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| Author | : |
| Publisher | : Routledge |
| Total Pages | : 274 |
| Release | : |
| Genre | : |
| ISBN | : 1135851573 |
| Author | : M. Hurst |
| Publisher | : Springer |
| Total Pages | : 400 |
| Release | : 2011-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 0230118267 |
Drawing on critical frameworks, this study establishes the centrality of language, gender, and community in the quest for identity in contemporary American fiction. Close readings of novels by Alice Walker, Ernest Gaines, Ann Beattie, John Updike, Chang-rae Lee, and Rudolfo Anaya, among others, show how individuals find their American identities.
| Author | : Kristin J. Jacobson |
| Publisher | : Springer |
| Total Pages | : 320 |
| Release | : 2018-05-04 |
| Genre | : Literary Criticism |
| ISBN | : 3319738518 |
This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings.
| Author | : Christine Gerhardt |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 584 |
| Release | : 2018-06-11 |
| Genre | : Literary Criticism |
| ISBN | : 3110481324 |
This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical concepts, and critical methodologies. The volume turns to the nineteenth century as a formative era in American literary history, a time that saw both the rise of the novel as a genre, and the emergence of an independent, confident American culture. A broad range of concise essays by European and American scholars demonstrates how some of America‘s most well-known and influential novels responded to and participated in the radical transformations that characterized American culture between the early republic and the age of imperial expansion. Part I consists of 7 systematic essays on key historical and critical frameworks ― including debates aboutrace and citizenship, transnationalism, environmentalism and print culture, as well as sentimentalism, romance and the gothic, realism and naturalism. Part II provides 22 essays on individual novels, each combining an introduction to relevant cultural contexts with a fresh close reading and the discussion of critical perspectives shaped by literary and cultural theory.
| Author | : Sherita L. Johnson |
| Publisher | : Routledge |
| Total Pages | : 345 |
| Release | : 2009-09-11 |
| Genre | : History |
| ISBN | : 1135244456 |
Using the "the Negro Problem" in African American literature as a point of departure, this book focuses on the profound impact that racism had on the literary imagination of black Americans, specifically those in the South. Although the South has been one of the most enduring sites of criticism in American Studies and in American literary history, Johnson argues that it is impossible to consider what the "South" and what "southernness" mean as cultural references without looking at how black women have contributed to and contested any unified definition of that region. Johnson challenges the homogeneity of a "white" South and southern cultural identity by recognizing how fictional and historical black women are underacknowledged agents of cultural change. Johnson regards the South as a cultural region that (re)constructs black womanhood, but she also considers how black womanhood have transformed the South. Specialists in nineteenth and twentieth century American literature will find this book a necessary addition, as will scholars of African American Literature and History.
| Author | : Catharine Maria Sedgwick |
| Publisher | : Broadview Press |
| Total Pages | : 483 |
| Release | : 2011-10-20 |
| Genre | : Fiction |
| ISBN | : 1551118610 |
Honorable mention recipient for the 2012 Society for the Study of American Women Writers Award. A pioneering American novel of manners first published in 1830, Catharine Sedgwick’s Clarence follows heiress Gertrude Clarence as she negotiates the perils of the marriage market in New York City. Giving Gertrude’s family English and Caribbean histories, Sedgwick aligns the United States in the 1820s with a larger Atlantic world. This edition of Sedgwick’s cosmopolitan novel will contribute to a rethinking both of the history of the American novel of manners and to the shape of Sedgwick’s career as one of the most important novelists of the first half of the nineteenth century. This Broadview edition offers a rich selection of contextual materials, including selections from Sedgwick’s correspondence and journals reconstructing the origins of the novel, engravings and lithographs of key sites in the novel, American and British reviews of the novel, and documentation of the author’s revised edition of 1849.
| Author | : Shawn J. Parry-Giles |
| Publisher | : Penn State Press |
| Total Pages | : 235 |
| Release | : 2017-04-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0271079983 |
In the aftermath of the Civil War, Republicans and Democrats who advocated conflicting visions of American citizenship could agree on one thing: the rhetorical power of Abraham Lincoln’s life. This volume examines the debates over his legacy and their impact on America’s future. In the thirty-five years following Lincoln’s assassination, acquaintances of Lincoln published their memories of him in newspapers, biographies, and edited collections in order to gain fame, promote partisan aims, champion his hardscrabble past and exalted rise, and define his legacy. Shawn Parry-Giles and David Kaufer explore how style, class, and character affected these reminiscences. They also analyze the ways people used these writings to reinforce their beliefs about citizenship and presidential leadership in the United States, with specific attention to the fissure between republicanism and democracy that still exists today. Their study employs rhetorical and corpus research methods to assess more than five hundred reminiscences. A novel look at how memories of Lincoln became an important form of political rhetoric, this book sheds light on how divergent schools of U.S. political thought came to recruit Lincoln as their standard-bearer.
| Author | : Neal Millikan |
| Publisher | : Routledge |
| Total Pages | : 158 |
| Release | : 2011-05-09 |
| Genre | : History |
| ISBN | : 1136674454 |
Lotteries in Colonial America explores lotteries in England and the American colonies in the seventeenth and eighteenth centuries. From the founding of Jamestown to the financing of the American Revolution, lotteries played an important role in the economic life of the colonies. Lotteries provided an alternative form of raising money for colonial governments and a means of subsidizing public and private projects without enacting new taxes. The book also describes and analyzes the role of lotteries in the eighteenth-century consumer revolution, which transformed how buyers viewed the goods they purchased, or in the case of lotteries, won. As the middling classes in the colonies began to acquire objects that went beyond mere necessities, lotteries gave colonists an opportunity to risk a small sum in the hopes of gaining riches or valuable goods. Finally, the book examines how lotteries played a role in the changing notions of fortune in colonial America. Religion and chance were present in colonial lotteries as participants merged their own free will to purchase a lottery ticket with the will of the Christian God to select a winner.
| Author | : Jaime Osterman Alves |
| Publisher | : Routledge |
| Total Pages | : 377 |
| Release | : 2009-03-11 |
| Genre | : History |
| ISBN | : 1135842469 |
Seeking to understand how literary texts both shaped and reflected the century's debates over adolescent female education, this book examines fictional works and historical documents featuring descriptions of girls' formal educational experiences between the 1810s and the 1890s. Alves argues that the emergence of schoolgirl culture in nineteenth-century America presented significant challenges to subsequent constructions of normative femininity. The trope of the adolescent schoolgirl was a carrier of shifting cultural anxieties about how formal education would disrupt the customary maid-wife-mother cycle and turn young females off to prevailing gender roles. By tracing the figure of the schoolgirl at crossroads between educational and other institutions - in texts written by and about girls from a variety of racial, ethnic, and class backgrounds - this book transcends the limitations of "separate spheres" inquiry and enriches our understanding of how girls negotiated complex gender roles in the nineteenth century.
| Author | : Megan Sanborn Jones |
| Publisher | : Routledge |
| Total Pages | : 399 |
| Release | : 2009-06-10 |
| Genre | : History |
| ISBN | : 1135967903 |
In the late nineteenth century, melodramas were spectacular entertainment for Americans. They were also a key forum in which elements of American culture were represented, contested, and inverted. This book focuses specifically on the construction of the Mormon villain as rapist, murderer, and Turk in anti-Mormon melodramas. These melodramas illustrated a particularly religious world-view that dominated American life and promoted the sexually conservative ideals of the cult of true womanhood. They also examined the limits of honorable violence, and suggested the whiteness of national ethnicity. In investigating the relationship between theatre, popular literature, political rhetoric, and religious fervor, Megan Sanborn Jones reveals how anti-Mormon melodramas created a space for audiences to imagine a unified American identity.
