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La Rochefoucauld, Mithridate, Frères et soeurs, Les Muses soeurs

La Rochefoucauld, Mithridate, Frères et soeurs, Les Muses soeurs
Author: North American Society for Seventeenth-Century French Literature. Conference
Publisher: Gunter Narr Verlag
Total Pages: 396
Release: 1998
Genre: Literary Criticism
ISBN: 9783823355236

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The Age of Conversation

The Age of Conversation
Author: Benedetta Craveri
Publisher: New York Review of Books
Total Pages: 524
Release: 2006-08-01
Genre: History
ISBN: 9781590172148

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Now in paperback, an award-winning look at French salons and the women who presided over them In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, French aristocratic society developed an art of living based on a refined code of good manners. Conversation, which began as a way of passing time, eventually became the central ritual of social life. In the salons, freed from the rigidity of court life, it was women who dictated the rules and presided over exchanges among socialites, writers, theologians, and statesmen. They contributed decisively to the development of the modern French language, new literary forms, and debates over philosophical and scientific ideas. With a cast of characters both famous and unknown, ranging from the Marquise de Rambouillet to Madame de Sta‘l, and including figures like Ninon de Lenclos, the Marquise de Sevigne, and Madame de Lafayette, as well as Pascal, La Rochefoucauld, Diderot, and Voltaire, Benedetta Craveri traces the history of this worldly society that carried the art of sociability to its supreme perfection–and ultimately helped bring on the Revolution that swept it all away.


Fortune and Fatality

Fortune and Fatality
Author: Desmond Hosford
Publisher: Cambridge Scholars Publishing
Total Pages: 205
Release: 2009-10-02
Genre: Literary Criticism
ISBN: 144381492X

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As an aesthetic notion and dramatic genre, tragedy has enjoyed a privileged place in French culture, particularly during the early modern period when debates over its nature and philosophy reflected fascination with a style whose fundamental principles were drawn from ancient Greek sources. Through the works of Pierre Corneille and Jean Racine, routinely cited for an alleged regularity of form and content exemplifying the academic notion of French Classicism, tragedy has grounded the French literary canon. Because of its place at the heart of canonical French literary studies, tragedy’s traditionally prescribed boundaries and interpretations have rarely been questioned. Fortune and Fatality: Performing the Tragic in Early Modern France challenges conventional notions of the nature and function of tragedy and the ends to which philosophical, theatrical, and performative aspects of the tragic were appropriated during the sixteenth and seventeenth centuries. The scope of material explored in this volume will be of interest not only to scholars and students of sixteenth- and seventeenth-century literature, but to those working in areas such as theater, gender studies, aesthetics, history, religion, philosophy, classics, and cultural studies.


Racine’s Tragedies of Tyranny

Racine’s Tragedies of Tyranny
Author:
Publisher: BRILL
Total Pages: 245
Release: 2024-04-25
Genre: Literary Criticism
ISBN: 9004695680

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In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.


Moral Maxims

Moral Maxims
Author: François duc de La Rochefoucauld
Publisher: University of Delaware Press
Total Pages: 228
Release: 2003
Genre: Literary Criticism
ISBN: 9780874138207

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"In preparing his translation for an English audience, the anonymous translator made many references to English authors in his notes, among them More, Hobbes, Swift, and Milton. While he could also have used a variety of French comments on the duke's maximes as well, he deliberately chose to cater to his English readers by emphasizing English parallels and classical sources. In his introduction, Dr. Primer reviews the translation history of the duke's maxims and finds that some of the main characteristics of this translation were borrowed from the posthumously published French edition prepared by the Sieur Abraham-Nicholas Amelot de la Houssaye, whose presence in this edition is visible from time to time. The anonymous translator of selections from Amelot's edition adopted a more colloquial style than is generally associated with La Rochefoucauld's maxims; he also turns out to be significant not only as a translator but also as a reinterpreter of the central moral issue in the entire book. Most readers, including Jonathan Swift, had taken the duke's position on human nature to be the same as Hobbes's (stressing the human being's selfishness or natural egoism), but the translator/annotator finds that the duke's message is not inconsistent with the more positive view of human nature found in Lord Shaftesbury and in the poetry of Pope."--BOOK JACKET.


Opera and the Politics of Tragedy

Opera and the Politics of Tragedy
Author: Katharina Clausius
Publisher: Boydell & Brewer
Total Pages: 265
Release: 2023
Genre: Music
ISBN: 1648250491

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A curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes. Imaginatively structured as a guided tour, Opera and the Politics of Tragedy captures the tumultuous impact of the so-called Telemacomania crisis through its key artifacts: literary pamphlets, spoken dramas, paintings, engravings, and opera librettos (drammi per musica). Prominently featured in the gallery are two operas with direct ties to this aesthetic and political war: Mozart and Cigna-Santi's Mitridate (1770) and Mozart and Varesco's Idomeneo (1781). Reading and listening across the Enlightenment's cultural spaces (its new public museums, its first encyclopedias, and its ever-controversial operatic theater), this book showcases the Enlightenment's disorderly historical revisionism alongside its progressive politics to expose the fertile creativity that can emerge out of the ambiguous space between what is "ancient" and what is "modern."


Tragic Passages

Tragic Passages
Author: Roland Racevskis
Publisher: Associated University Presse
Total Pages: 228
Release: 2008
Genre: Literary Criticism
ISBN: 9780838756843

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Presents a theoretically informed reading of Racine's nine secular tragedies, from La Thebaide (1664) to Phedre (1677). This study focuses on literary/theatrical constructions of space, time, and identity.


Questioning Racinian Tragedy

Questioning Racinian Tragedy
Author: John Campbell
Publisher: UNC Press Books
Total Pages: 284
Release: 2005
Genre: Drama
ISBN: 9780807892855

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Noting significant differences between the individual tragedies of Racine and the many current notions of what "Racinian tragedy" is deemed to imply, John Campbell explores the identity and meaning of the modern "Racine." He asks if any one critical parad


Theatre Under Louis XIV

Theatre Under Louis XIV
Author: J. Prest
Publisher: Springer
Total Pages: 200
Release: 2006-09-04
Genre: Performing Arts
ISBN: 0230600921

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This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre. Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet (in which the King himself performed a number of women's roles) and an occasional feature of spoken comedy and tragic opera. Cross-casting also persisted out of necessity in the school drama of the period. This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality. The inclusion of chapters on ballet and opera (as well as spoken drama) opens up the richness of French theatre under Louis XIV in a way that has not been achieved before.