Le Credo de la femme. Le film complet
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1930 |
| Genre | : |
| ISBN | : |
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Le Credo De La Femme Le Film Complet PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Le Credo De La Femme Le Film Complet PDF full book. Access full book title Le Credo De La Femme Le Film Complet.
From Caligari to Hitler
| Author | : Siegfried Kracauer |
| Publisher | : Princeton University Press |
| Total Pages | : 432 |
| Release | : 2019-04-02 |
| Genre | : Performing Arts |
| ISBN | : 0691191344 |
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An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Bad Boys
| Author | : Karen Burroughs Hannsberry |
| Publisher | : McFarland |
| Total Pages | : 797 |
| Release | : 2014-05-05 |
| Genre | : Performing Arts |
| ISBN | : 9781476604831 |
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The film noir male is an infinitely watchable being, exhibiting a wide range of emotions, behaviors, and motivations. Some of the characters from the film noir era are extremely violent, such as Neville Brand’s Chester in D.O.A. (1950), whose sole pleasure in life seems to come from inflicting pain on others. Other noirs feature flawed authority figures, such as Kirk Douglas’s Jim McLeod in Detective Story (1951), controlled by a rigid moral code that costs him his marriage and ultimately his life. Others present ruthless crime bosses, hapless males whose lives are turned upside down because of their ceaseless longing for a woman, and even courageous men on the right side of the law. The private and public lives of more than ninety actors who starred in the films noirs of the 1940s and 1950s are presented here. Some of the actors, such as Humphrey Bogart, Kirk Douglas, Burt Lancaster, Edward G. Robinson, Robert Mitchum, Raymond Burr, Fred MacMurray, Jack Palance and Mickey Rooney, enjoyed great renown, while others, like Gene Lockhart, Moroni Olsen and Harold Vermilyea, were less familiar, particularly to modern audiences. An appendix focuses on the actors who were least known but frequently seen in minor roles.
Visionary Film
| Author | : P. Adams Sitney |
| Publisher | : Oxford University Press |
| Total Pages | : 773 |
| Release | : 2002-10-03 |
| Genre | : Art |
| ISBN | : 0199882037 |
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Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
The Philosophy of Science Fiction Film
| Author | : Steven Sanders |
| Publisher | : University Press of Kentucky |
| Total Pages | : 241 |
| Release | : 2007-12-14 |
| Genre | : Performing Arts |
| ISBN | : 0813172810 |
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The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.
Orson Welles's Last Movie
| Author | : Josh Karp |
| Publisher | : Macmillan |
| Total Pages | : 349 |
| Release | : 2015-04-21 |
| Genre | : Biography & Autobiography |
| ISBN | : 1250007089 |
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In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles' Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious and remarkable making of what has been called "the greatest home movie that no one has ever seen."
Women's Experimental Cinema
| Author | : Robin Blaetz |
| Publisher | : Duke University Press |
| Total Pages | : 436 |
| Release | : 2007-10-16 |
| Genre | : Performing Arts |
| ISBN | : 9780822340447 |
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This volume offers introductions to the work of fifteen avant-garde American women filmmakers.
The Complete History of American Film Criticism
| Author | : Jerry Roberts |
| Publisher | : Santa Monica Press |
| Total Pages | : 481 |
| Release | : 2010-02-01 |
| Genre | : Performing Arts |
| ISBN | : 1595809430 |
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The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
German Culture through Film
| Author | : Robert C. Reimer |
| Publisher | : Hackett Publishing |
| Total Pages | : 371 |
| Release | : 2017-09-01 |
| Genre | : Performing Arts |
| ISBN | : 158510857X |
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German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.
Chromatic Cinema
| Author | : Richard Misek |
| Publisher | : John Wiley & Sons |
| Total Pages | : 250 |
| Release | : 2010-04-26 |
| Genre | : Performing Arts |
| ISBN | : 1444332392 |
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Chromatic Cinema Color permeates film and its history, but study of its contribution to film has so far been fragmentary. Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. In this richly illustrated study, Richard Misek offers both a history and a theory of screen color. He argues that cinematic color emerged from, defined itself in response to, and has evolved in symbiosis with black and white. Exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis, Misek provides an in-depth yet accessible account of color’s spread through, and ultimate effacement of, black-and-white cinema.
