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Encore Tricolore Nouvelle 4 Copymasters and Assessment

Encore Tricolore Nouvelle 4 Copymasters and Assessment
Author: Heather Mascie-Taylor
Publisher: Nelson Thornes
Total Pages: 236
Release: 2002
Genre: French language
ISBN: 9780174403463

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Encore Tricolore nouvelle edition builds on the success of Encore Tricolore and Tricolore. The new edition is exactly the right level for middle to high ability. The course now incorporates new features to bring it in line with the revised GCSE and Standard Grade specifications.

Le Petit Nicolas Paper

Le Petit Nicolas Paper
Author: René Goscinny
Publisher: Longman
Total Pages: 80
Release: 1967-03-06
Genre: Livre audio
ISBN: 9780582360716

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Contains the words (in French) of La Marseillaise______________

Thinking French Translation

Thinking French Translation
Author: Sándor Hervey
Publisher: Routledge
Total Pages: 305
Release: 2003-08-27
Genre: Foreign Language Study
ISBN: 1134522797

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The new edition of this popular course in translation from French into English offers a challenging practical approach to the acquisition of translation skills, with clear explanations of the theoretical issues involved. A variety of translation issues are considered including: *cultural differences *register and dialect *genre *revision and editing. The course now covers texts from a wide range of sources, including: *journalism and literature *commercial, legal and technical texts *songs and recorded interviews. This is essential reading for advanced undergraduates and postgraduate students of French on translation courses. The book will also appeal to wide range of language students and tutors.

Proust, Pastiche, and the Postmodern or Why Style Matters

Proust, Pastiche, and the Postmodern or Why Style Matters
Author: James F. Austin
Publisher: Bucknell University Press
Total Pages: 258
Release: 2013-08-28
Genre: Literary Criticism
ISBN: 1611484111

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Proust, Pastiche, and the Postmodern, or Why Style Matters argues against the traditional view that Marcel Proust wrote pastiches, that is, texts that imitate the style of another author, to master his literary predecessors while sharpening his writerly quill. On the contrary, James F. Austin demonstrates that Proust’s oeuvre, and In Search of Lost Time in particular, deploy pastiche to other ends: Proust’s pastiches, in fact, “do things with words” to create powerful real-world effects. His works are indeed performative acts that forge social relationships, redefine our ideas of literature, and even work against oppressive political and economic discourses. Building on the “speech-act” theory of J.L. Austin, Jacques Derrida, and J. Hillis Miller, and on the postmodern theory of Fredric Jameson, this book not only elucidates the performative nature of pastiche, but also shows that the famous “Goncourt” pastiche from In Search of Lost Time has attracted so much attention because it already attained the postmodern; that is, it eliminated temporal depth and experience, transforming time itself into a nostalgic style of an era, and into the sort of aestheticized surface that came to define postmodernism decades later. To reflect this transformation of pastiche, this work rearticulates its history in France around Proust. Reconfiguring a scholastic, classically-inspired pedagogical tradition based on imitation, and breaking with the dominant satirical practice, Proust’s work opened up possibilities in the twentieth century for a new kind of pastiche: playful and performative in the literary field, and postmodern in a French cinema that, as with the Goncourt pastiche, represents time as the visual style of an era, whether unreflexively in “heritage” films such as Régis Wargnier’s Indochine, or discerningly in Eric Rohmer’s Lady and the Duke, which uses period pictorial and painterly conventions to illustrate how the representation of history onscreen typically flattens time into style.

Pour Le Sport

Pour Le Sport
Author: Roxanna Nydia Curto
Publisher: Oxford University Press
Total Pages: 344
Release: 2021
Genre: History
ISBN: 180085689X

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This edited volume gathers together studies examining various aspects of physical culture in literature written in French from Europe and around the Francophone world. We define physical culture as the systematic care for and development of the physique, and interpret it to include not only sport in the modern sense, but also all the athletic activities that preceded it or relate to it, such as bodily forms of exercise, leisure, and artistic creation. Our essays pursue diverse interpretive approaches and focus on texts from a wide variety of periods (medieval to the present) and genres (short stories, novels, essays, poetry) in order to consider the fundamental-yet highly neglected-place of physical activities in literature and culture from the French-speaking world. Some of the questions the essays explore include: Does the genre sports literature exist in French, and if so, what are its characteristics? How do governments or other political entities mobilize sports literature? What role do narratives about sports-especially the creation of teams-play in the construction of national, regional and/or local identities? How is physical culture used in literary works for pedagogical or ideological purposes? To what extent do sports performances provide a metaphorical and figurative discourse for discussing literature and culture?

The Foreign Language Classroom

The Foreign Language Classroom
Author: Margaret Austin Haggstrom
Publisher: Taylor & Francis
Total Pages: 298
Release: 1995
Genre: Education
ISBN: 9780815315087

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Written from the practical viewpoint of language educators, these essays address classroom applications of second-language theory that respond to a broad spectrum of needs of foreign-language instructors. In addition to the commonly taught French and Spanish, it offers commentary on the teaching of Arabic, Greek, Hungarian, and Japanese. Topics include grammar; task variation and repair; the transition from language to literature and writing; the use of technology; and methodology. There is a glossary of pedagogical terms and an index.

The French Review

The French Review
Author: James Frederick Mason
Total Pages: 694
Release: 1985-10
Genre: Electronic journals

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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors
Author: Philippe Rège
Publisher: Scarecrow Press
Total Pages: 1488
Release: 2009-12-11
Genre: Performing Arts
ISBN: 081086939X

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Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.