writers, artists, and filmmakers to Mexico. Rebecca M. Schreiber illuminates the work of these cultural exiles in Mexico City and Cuernavaca and reveals how their artistic collaborations formed a vital and effective culture of resistance.
