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| Author | : Martin Lefebvre |
| Publisher | : Routledge |
| Total Pages | : 362 |
| Release | : 2007-05-07 |
| Genre | : Performing Arts |
| ISBN | : 1136334866 |
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Salim Kemal |
| Publisher | : Cambridge University Press |
| Total Pages | : 296 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : 9780521558549 |
A distinguished group of scholars here probes the complex structure of aesthetic responses to nature in a discussion enriched with insights from art history, literary criticism, geography and philosophy. Exploring the interrelation among nature, beauty and art, they show that natural beauty is impregnated with concepts derived from the arts and from particular accounts of nature. The distinction and relation between art and nature are questioned, and the volume culminates in philosophical studies of the role of scientific understanding, engagement and appreciation in aesthetics.
| Author | : D. Melbye |
| Publisher | : Springer |
| Total Pages | : 207 |
| Release | : 2010-07-19 |
| Genre | : History |
| ISBN | : 0230109799 |
This study seeks to understand the form of cinematic space referred to as 'the landscape of the mind,' in which natural, outdoor settings serve as outward manifestations of characters' inner subjective states.
| Author | : Graeme Harper |
| Publisher | : Intellect Books |
| Total Pages | : 324 |
| Release | : 2010 |
| Genre | : Nature |
| ISBN | : |
The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. Written by well-known cinema scholars, this volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
| Author | : Mia Yinxing Liu |
| Publisher | : University of Hawaii Press |
| Total Pages | : 262 |
| Release | : 2019-07-31 |
| Genre | : Performing Arts |
| ISBN | : 0824859871 |
Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.
| Author | : Martin Lefebvre |
| Publisher | : Routledge |
| Total Pages | : 362 |
| Release | : 2007-05-07 |
| Genre | : Performing Arts |
| ISBN | : 1136334874 |
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Giuliana Minghelli |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2014-06-11 |
| Genre | : Performing Arts |
| ISBN | : 1135104816 |
This study argues that neorealism’s visual genius is inseparable from its almost invisible relation to the Fascist past: a connection inscribed in cinematic landscapes. While largely a silent narrative, neorealism’s complex visual processing of two decades of Fascism remains the greatest cultural production in the service of memorialization and comprehension for a nation that had neither a Nuremberg nor a formal process of reconciliation. Through her readings of canonical neorealist films, Minghelli unearths the memorial strata of the neorealist image and investigates the complex historical charge that invests this cinema. This book is both a formal analysis of the new conception of the cinematic image born from a crisis of memory, and a reflection on the relation between cinema and memory. Films discussed include Ossessione (1943) Paisà (1946), Ladri di biciclette (1948), and Cronaca di un amore (1950).
| Author | : M. T. Anderson |
| Publisher | : Candlewick Press |
| Total Pages | : 160 |
| Release | : 2017-09-12 |
| Genre | : Young Adult Fiction |
| ISBN | : 0763697230 |
National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization. When the vuvv first landed, it came as a surprise to aspiring artist Adam and the rest of planet Earth — but not necessarily an unwelcome one. Can it really be called an invasion when the vuvv generously offered free advanced technology and cures for every illness imaginable? As it turns out, yes. With his parents’ jobs replaced by alien tech and no money for food, clean water, or the vuvv’s miraculous medicine, Adam and his girlfriend, Chloe, have to get creative to survive. And since the vuvv crave anything they deem classic Earth culture (doo-wop music, still life paintings of fruit, true love), recording 1950s-style dates for the vuvv to watch in a pay-per-minute format seems like a brilliant idea. But it’s hard for Adam and Chloe to sell true love when they hate each other more with every passing episode. Soon enough, Adam must decide how far he’s willing to go — and what he’s willing to sacrifice — to give the vuvv what they want.
| Author | : Anat Pick |
| Publisher | : Berghahn Books |
| Total Pages | : 303 |
| Release | : 2013-11-01 |
| Genre | : Performing Arts |
| ISBN | : 1782382275 |
Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed “posthuman cinema.” It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.
| Author | : Nurith Gertz |
| Publisher | : Edinburgh University Press |
| Total Pages | : 256 |
| Release | : 2008-01-15 |
| Genre | : Performing Arts |
| ISBN | : 0748634096 |
Although in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. In this book, two scholars--an Israeli and a Palestinian--in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it.
