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| Author | : Elizabeth A. Wells |
| Publisher | : |
| Total Pages | : 381 |
| Release | : 2024-03-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 1108835708 |
A wide-ranging introduction to one of the twentieth century's most famous cultural icons: pianist, conductor, composer and educator Leonard Bernstein.
| Author | : Leonard Bernstein |
| Publisher | : Harvard University Press |
| Total Pages | : 444 |
| Release | : 1976 |
| Genre | : Music |
| ISBN | : 9780674920019 |
Leonard Bernstein's Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In the re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Shoenberg, and Stravinsky.
| Author | : Nigel Simeone |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 200 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 9780754664840 |
West Side Story is one of the few Broadway musicals that can make a genuine claim to transforming the genre. Nigel Simeone begins by exploring the long process of creating West Side Story, including a discussion of Bernstein's sketches, early drafts of the score and script, as well as cut songs. The core of the book is the commentary on the music itself. West Side Story is one of the very few Broadway musicals for which there is a complete published orchestral score, as well as two different editions of the piano-vocal score. The survival of the original copied orchestral score, and the reminiscences of Sid Ramin and Irwin Kostal, reveal details of the orchestration process, and the extent to which Bernstein was involved in this. Simeone concludes by placing West Side Story in the context of Bernstein's oeuvre as well as considering the lasting impact and reputation of the show.
| Author | : Carol J. Oja |
| Publisher | : Broadway Legacies |
| Total Pages | : 416 |
| Release | : 2014 |
| Genre | : Music |
| ISBN | : 0199862095 |
A super-star of 20th-century music, Leonard Bernstein is famous for his multi-faceted artistic brilliance. Best-known on Broadway for "West Side Story," a tale of immigrant struggles and urban gang warfare, Bernstein thrived within the theater's collaborative artistic environments, and he forged a life-long commitment to advancing social justice. In 'Bernstein meets Broadway: collaborative art in a time of war', award-winning author Carol J. Oja explores a youthful Bernstein-a twenty-something composer who was emerging in New York City during World War II. Devising an innovative framework, Oja constructs a wide-ranging cultural history that illuminates how Bernstein and his friends violated artistic and political boundaries to produce imaginative artistic results. At the core of her story are the Broadway musical On the Town, the ballet Fancy Free, and a nightclub act called The Revuers. A brilliant group of collaborators joins Bernstein at center-stage, including the choreographer Jerome Robbins and the writing team of Betty Comden and Adolph Green. With the zeal of youth, they infused their art with progressive political ideals. On the Town focused on sailors enjoying a day of shore leave, and it featured a mixed-race cast, contributing an important chapter to the desegregation of American performance. It projected an equitable inter-racial vision in an era when racial segregation was being enforced contentiously in the U.S. military.
| Author | : |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 324 |
| Release | : 2004 |
| Genre | : Music |
| ISBN | : 9781574671049 |
(Amadeus). This classic work is perhaps Bernstein's finest collection of conversations on the meaning and wonder of music. This book is a must for all music fans who wish to experience music more fully and deeply through one of the most inspired, and inspiring, music intellects of our time. Employing the creative device of "Imaginary Conversations" in the first section of his book, Bernstein illuminates the importance of the symphony in America, the greatness of Beethoven, and the art of composing. The book also includes a photo section and a third section with the transcripts from his televised Omnibus music series, including "Beethoven's Fifth Symphony," "The World of Jazz," "Introduction to Modern Music," and "What Makes Opera Grand."
| Author | : Katherine Baber |
| Publisher | : University of Illinois Press |
| Total Pages | : 459 |
| Release | : 2019-03-16 |
| Genre | : Music |
| ISBN | : 0252051211 |
Leonard Bernstein's gifts for drama and connecting with popular audiences made him a central figure in twentieth century American music. Though a Bernstein work might reference anything from modernism to cartoon ditties, jazz permeated every part of his musical identity as a performer, educator, and intellectual. Katherine Baber investigates how jazz in its many styles served Bernstein as a flexible, indeed protean, musical idea. As she shows, Bernstein used jazz to signify American identity with all its tensions and contradictions and to articulate community and conflict, irony and parody, and timely issues of race and gender. Baber provides a thoughtful look at how Bernstein's use of jazz grew out of his belief in the primacy of tonality, music's value as a unique form of human communication, and the formation of national identity in music. She also offers in-depth analyses of On the Town, West Side Story, 1600 Pennsylvania Avenue, and other works to explore fascinating links between Bernstein's art and issues like eclecticism, music's relationship to social engagement, black-Jewish relations, and his own musical identity.
| Author | : Allen Shawn |
| Publisher | : Yale University Press |
| Total Pages | : 359 |
| Release | : 2014-09-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 0300144288 |
Chronicles the life and career of the composer and musician, focusing on his range of musical compositions, from "West Side Story" to "Kaddish."
| Author | : Cornelia Gitterle |
| Publisher | : GRIN Verlag |
| Total Pages | : 20 |
| Release | : 2005-06-08 |
| Genre | : Literary Collections |
| ISBN | : 3638385124 |
Seminar paper from the year 2003 in the subject American Studies - Culture and Applied Geography, grade: Gut, University of Innsbruck (Amerikanistik), course: SE: American Music: From Blues to Bernstein, language: English, abstract: Leonard Bernstein was one of the most talented and successful musicians in American history. He was a not only a composer but also a conductor, pianist, author and lecturer. His diversity is also reflected in his music: He wrote jazzy as well as classical music; he composed very successful Broadway-musicals as well as symphonic works, ballets, songs and piano works. This paper will first give an overview of Bernstein’s life, career and music and will then present him in his cultural context. Although Bernstein was a versatile musician, he is mainly remembered for his popular musicals such as On the Town and West Side Story. In the second part of this paper the focus will particularly be on West Side Story, because with this work Leonard Bernstein added a new dimension to the Broadway musical by integrating a serious subject and by collaborating in an operatic type of musical in which drama, singing and dancing are of equal importance.
| Author | : Helen Smith |
| Publisher | : Routledge |
| Total Pages | : 318 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 135153923X |
Leonard Bernstein was the quintessential American musician. Through his careers as conductor, pianist, teacher and television personality he became known across the US and the world, his flamboyance and theatricality making him a favourite with audiences, if not with critics. However, he is perhaps best remembered as a composer, particularly of the musical West Side Story, and for songs such as 'America', 'Tonight' and 'Somewhere'. Dr Helen Smith takes an in-depth look at all eight of Bernstein's musical theatre works, from the early On the Town written by the 26-year-old composer at the start of his career, to his second and last opera A Quiet Place in 1983; in between these two pieces he composed music for Trouble in Tahiti, Wonderful Town, Candide, West Side Story, Mass and 1600 Pennsylvania Avenue. These works are analysed and considered against a background of musical and social context, as well as looking at Bernstein's other orchestral, choral and chamber works. One important aspect examined is Bernstein's use of motifs in his theatre compositions, which takes them out of the realms of Broadway and into the sphere of symphonic writing. Smith provides an indispensable overview of the musical theatre works of an eclectic composer, and shows what it is that constitutes the Bernstein 'sound'.
| Author | : Leonard Bernstein |
| Publisher | : Amadeus Press |
| Total Pages | : 247 |
| Release | : 2007-12-01 |
| Genre | : Music |
| ISBN | : 1574674021 |
(Amadeus). With style, wit, and expertise, Leonard Bernstein shares his love and appreciation for music in all its varied forms in The Infinite Variety of Music , illuminating the deep pleasure and sometimes subtle beauty it offers. He begins with an "imaginary conversation" with George Washington entitled "The Muzak Muse," in which he argues the values of actively listening to music by learning how to read notes, as opposed to simply hearing music in a concert hall. The book also features the reproduction of five television scripts from Bernstein on the influence of jazz, the timeless appeal of Mozart, musical romanticism, and the complexities of rhythmic innovation. Also included are Bernstein's analyses of symphonies by Dvorak, Tchaikovsky, Beethoven, and Brahms, a rare reproduction of a 1957 lecture on the nature of composing, and a report on the musical scene written for the New York Times after his sabbatical leave from directorship of the New York Philharmonic during the 1964-65 season.
