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| Author | : Monika Bednarek |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2018-10-04 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1108472222 |
Explores contemporary US television dialogue - the on-screen language that viewers worldwide encounter as they watch popular television series.
| Author | : Monika Bednarek |
| Publisher | : Cambridge University Press |
| Total Pages | : 318 |
| Release | : 2018-10-04 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9781108459150 |
This book offers a comprehensive linguistic analysis of contemporary US television series. Adopting an interdisciplinary and multimethodological approach, Monika Bednarek brings together linguistic analysis of the Sydney Corpus of Television Dialogue with analysis of scriptwriting manuals, interviews with Hollywood scriptwriters, and a survey undertaken with university students about their consumption of TV series. In so doing, she presents five new and original empirical studies. The focus on language use in a professional context (the television industry), on scriptwriting pedagogy, and on learning and teaching provides an applied linguistic lens on TV series. This is complemented by perspectives taken from media linguistics, corpus linguistics and sociocultural linguistics/sociolinguistics. Throughout the book, multiple dialogue extracts are presented from a wide variety of well-known fictional television series, including The Big Bang Theory, Grey's Anatomy and Bones. Researchers in applied linguistics, discourse analysis, critical discourse analysis, corpus linguistics, sociolinguistics and media linguistics will find the book both stimulating and unique in its approach.
| Author | : Reto Winckler |
| Publisher | : Springer Nature |
| Total Pages | : 357 |
| Release | : 2022-01-19 |
| Genre | : Performing Arts |
| ISBN | : 9811547203 |
This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. It goes beyond existing adaptation studies and narratological approaches to television series in both its scope and depth. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series, while drawing on the theoretical work of a host of scholars from Simone de Beauvoir and Yuri Lotman to Ted Nannicelli and Jason Mittel, and on critical approaches ranging from narratology and semiotics to empirical sociology and phenomenology. The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.
| Author | : Roberta Piazza |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 329 |
| Release | : 2011-07-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027285152 |
This cutting-edge collection of articles provides the first organised reflection on the language of films and television series across British, American and Italian cultures. The volume suggests new directions for research and applications, and offers a variety of methodologies and perspectives on the complexities of "telecinematic" discourse – a hitherto virtually unexplored area of investigation in linguistics. The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic – as it revolves around narrative – as opposed to mimetic – as referring to other non-narrative and non-fictional genres – discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields.
| Author | : Michael Hammond |
| Publisher | : Edinburgh University Press |
| Total Pages | : 272 |
| Release | : 2005-05-04 |
| Genre | : Performing Arts |
| ISBN | : 0748679642 |
An engaging and provocative study of the contemporary prime-time 'quality' serial television format, this book gives a timely account of prominent programmes such as 24, Buffy the Vampire Slayer, ER, The Sopranos and The West Wing and explores their influential position within the television industry. Divided into the areas of history, aesthetics and reception, the text provides an illuminating overview of an increasingly hybrid television studies discipline. Chapters consider the formal and aesthetic elements in the contemporary television serial through approaches ranging from those concerned with issues of gender and sexuality, national identity, and reception to industry history and textual analysis. The book also includes British examples of 'quality' serial television emphasizing not only their cultural specificity but also the transnational context in which these programmes operate. Features*Section introductions provide student-friendly explanations of the various approaches and methodologies employed in the book*Chapters are written by an international team of experts in the field of television studies*Ideal for use as a textbook on courses in contemporary television taught at undergraduate level
| Author | : Blanca Arias-Badia |
| Publisher | : Peter Lang Limited, International Academic Publishers |
| Total Pages | : 248 |
| Release | : 2020-03-10 |
| Genre | : Corpora (Linguistics) |
| ISBN | : 9781787077966 |
Television series are regarded as significant works of popular culture in today's society, which explains the increasing demand to translate them into other languages to reach larger audiences. This book focuses on one of the two most common modes of audiovisual translation for this type of product: subtitling. The naturalness that is expected in television dialogue together with the spoken-to-written medium conversion entailed in subtitling pose a challenge for professionals, who have been typically blamed for neutralising the source dialogue. Little to no empirical evidence, however, has been provided to effectively address this issue to date. This book offers a contrastive study of the American English television dialogue and the Castilian Spanish subtitles of three popular police procedurals: Castle (2009), Dexter (2006) and The Mentalist (2008). After introducing some basic notions to frame the study - such as translation norms, audiovisual text and fictive orality - more than twenty lexical and morphosyntactic features in the series are analysed from a qualitative and quantitative point of view. Throughout the chapters, a combination of corpus-based and corpus-driven methodologies are used to offer a sound, empirically grounded characterisation of the language employed in these audiovisual productions and their translations.
| Author | : Monika Bednarek |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 294 |
| Release | : 2010-09-02 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1441105271 |
With cases studies used throughout to help illustrate the more general points, this is an analysis of the most important characteristics of television dialogue, with a focus on fictional television. The book illustrates how we can fruitfully and systematically analyse the language of television.
| Author | : Kristy Beers Fägersten |
| Publisher | : Syracuse University Press |
| Total Pages | : 407 |
| Release | : 2016-09-09 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0815653956 |
In Watching TV with a Linguist, Fägersten challenges the conventional view of television as lowbrow entertainment devoid of intellectual activity. Rather, she champions the use of fictional television to learn about linguistics and at the same time promotes enriched television viewing experiences by explaining the role of language in creating humor, conveying drama, and developing identifiable characters. The essays gathered in this volume explore specific areas of linguistics, providing a comprehensive yet accessible introduction to the study of language. Through programs such as Seinfeld, The Simpsons, Sherlock, and The Wire, contributors deftly illustrate key linguistic concepts and terminology using snippets of familiar dialogue and examples of subtle narration. In addition, contributors aim to raise linguistic awareness among readers by identifying linguistics in action, encouraging readers to recognize additional examples of concepts on their own. To this end, each chapter provides suggestions for viewing other television series or specific episodes, where further examples of the linguistic concepts in focus can be found. Invaluable as a resource in linguistics and communication courses, Watching TV with a Linguist is the first book to use the familiar and compelling medium of television to engage students with the science of language.
| Author | : Rodney H. Jones |
| Publisher | : Routledge |
| Total Pages | : 402 |
| Release | : 2020-10-12 |
| Genre | : Education |
| ISBN | : 1000171078 |
Routledge English Language Introductions cover core areas of language study and are one-stop resources for students. Assuming no prior knowledge, books in the series offer an accessible overview of the subject, with activities, study questions, sample analyses, commentaries, and key readings—all in the same volume. The innovative and flexible 'two-dimensional' structure is built around four sections—introduction, development, exploration, and extension— which offer self-contained stages for study. Each topic can also be read across these sections, enabling the reader to build gradually on the knowledge gained. This revised second edition of Language and Media: Provides an accessible introduction and comprehensive overview of the major approaches and methodological tools used in the study of language and media. Focuses on a broad range of media and media content from more traditional print and broadcast media formats to more recent digital media formats. Incorporates practical examples using real data, including newspaper articles, press releases, television shows, advertisements (print, broadcast, and digital), blogs, social media content, internet memes, culture jamming, and protest signs. Includes key readings from leading scholars in the field, such as Jan Blommaert, Sonia Livingstone, David Machin, Martin Montgomery, Ruth Page, Ron Scollon, and Theo van Leeuwen. Offers a wide range of activities, questions, and points for further discussion. The book emphasises the increasingly creative ways ordinary people are engaging in media production. It also addresses a number of urgent current concerns around media and media production/reception, including fake news, clickbait, virality, and surveillance. Features of the new edition include: Special attention on ‘new media’ forms such as websites, podcasts, YouTube videos, social media sites, and mobile apps such as Snapchat and Instagram; Additional material on: mobility and materiality in media, memes and virality, discourse processes in media production, collaborative production and user created content, reality TV, fake news, the role of algorithms and bots in media production and circulation, and media and resistance; Discussion of media surveillance, privacy boundaries, and the so-called ‘right to be forgotten’ related to Internet archiving; Brand new readings from key scholars in the field including Piia Varis, Jan Blommaert, Monika Bednarek and Martin Montgomery; Updated examples and references throughout, to reflect more contemporary issues. Written by three experienced teachers and authors, this accessible textbook is an essential resource for all students of English language and linguistics.
| Author | : Jill Marshall |
| Publisher | : Psychology Press |
| Total Pages | : 117 |
| Release | : 2002 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780415251198 |
The Intertext series has been specifically designed to meet the needs of contemporary English Language Studies. Working with Texts: A Core Introduction to Language Analysis (2nd edn 2000) is the foundation text, which is complemented by a range of 'satellite' titles. These provide students with hands-on practical experience of textual analysis through special topics and can be used individually or in conjunction with Working with Texts. Aimed at A-Level beginning undergraduate students, The Language of Television: * provides an extensive history of British television * explores a range of genres, from breakfast news to soap operas and 'reality TV' * analyses television scheduling and listings * includes extracts from scripts of popular television programmes: Queer as Folk and The Royle Family * includes a substantial glossary.
