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Language and Rhythm in Plautus

Language and Rhythm in Plautus
Author: Benjamin Fortson
Publisher: Walter de Gruyter
Total Pages: 314
Release: 2008-12-10
Genre: Literary Criticism
ISBN: 3110210029

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The plays of Plautus have long been recognized as a unique mine of information about the spoken Latin of the 3rd and 2nd centuries BC. But detailed and up-to-date linguistic treatments of the Plautine meters and other phenomena in his plays have hitherto been lacking. This book seeks to remedy that gap by presenting a series of case-studies to glean information about the synchronic grammar of Plautine Latin, in particular the rhythmic organization of Latin speech and the effects of syntactic processes on Latin prosodic phonology. Some of the topics, such as enjambement and the aphaeresis of “est”, have never before received such treatment, while others, such as Meyer’s and Luchs’s laws, split resolutions, and iambic shortening, are provided a firmer linguistic footing, and fuller discussion of allied issues, than hitherto. Topics in Italic syntax (such as the syntactic structure of adpositional phrases and their history) and in Indo-European morphophonology (such as the prosodic status of finite verbs) are dealt with as well, as is an investigation into the effects of pragmatics on the rhythmic organization of phrases. The book will be of interest to classicists, comparative philologists, and general linguists.


The Language of Plautus

The Language of Plautus
Author: Sharonne Albicker (L.)
Publisher:
Total Pages:
Release: 2003
Genre:
ISBN:

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Abstract: Although many scholars have studied the work of Plautus, their work has focused largely on Plautus as a manipulator of Greek comedy or as an interesting study in archaic Latin. Only recently have scholars begun to look at Plautus in terms of his own language and his own audience. Even so, the few linguistic studies that have been done were primarily statistical and contributed little to an understanding of his audience. Earlier investigation into the language of Plautus reveals that he used the foreign languages of Greek and Punic along with his native Latin in his plays. Previously, most believed the Greek was used to mark its users as "intelligent," and the Punic was believed by most to be intended as gibberish; this is in fact not the case. Both languages served to place his characters in the real world in which he and his audience lived. This in turn reveals that Plautus expected his audience to have at least a basic understanding of Greek and some familiarity with Punic. While previous studies of Plautus that have analyzed his use of the idioms that served as markers of so-called "female" language have concluded that he crossed the boundaries of gendered language for whatever reason, the largest such study was primarily statistical and gave no reason as to why Plautus would have done that. In fact, Plautus did not use such markers as markers of "feminine" language at all, but rather as markers of emotion and power. Plautus played on the connotations such idioms had in the minds of his audience to create his own version of the adulescens amator, who was in fact the forerunner of the elegiac lover of later Roman poetry.


Formal Language in Plautus

Formal Language in Plautus
Author: William Richard Dunn
Publisher:
Total Pages: 270
Release: 1987
Genre:
ISBN:

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A Companion to the Latin Language

A Companion to the Latin Language
Author: James Clackson
Publisher: John Wiley & Sons
Total Pages: 546
Release: 2011-07-28
Genre: Literary Criticism
ISBN: 1444343378

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A Companion to the Latin Language presents a collection of original essays from international scholars that track the development and use of the Latin language from its origins to its modern day usage. Brings together contributions from internationally renowned classicists, linguists and Latin language specialists Offers, in a single volume, a detailed account of different literary registers of the Latin language Explores the social and political contexts of Latin Includes new accounts of the Latin language in light of modern linguistic theory Supplemented with illustrations covering the development of the Latin alphabet


Syntax of Plautus

Syntax of Plautus
Author: Wallace Martin Lindsay
Publisher:
Total Pages: 154
Release: 1907
Genre: Latin language
ISBN:

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The Pseudolus of Plautus

The Pseudolus of Plautus
Author: Titus Maccius Plautus
Publisher: CUP Archive
Total Pages: 206
Release: 1896
Genre: Latin drama (Comedy)
ISBN:

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Plautus' Poenulus

Plautus' Poenulus
Author: Erin Moodie
Publisher: University of Michigan Press
Total Pages: 236
Release: 2015-11-03
Genre: Drama
ISBN: 0472036424

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The first English commentary on Plautus' unabridged text


The Oxford Handbook of Greek and Roman Comedy

The Oxford Handbook of Greek and Roman Comedy
Author: Michael Fontaine
Publisher: Oxford University Press
Total Pages: 913
Release: 2014-04
Genre: Drama
ISBN: 0199743541

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The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.


A Companion to Plautus

A Companion to Plautus
Author: Dorota Dutsch
Publisher: John Wiley & Sons
Total Pages: 512
Release: 2020-03-24
Genre: Literary Criticism
ISBN: 1118957989

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An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.


Plautine Trends

Plautine Trends
Author: Ioannis N. Perysinakis
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 278
Release: 2014-10-29
Genre: Literary Criticism
ISBN: 3110392720

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Plautine Trends: Studies in Plautine Comedy and its Reception, a collective volume published as a Festschrift in honour of Prof. D. Raios (University of Ioannina), aims to contribute to the current, intense discussion on Plautine drama and engage with most of the topics which lie at the forefront of recent scholarship on ‘literary Plautus’. 13 papers by experts on Roman Comedy address issues concerning a) the structure of Plautine plot in its social, historical and philosophical contexts, b) the interfaces between language and comic plot, and c) plot and language as signs of reception. Participants include (in alphabetical order): A. Augoustakis, R.R. Caston, D.M. Christenson, M. Fontaine, S. Frangoulidis, M. Hanses, E. Karakasis, D. Konstan, K. Kounaki–Philippides, S. Papaioannou, A. Sharrock, N.W. Slater, and J.T. Welsh. The papers of the volume are preceded by an introduction offering a review of the extensive literature on the subject in recent years and setting the volume in its critical context. The preface to the volume is written by R.L. Hunter. The book is intended for students or scholars working on or interested in Plautine Comedy and its reception.