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| Author | : Costas Douzinas |
| Publisher | : University of Chicago Press |
| Total Pages | : 292 |
| Release | : 1999-06 |
| Genre | : Art |
| ISBN | : 9780226569543 |
Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.
| Author | : Costas Douzinas |
| Publisher | : University of Chicago Press |
| Total Pages | : 294 |
| Release | : 1999-08 |
| Genre | : Art |
| ISBN | : 9780226569536 |
Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.
| Author | : Samantha Barbas |
| Publisher | : Stanford University Press |
| Total Pages | : 324 |
| Release | : 2015-09-30 |
| Genre | : Law |
| ISBN | : 0804796718 |
Americans have long been obsessed with their images—their looks, public personas, and the impressions they make. This preoccupation has left its mark on the law. The twentieth century saw the creation of laws that protect your right to control your public image, to defend your image, and to feel good about your image and public presentation of self. These include the legal actions against invasion of privacy, libel, and intentional infliction of emotional distress. With these laws came the phenomenon of "personal image litigation"—individuals suing to vindicate their image rights. Laws of Image tells the story of how Americans came to use the law to protect and manage their images, feelings, and reputations. In this social, cultural, and legal history, Samantha Barbas ties the development of personal image law to the self-consciousness and image-consciousness that has become endemic in our media-saturated culture of celebrity and consumerism, where people see their identities as intertwined with their public images. The laws of image are the expression of a people who have become so publicity-conscious and self-focused that they believe they have a right to control their images—to manage and spin them like actors, politicians, and rock stars.
| Author | : Alison Young |
| Publisher | : Psychology Press |
| Total Pages | : 205 |
| Release | : 2005 |
| Genre | : Art and morals |
| ISBN | : 041530184X |
This book extends the cultural turn in legal and criminological studies by interrogating our responses to the image. It provides a space to think through problems of ethics, social authority and the legal imagination.
| Author | : Simon Stern |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 921 |
| Release | : 2020-01-16 |
| Genre | : Law |
| ISBN | : 0190695625 |
How does materiality matter to legal scholarship? What can affect studies offer to legal scholars? What are the connections among visual studies, art history, and the knowledge and experience of law? What can the disciplines of book history, digital humanities, performance studies, disability studies, and post-colonial studies contribute to contemporary and historical understandings of law? These are only some of the important questions addressed in this wide-ranging collection of law and humanities scholarship. Collecting 45 new essays by leading international scholars, The Oxford Handbook of Law and Humanities showcases the work of law and humanities across disciplines, addressing methods, concepts and themes, genres, and areas of the law. The essays explore under-researched domains such as comics, videos, police files, form contracts, and paratexts, and shed new light on traditional topics, such as free speech, intellectual property, international law, indigenous peoples, immigration, evidence, and human rights. The Handbook provides an exciting new agenda for scholarship in law and humanities, and will be essential reading for anyone interested in the intersections of law and humanistic inquiry.
| Author | : David L. Lange |
| Publisher | : Stanford University Press |
| Total Pages | : 456 |
| Release | : 2008-10-27 |
| Genre | : Law |
| ISBN | : 0804763275 |
The original text of the Constitution grants Congress the power to create a regime of intellectual property protection. The first amendment, however, prohibits Congress from enacting any law that abridges the freedoms of speech and of the press. While many have long noted the tension between these provisions, recent legal and cultural developments have transformed mere tension into conflict. No Law offers a new way to approach these debates. In eloquent and passionate style, Lange and Powell argue that the First Amendment imposes absolute limits upon claims of exclusivity in intellectual property and expression, and strips Congress of the power to restrict personal thought and free expression in the name of intellectual property rights. Though the First Amendment does not repeal the Constitutional intellectual property clause in its entirety, copyright, patent, and trademark law cannot constitutionally license the private commodification of the public domain. The authors claim that while the exclusive rights currently reflected in intellectual property are not in truth needed to encourage intellectual productivity, they develop a compelling solution for how Congress, even within the limits imposed by an absolute First Amendment, can still regulate incentives for intellectual creations. Those interested in the impact copyright doctrines have on freedom of expression in the U.S. and the theoretical and practical aspects of intellectual property law will want to take a closer look at this bracing, resonant work.
| Author | : Jane M. Gaines |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 361 |
| Release | : 2000-11-09 |
| Genre | : Literary Criticism |
| ISBN | : 0807861642 |
Jane M. Gaines examines the phenomenon of images as property, focusing on the legal staus of mechanically produced visual and audio images from popular culture. Bridging the fields of critical legal studies and cultural studies, she analyzes copyright, trademark, and intellectual property law, asking how the law constructs works of authorship and who owns the country's cultural heritage.
| Author | : Alexandre Lefebvre |
| Publisher | : Stanford University Press |
| Total Pages | : 336 |
| Release | : 2008 |
| Genre | : Philosophy |
| ISBN | : 0804759847 |
The Image of Law is the first book to examine law through the work of Gilles Deleuze, activating his thought within problems of jurisprudence and developing a concept of judgment that acknowledges its inherently creative capacity.
| Author | : - Prof Dr Thomas Dreier |
| Publisher | : BRILL |
| Total Pages | : 102 |
| Release | : 2019-08-26 |
| Genre | : Art |
| ISBN | : 9004411097 |
Following an interdisciplinary approach linking image and legal sciences, Law and Images attempts to outline a research field “Law and Images” in parallel to the well-established “Law and Literature”. It also systematizes images in law, of law and for law.
| Author | : Lawrence Rosen |
| Publisher | : University of Chicago Press |
| Total Pages | : 293 |
| Release | : 2018-03-13 |
| Genre | : Law |
| ISBN | : 022651174X |
In the West, we tend to think of Islamic law as an arcane and rigid legal system, bound by formulaic texts yet suffused by unfettered discretion. While judges may indeed refer to passages in the classical texts or have recourse to their own orientations, images of binding doctrine and unbounded choice do not reflect the full reality of the Islamic law in its everyday practice. Whether in the Arabic-speaking world, the Muslim portions of South and Southeast Asia, or the countries to which many Muslims have migrated, Islamic law works is readily misunderstood if the local cultures in which it is embedded are not taken into account. With Islam and the Rule of Justice, Lawrence Rosen analyzes a number of these misperceptions. Drawing on specific cases, he explores the application of Islamic law to the treatment of women (who win most of their cases), the relations between Muslims and Jews (which frequently involve close personal and financial ties), and the structure of widespread corruption (which played a key role in prompting the Arab Spring). From these case studie the role of informal mechanisms in the resolution of local disputes. The author also provides a close reading of the trial of Zacarias Moussaoui, who was charged in an American court with helping to carry out the 9/11 attacks, using insights into how Islamic justice works to explain the defendant’s actions during the trial. The book closes with an examination of how Islamic cultural concepts may come to bear on the constitutional structure and legal reforms many Muslim countries have been undertaking.
