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French Film Theory and Criticism, Volume 1

French Film Theory and Criticism, Volume 1
Author: Richard Abel
Publisher: Princeton University Press
Total Pages: 480
Release: 2020-12-08
Genre: Performing Arts
ISBN: 1400835488

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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.


French Film Theory and Criticism: 1907-1929

French Film Theory and Criticism: 1907-1929
Author: Richard Abel
Publisher: Princeton University Press
Total Pages: 488
Release: 1993-09-12
Genre: Performing Arts
ISBN: 9780691000626

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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.


The A to Z of French Cinema

The A to Z of French Cinema
Author: Dayna Oscherwitz
Publisher: Scarecrow Press
Total Pages: 506
Release: 2009-09-02
Genre: Performing Arts
ISBN: 081087038X

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It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi_re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges MZli_s, Alice Guy, and Charles PathZ. Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Fran_ois Truffaut, and Louis Malle_and actors_Charles Boyer, Catherine Deneuve, GZrard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.


The Cine Goes to Town

The Cine Goes to Town
Author: Richard Abel
Publisher: Univ of California Press
Total Pages: 596
Release: 2023-09-01
Genre: Performing Arts
ISBN: 0520912918

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Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.


The Films of Alain Robbe-Grillet

The Films of Alain Robbe-Grillet
Author: Roy Armes
Publisher: John Benjamins Publishing
Total Pages: 228
Release: 1981-01-01
Genre: Literary Criticism
ISBN: 9027280754

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Alain Robbe-Grillet (1922 –2008) was a French writer and filmmaker. His first involvement with the cinema was in the early 1960’s; scripting one of the most controversial films of the decade, L’Année dernière à Marienbad , directed by Alain Resnais. In this study the focus lies on the cinema of Robbe-Grillet . Each chapters deals with a specific film and a specific aspect of his work.


The Secret Life of Houdini

The Secret Life of Houdini
Author: William Kalush
Publisher: Simon and Schuster
Total Pages: 998
Release: 2008-09-04
Genre: Biography & Autobiography
ISBN: 1847396194

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Using exclusive access to newly uncovered archives, Kalush and Sloman reveal the clandestine agreements in which the British and Americans recruited Houdini to be an active secret agent. In exchange for his cooperation, the governments of these two countries facilitated his rise to the top of the world stage. The authors give thrilling accounts of his assignments, such as his participation in early aerial surveillance and his use of his own magic magazine to communicate espionage-related information. After the war, Houdini embarked upon what became his most dangerous mission when he took on the Spiritualist movement. Convinced that Spiritualist mediums were frauds, he became obsessed with exposing them. But the Spiritualists were a powerful adversary. An organized network of fanatics, led by Sherlock Holmes creator Arthur Conan Doyle, worked relentlessly to orchestrate a campaign that would silence Houdini forever. Grounded in solid research, but as exciting and dramatic as a good thriller, THE SECRET LIFE OF HOUDINI traces the magician's long and circuitous route from struggling vaudevillian to worldwide legend.


Theories of Cinema, 1945-1995

Theories of Cinema, 1945-1995
Author: Francesco Casetti
Publisher: University of Texas Press
Total Pages: 382
Release: 1999
Genre: Performing Arts
ISBN: 9780292712072

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A collection of essays on the principal ideologies in film studies.