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The Last Days of Pompeii

The Last Days of Pompeii
Author: Edward Bulwer Lytton Baron Lytton
Publisher:
Total Pages: 332
Release: 1850
Genre: Pompeii (Extinct city)
ISBN:

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Historisk roman om livet i Pompeii i de sidste dage før ødelæggelsen år 79 f. Kr.


The Last Days of Pompeii, Vol. 2 of 2 (Classic Reprint)

The Last Days of Pompeii, Vol. 2 of 2 (Classic Reprint)
Author: Edward Bulwer Lytton
Publisher:
Total Pages: 330
Release: 2016-06-27
Genre: Poetry
ISBN: 9781332789832

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Excerpt from The Last Days of Pompeii, Vol. 2 of 2 Do not disturb thyself, 0 great Egyptian! Returned Julia, seeking to disguise the fear She already experienced beneath the ready resort of attery; and forgive an unfortunate female, who seeks consolation from thy wisdom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."


The Last Days of Pompeii, Vol. 1 of 2 (Classic Reprint)

The Last Days of Pompeii, Vol. 1 of 2 (Classic Reprint)
Author: Edward Bulwer Lytton
Publisher: Forgotten Books
Total Pages: 344
Release: 2017-10-22
Genre: Poetry
ISBN: 9780266593034

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Excerpt from The Last Days of Pompeii, Vol. 1 of 2 Yet the enterprise, though arduous, seemed to me worth attempting; and in the time and the scene I have chosen, much may be found to arouse the curiosity of the reader, and enlist his interest in the descriptions of the author. It was the first century of our religion; it was the most civilised period of Rome; the conduct of the story lies amidst places whose relics we yet trace; the catastrophe is among the most awful which the tragedies of Ancient History present to our survey. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Last Days of Pompeii, Vol. 3 of 3 (Classic Reprint)

The Last Days of Pompeii, Vol. 3 of 3 (Classic Reprint)
Author: Edward Bulwer Lytton
Publisher: Forgotten Books
Total Pages: 322
Release: 2017-12-11
Genre: Poetry
ISBN: 9780332635828

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Excerpt from The Last Days of Pompeii, Vol. 3 of 3 Halloo! Groaned the merchant, recovering with some difficulty his equilibrium; have you no eyes? Or do you think I have no feeling? By Jupiter! You have well nigh driven out the divine particle; such another shock, and my soul will be in Hades! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Last Days of Pompeii

The Last Days of Pompeii
Author: Edward Bulwer-Lytton(Owen Meredith)
Publisher: Createspace Independent Publishing Platform
Total Pages: 420
Release: 2018-08-13
Genre:
ISBN: 9781725188853

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The Last Days of Pompeii: Large print by Edward Bulwer-Lytton(Owen Meredith) A classical romance is always a difficult form of art, but Lord Lytton's is easily the most successful. He does not overload his narrative with antiquarian details, and the story moves rapidly to its great climax. It is a brilliant and imaginative picture of the later Roman civilization. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.


The Last Days of Pompeii, And, the Disowned (Classic Reprint)

The Last Days of Pompeii, And, the Disowned (Classic Reprint)
Author: Edward Bulwer Lytton
Publisher: Forgotten Books
Total Pages: 982
Release: 2017-01-13
Genre: Poetry
ISBN: 9780243007639

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Excerpt from The Last Days of Pompeii, And, the Disowned Writing the work almost on the spot, and amidst a popala tion that still preserve a strong family likeness to their classic forefathers, I could scarcely fail to catch something of those living colors which mere book-study alone would not have sufficed to bestow. It is, I suspect, to this acci dental advantage that this work is principally indebted for a greater popularity than has hitherto attended the attempts of scholars to create an interest, by fictitious narrative, in the manners and persons of a classic age. Perhaps, too, the writers I allude to, and of whose labors I would speak with the highest respect, did not sufficiently remember that in works of imagination the description of manners, however important as an accessory, must still be subordinate to the vital elements of interest; namely, plot, character, and passion. And in reviving the ancient shadows they have rather sought occasion to display erudition than to show how the human heart beats the same, whether under the Grecian tunic or the Roman toga. It is this, indeed, which distinguishes the imitators of classic learning from the classic literature itself. For in classic literature there is no want of move ment and passion, - oi all the more animated elements of what we now call Romance. Indeed, romance itself, as we take it from the Middle Ages, owes much to Grecian fable. Many of the adventures of knight-errantry are bor rowed either from the trials of Ulysses or the achieve ments of Theseus. And while Homer, yet unrestored to his throne among the poets, was only known to the litera ture of early chivalry in a spurious or grotesque form, the genius of Gothic fiction was constructing many a tale for Northern wonder from the mutilated fragments of the divine old tale-teller. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Last Days of Pompeii, Vol. 2 of 3 (Classic Reprint)

The Last Days of Pompeii, Vol. 2 of 3 (Classic Reprint)
Author: Edward Bulwer Lytton
Publisher: Forgotten Books
Total Pages: 304
Release: 2018-01-08
Genre: Poetry
ISBN: 9780428556334

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Excerpt from The Last Days of Pompeii, Vol. 2 of 3 For the lawyers, and the clients when attending on their patrons, retained the toga after it had fallen into disuse among the rest of the citizens. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Last Days of Pompeii

The Last Days of Pompeii
Author: Victoria C. Gardner Coates
Publisher: Getty Publications
Total Pages: 268
Release: 2012
Genre: Art
ISBN: 1606061151

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Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, and sculpture, to theatrical performances, photography, and film. This lavishly illustrated volume--featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chass�riau, and Alma-Tadema, as well as Duchamp, Dal�, Rothko, Rauschenberg, and Warhol--surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. Decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for Apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. Resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past. An exhibition of the same name will be on view at the Getty Villa from September 12, 2012, through January 7, 2013; at the Cleveland Museum of Art from February 24 through May 19, 2013; and at the Mus�e national des beaux-arts du Qu�bec from June 13 through November 8, 2013.


The Last Days of Pompeii, Vol. 1 of 3 (Classic Reprint)

The Last Days of Pompeii, Vol. 1 of 3 (Classic Reprint)
Author: Edward Bulwer Lytton
Publisher: Forgotten Books
Total Pages: 346
Release: 2017-10-26
Genre: Poetry
ISBN: 9780266742401

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Excerpt from The Last Days of Pompeii, Vol. 1 of 3 I was aware from the first, however, of the great difficulties with which I had to contend. To paint the manners, and exhibit the life, of the Middle Ages, required the hand of a master-genius; yet perhaps that task was slight and easy in comparison with the attempt to portray a far earlier and more unfamiliar period. With the men and customs of the feudal time we have a natural sym pathy and bond of alliance; those men were our own ancestors - from those customs we received our own - the creed of our chivalric fathers is still ours - their tombs yet consecrate our churches - the ruins of their castles yet frown over our valleys. We trace in their struggles for liberty and for justice our present institutions and in the elements of their social state we behold the origin of our own. But with the classical age we have no household and familiar associations. The creed of that departed religion, the customs of that past civilisation, present little that is sacred or attractive to our northern imaginations; they are rendered yet more trite to us by the scholastic pedan tries which first acquainted us with their nature, and are linked with the recollection of studies which were imposed as a labour, and not cultivated as a delight. Yet the enterprise, though arduous, seemed to me worth attempting and in the time and the scene I have chosen, much may be found to arouse the curiosity of the reader, and enlist his interest in the descriptions of the author. It was the first century of our religion; it was the most civilised period of Rome; the conduct of the story lies amidst places whose relics we yet trace; the catastrophe is among the most awful which the tragedies of Ancient History present to our survey. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.