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| Author | : Maurice Blanchot |
| Publisher | : Stanford University Press |
| Total Pages | : 204 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9780804750356 |
In this book, Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism.
| Author | : Maurice Blanchot |
| Publisher | : |
| Total Pages | : 309 |
| Release | : 1969 |
| Genre | : |
| ISBN | : |
| Author | : comte de Lautréamont |
| Publisher | : |
| Total Pages | : 364 |
| Release | : 1994 |
| Genre | : Fiction |
| ISBN | : |
Andre Breton wrote that MALDOROR is the expression of a revelation so complete it seems to exceed human potential.' First published in 1869, MALDOROR is the work of a mysterious genius about whom little is known aside from his birth in Uruguay, 1846, and his early death in Paris, 1870. His writings, published under the pseudonym Comte de Lautreamont, bewildered his contemporaries but have since taken their place alongside other French classics of transgression such as Sade, Baudelaire, Rimbaud. A unique translation.'
| Author | : Maike Oergel |
| Publisher | : Walter de Gruyter |
| Total Pages | : 283 |
| Release | : 2012-12-19 |
| Genre | : Literary Criticism |
| ISBN | : 3110290111 |
The essays in this volume discuss the overlap between philosophical, aesthetic, and political concerns in the 1790s either in the work of individuals or in the transfer of cultural materials across national borders, which tended to entail adaptation and transformation. What emerges is a clearer understanding of the “fate” of the Enlightenment, its radicalization and its “overcoming” in aesthetic and political terms, and of the way in which political “paranoia”, generated by the fear of a spreading revolutionary radicalism, facilitated and influenced the cultural transfer of the “radical”. The collection will be of interest to scholars in French, German, English, and comparative studies working on the later 18th century or early 19th century. It is of particular interest to those working on the impact of the French Revolution, those engaged in reception studies, and those researching the interface between political and cultural activites. It is also of key interest to intellectual historians of this period, as well as general historians with an interest in modern conservatism and radicalism.
| Author | : Armando Maggi |
| Publisher | : University of Chicago Press |
| Total Pages | : 420 |
| Release | : 2009-05-15 |
| Genre | : Social Science |
| ISBN | : 0226501361 |
Italian novelist, poet, and filmmaker Pier Paolo Pasolini was brutally killed in Rome in 1975, a macabre end to a career that often explored humanity’s capacity for violence and cruelty. Along with the mystery of his murderer’s identity, Pasolini left behind a controversial but acclaimed oeuvre as well as a final quartet of beguiling projects that signaled a radical change in his aesthetics and view of reality. The Resurrection of the Body is an original and compelling interpretation of these final works: the screenplay Saint Paul, the scenario for Porn-Theo-Colossal, the immense and unfinished novel Petrolio, and his notorious final film, Salò or the 120 Days of Sodom, a disturbing adaptation of the writings of the Marquis de Sade. Together these works, Armando Maggi contends, reveal Pasolini’s obsession with sodomy and its role within his apocalyptic view of Western society. One of the first studies to explore the ramifications of Pasolini’s homosexuality, The Resurrection of the Body also breaks new ground by putting his work into fruitful conversation with an array of other thinkers such as Freud, Strindberg, Swift, Henri Michaux, and Norman O. Brown.
| Author | : Romana Byrne |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 192 |
| Release | : 2013-11-28 |
| Genre | : Literary Criticism |
| ISBN | : 1441183582 |
To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls 'aesthetic sexuality'. To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.
| Author | : J. Acquisto |
| Publisher | : Springer |
| Total Pages | : 210 |
| Release | : 2013-02-18 |
| Genre | : Literary Criticism |
| ISBN | : 1137329289 |
This volume of essays seeks to establish a dialogue between poetry and philosophy where each could be said to read the other and announces important new paths for a reinvigorated study of lyric poetry in the decades to come.
| Author | : Comte Lautreamont |
| Publisher | : Random House |
| Total Pages | : 333 |
| Release | : 2006-01-26 |
| Genre | : Fiction |
| ISBN | : 0141194049 |
Insolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautréamont (1846-70), depicts a sinister and sadistic world of unrestrained savagery and brutality. One of the earliest and most astonishing examples of surrealist writing, it follows the experiences of Maldoror, a master of disguises pursued by the police as the incarnation of evil, as he makes his way through a nightmarish realm of angels and gravediggers, hermaphrodites and prostitutes, lunatics and strange children. Delirious, erotic, blasphemous and grandiose by turns, this hallucinatory novel captured the imagination of artists and writers as diverse as Modigliani, Verlaine, André Gide and André Breton; it was hailed by the twentieth-century Surrealist movement as a formative and revelatory masterpiece.
| Author | : Giles Whiteley |
| Publisher | : Routledge |
| Total Pages | : 492 |
| Release | : 2017-07-05 |
| Genre | : Foreign Language Study |
| ISBN | : 1351555456 |
Oscar Wilde is more than a name, more than an author. From precocious Oxford undergraduate to cause celebre of the West End of the 1890s, to infamous criminal, the proper name Wilde has become an event in the history of literature and culture. Taking Wilde seriously as a philosopher in his own right, Whiteley's groundbreaking book places his texts into their philosophical context in order to show how Wilde broke from his peers, and in particular from idealism, and challenges recent neo-historicist readings of Wilde which seem content to limit his irruptive power. Using the paradoxical concept of the simulacrum to resituate Wilde's work in relation to both his precursors and his contemporaries, Whiteley's study reads Wilde through Deleuze and postmodern philosophical commentary on the simulacrum. In a series of striking juxtapositions, Whiteley challenges us to rethink both Oscar Wilde's aesthetics and his philosophy, to take seriously both the man and the mask. His philosophy of masks is revealed to figure a truth of a different kind - the simulacra through which Wilde begins to develop and formulate a mature philosophy that constitutes an ethics of joy.
| Author | : Anthony Uhlmann |
| Publisher | : Cambridge University Press |
| Total Pages | : 489 |
| Release | : 2013-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1107017033 |
Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.
