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| Author | : Andrew J. Power |
| Publisher | : Cambridge University Press |
| Total Pages | : 357 |
| Release | : 2013 |
| Genre | : Drama |
| ISBN | : 1107016193 |
In Late Shakespeare, 1608-1613, leading international Shakespeare scholars provide a contextually informed approach to Shakespeare's last seven plays.
| Author | : Chrystine Brouillet |
| Publisher | : |
| Total Pages | : 358 |
| Release | : 2012 |
| Genre | : DRAMA |
| ISBN | : 9781139776493 |
In fourteen specially commissioned chapters by leading Shakespeare scholars from around the globe, Late Shakespeare, 1608 1613 provides an essential re-appraisal of the final phase of Shakespeare's writing life. Arranged for the first time in the best-established chronological sequence, Shakespeare's last seven extant plays are discussed in detail in dedicated chapters, from Pericles to the late co-authored works, King Henry VIII and The Two Noble Kinsmen. The plays are situated in the context of Shakespeare's financial investments, his focus on the practice of reading, the changing nature of his acting company and the pressing issues of contemporary politics and urban life. The book also goes on to explore the relationship between Shakespeare and his audience and considers the dominant themes in his final works. Analysing and responding to the latest criticism in the field, this volume brings to light a vital re-examination of what it means to discuss 'late Shakespeare'."
| Author | : Rory Loughnane |
| Publisher | : Cambridge University Press |
| Total Pages | : 339 |
| Release | : 2020-04-30 |
| Genre | : Literary Criticism |
| ISBN | : 1108853749 |
Early Shakespeare, 1588–1594 draws together leading scholars of text, performance, and theatre history to offer a rigorous re-appraisal of Shakespeare's early career. The contributors offer rich new critical insights into the theatrical and poetic context in which Shakespeare first wrote and his emergence as an author of note, while challenging traditional readings of his beginnings in the burgeoning theatre industry. Shakespeare's earliest works are treated on their own merit and in their own time without looking forward to Shakespeare's later achievements; contributors situate Shakespeare, in his twenties, in a very specific time, place, and cultural moment. The volume features essays about Shakespeare's early style, characterisation, and dramaturgy, together with analysis of his early co-authors, rivals, and influences (including Lyly, Spenser and Marlowe). This collection provides essential entry points to, and original readings of, the poet-dramatist's earliest extant writings and shines new light on his first activities as a professional author.
| Author | : Moshe Gold |
| Publisher | : Purdue University Press |
| Total Pages | : 357 |
| Release | : 2018-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 1612495427 |
Scholars have used Levinas as a lens through which to view many authors and texts, fields of endeavor, and works of art. Yet no book-length work or dedicated volume has brought this thoughtful lens to bear in a sustained discussion of the works of Shakespeare. It should not surprise anyone that Levinas identified his own thinking as Shakespearean. "The play's the thing" for both, or put differently, the observation of intersubjectivity is. What may surprise and indeed delight all learned readers is to consider what we might yet gain from considering each in light of the other. Comprising leading scholars in philosophy and literature, Of Levinas and Shakespeare: "To See Another Thus" is the first book-length work to treat both great thinkers. Lear, Hamlet, and Macbeth dominate the discussion; however, essays also address Cymbeline, The Merchant of Venice, and even poetry, such as Venus and Adonis. Volume editors planned and contributors deliver a thorough treatment from multiple perspectives, yet none intends this volume to be the last word on the subject; rather, they would have it be a provocation to further discussion, an enticement for richer enjoyment, and an invitation for deeper contemplation of Levinas and Shakespeare.
| Author | : William Shakespeare |
| Publisher | : 谷月社 |
| Total Pages | : 229 |
| Release | : 2015-07-29 |
| Genre | : Literary Collections |
| ISBN | : |
Henry VIII is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII of England. An alternative title, All is True, is recorded in contemporary documents, the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays. During a performance of Henry VIII at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original building to the ground.
| Author | : T. Bourus |
| Publisher | : Springer |
| Total Pages | : 576 |
| Release | : 2013-09-18 |
| Genre | : Literary Criticism |
| ISBN | : 1137344229 |
Did Shakespeare really join John Fletcher to write Cardenio, a lost play based on Don Quixote? With an emphasis on the importance of theatrical experiment, a script and photos from Gary Taylor's recent production, and essays by respected early modern scholars, this book will make a definitive statement about the collaborative nature of Cardenio.
| Author | : Rory Loughnane |
| Publisher | : Springer |
| Total Pages | : 299 |
| Release | : 2018-12-11 |
| Genre | : Literary Criticism |
| ISBN | : 3030008924 |
This book looks at the staging and performance of normality in early modern drama. Analysing conventions and rules, habitual practices, common things and objects, and mundane sights and experiences, this volume foregrounds a staged normality that has been heretofore unseen, ignored, or taken for granted. It draws together leading and emerging scholars of early modern theatre and culture to debate the meaning of normality in an early modern context and to discuss how it might transfer to the stage. In doing so, these original critical essays unsettle and challenge scholarly assumptions about how normality is represented in the performance space. The volume, which responds to studies of the everyday and the material turn in cultural history, as well as to broader philosophical engagements with the idea of normality and its opposites, brings to light the essential role that normality plays in the composition and performance of early modern drama.
| Author | : R. Loughnane |
| Publisher | : Springer |
| Total Pages | : 485 |
| Release | : 2016-01-03 |
| Genre | : Literary Criticism |
| ISBN | : 1137349352 |
Staged Transgression in Shakespeare's England is a groundbreaking collection of seventeen essays, drawing together leading and emerging scholars to discuss and challenge critical assumptions about the transgressive nature of the early modern English stage. These essays shed new light on issues of gender, race, sexuality, law and politics. Staged Transgression was followed by a companion collection, Staged Normality in Shakespeare's England (2019), also available from Palgrave: https://link.springer.com/book/10.1007/978-3-030-00892-5
| Author | : Rory Loughnane |
| Publisher | : Cambridge University Press |
| Total Pages | : 339 |
| Release | : 2020-04-30 |
| Genre | : Drama |
| ISBN | : 1108495249 |
Re-appraises Shakespeare's early career, situating his writings and activities in their time, place, and cultural moment.
| Author | : Nicholas Taylor-Collins |
| Publisher | : Springer |
| Total Pages | : 258 |
| Release | : 2018-09-18 |
| Genre | : Performing Arts |
| ISBN | : 3319959247 |
This book shows that Shakespeare continues to influence contemporary Irish literature, through postcolonial, dramaturgical, epistemological and narratological means. International critics examine a range of contemporary writers including Eavan Boland, Marina Carr, Brian Friel, Seamus Heaney, John McGahern, Frank McGuinness, Derek Mahon and Paul Muldoon, and explore Shakespeare’s tragedies, histories and comedies, as well as his sonnets. Together, the chapters demonstrate that Shakespeare continues to exert a pressure on Irish writing into the twenty-first century, sometimes because of and sometimes in spite of the fact that his writing is inextricably tied to the Elizabethan and Jacobean colonization of Ireland. Contemporary Irish writers appropriate, adopt, adapt and strategize through their engagements with Shakespeare, and indeed through his own engagement with the world around him four hundred years ago.
