Chris Marker. La Jetée
| Author | : Sara Arzu |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : |
| ISBN | : 9783959053785 |
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Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download La Jetee PDF full book. Access full book title La Jetee.
Fighting to Be Heard
| Author | : Brian Wiklem |
| Publisher | : Chin Music |
| Total Pages | : 0 |
| Release | : 2022-09-06 |
| Genre | : |
| ISBN | : 9781634050272 |
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Fighting to Be Heard is a love letter to one of the most over-engineered jet aircraft ever built: the British Aerospace 146. This regional aircraft was truly the beginning of the "RJ" (aka Regional Jet), which has become commonplace in air travel today. Although the 146 was ahead of its time, the program, the company, and the aircraft was plagued with many challenges. As a result, the 146 became the last commercial aircraft to be built in the United Kingdom. The title signifies the uphill battle British Aerospace faced in trying to convince airlines to buy and operate the world's quietest jet. Fighting to Be Heard features stories never before printed, photographs from the archives of British Aerospace that have never been published, and interviews with a wide range of people from pilots to customer service reps, salespeople to airline executives. The author spent over four years researching and interviewing a wide range of people involved with the 146, including airlines and operators that flew this unique aircraft. He's summoned records from the Federal Bureau of Investigation (FBI) under the Freedom of Information Act (FOIA) for the tragic murder in the sky of PSA flight 1771, with never before seen images of evidence derived from over 300 pages of reports and interviews.
La Jetée
| Author | : Chris Darke |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 116 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 183871670X |
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Chris Marker's La Jetée is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, the film – which Marker described as a 'photo-novel' – has haunted generations of viewers and inspired writers, artists and film-makers. Its spiralling narrative of post-nuclear war time-travel narrative has influenced many other films, including the Terminator series and Terry Gilliam's Hollywood 'remake' Twelve Monkeys (1995). But as Marker rarely gave interviews, little is really known about the origins of La Jetée or the ideas behind it. In this groundbreaking study, Chris Darke draws on rare archival material, including previously unpublished correspondence and production documents, to examine the making of the film. He explores how Marker's only fiction film was influenced both by his early work as a writer and by Alfred Hitchcock's Vertigo (1958), and considers how La Jetée's imagery can be seen to 'echo' throughout Marker's extraordinarily diverse oeuvre.
Photography and Cinema
| Author | : Margarida Medeiros |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Jetée (Motion picture) |
| ISBN | : 9781443872010 |
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Eclecticism seems to be one of the most recognized features of Chris Markerâ (TM)s work. He is often presented as a filmmaker and a photographer, a poet, a translator, a cartoonist, a visual artist, an editor, a software designer and a television and video director. Given the 50 years since the release of his most well-known film, La JetÃ(c)e (1963), this volume fosters discussion of the intertwining of photography and cinema within a framework that analyses Markerâ (TM)s influence in film and photographyâ (TM)s scholarship. In the last ten years, many books have been published on the subjects of photography and cinema, discussing not only the history of both media, but also the transformations they have undergone through digital revolution that came to blur the frontiers between them. Furthermore, the theory of photography has been raised to a new level, presenting new and fresh thinking, raised through innovative philosophical, historical and cultural approaches, as well as through the recognition of the importance and impact that photography and cinema, as documentary media, have had in the field of modern and contemporary art. Acknowledging this rich context, this book builds on recent research on photography and cinema, recognizing how digital technology has brought about new ways of working with images, in addition to raising new theoretical issues concerned with them. No author could be more stimulating and inspiring than Marker to start such a journey; his movies, La JetÃ(c)e in particular, have consistently been a source of inspiration to future generations of directors, as well as critics and scholars.
Black and Blue
| Author | : Carol Mavor |
| Publisher | : Duke University Press |
| Total Pages | : 236 |
| Release | : 2012-09-25 |
| Genre | : Art |
| ISBN | : 0822352710 |
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Audacious and genre-defying, Black and Blue is steeped in melancholy, in the feeling of being blue, or, rather, black and blue, with all the literality of bruised flesh. Roland Barthes and Marcel Proust are inspirations for and subjects of Carol Mavor's exquisite, image-filled rumination on efforts to capture fleeting moments and to comprehend the incomprehensible. At the book's heart are one book and three films—Roland Barthes's Camera Lucida, Chris Marker's La Jetée and Sans soleil, and Marguerite Duras's and Alain Resnais's Hiroshima mon amour—postwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement. Personal recollections punctuate Mavor's dazzling interpretations of these and many other works of art and criticism. Childhood memories become Proust's "small-scale contrivances," tiny sensations that open onto panoramas. Mavor's mother lost her memory to Alzheimer's, and Black and Blue is framed by the author's memories of her mother and effort to understand what it means to not be recognized by one to whom you were once so known.
Hanne Darboven
| Author | : Dan Adler |
| Publisher | : |
| Total Pages | : 130 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
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"Hanne Darboven's Kulturgeschichte 1880-1983 (Cultural History 1880-1983) is an overwhelming and encyclopedic installation consisting of 1,590 works on paper and 19 sculptural objects. The work weaves together cultural, social, and historical references. The panels are sequenced and grouped, with the groups then juxtaposed in arrangements that often seem little more than chance associations."--Global Books in Print.
Little Elegies for Sister Satan
| Author | : Michael Palmer |
| Publisher | : New Directions Publishing |
| Total Pages | : 133 |
| Release | : 2021-05-04 |
| Genre | : Poetry |
| ISBN | : 0811230902 |
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Shaped by the poet’s long view of history, these beautiful lamenting poems take sudden bracing plunges into close-up views of our apocalypse Little Elegies for Sister Satan presents indelibly beautiful new poems by Michael Palmer, “the foremost experimental poet of his generation, and perhaps of the last several generations” (citation for The Academy of American Poets’ Wallace Stevens Award). Grappling with our dark times and our inability to stop destroying the planet or to end our endless wars, Palmer offers a counterlight of wit (poetry was dead again / they said again), as well as the glow of wonder. In polyphonic passages, voices speak from a decentered place, yet are rooted in the whole history of culture that has gone before: “When I think of ‘possible worlds,’ I think not of philosophy, but of elegy. And impossible worlds. Resistant worlds.” In the light of day perhaps all of this will make sense. But have we come this far, come this close to death, just to make sense?
Chris Marker
| Author | : Catherine Lupton |
| Publisher | : Reaktion Books |
| Total Pages | : 260 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9781861892232 |
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A critical study of the work of film-maker and media artist Chris Marker.
Chris Marker
| Author | : Chris Darke |
| Publisher | : Whitechapel Art Gallery, Londo |
| Total Pages | : 136 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 9780854882281 |
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This important study -- published in conjunction with the Whitechapel's acclaimed exhibition -- is the first comprehensive survey of filmmaker Chris Marker's influential oeuvre, surveying the entirety of his prolific career Illustrated throughout, the book charts Marker's unique commentaries on societies at times of upheaval, from his early writing and photography to his later use of CD-ROM and appropriation of web technology. Integrating his films within the display, it also brings together for the first time all of Marker's multimedia installations. Alongside a wealth of images that chart Marker's substantial creative output, Chris Marker: A Grin Without a Cat also explores the filmmaker's shift from word to image, the commissioning of his multimedia installations and the subsequent interplay of media. It includes key essays by the curators Christine van Assche, Chief Curator, Centre Pompidou, Paris, writer and film critic Chris Darke, and Whitechapel Gallery curators Magnus Af Petersens (Chief Curator) and Habda Rashid (Assistant Curator); texts by critics Raymond Bellour and Arnaud Lambert; plus the first English translations of two key early writings by Marker, an essay on Jean Cocteau's film Orphée (1950) and his short story Till the End of Time (1947), which takes place the day after VJ day amidst a torrential rainstorm and features a demobilised soldier subject to apocalyptic visions, anticipating Marker's most famous film, La Jetée (1962). Chris Marker (1921-2012), born Christian François Bouche-Villeneuve in Paris, was a prescient multi-media filmmaker as well as a writer, editor, poet, cartoonist, and activist. Marker completed his first feature film Olympia 52 in 1952 and soon became affiliated with the Left Bank Cinema movement that included filmmakers such as Alain Resnais and Agnès Varda. In 1962 he made his best-known film, La Jetée, which won him an international audience. A great lover of cats, when asked for a photograph of himself he would send a picture of a cat.
Reality Transformed
| Author | : Irving Singer |
| Publisher | : MIT Press |
| Total Pages | : 240 |
| Release | : 2000-08-25 |
| Genre | : Performing Arts |
| ISBN | : 9780262692489 |
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A new look at film that succeeds in combining the realist and formalist sides of an ongoing debate. In Reality Transformed Irving Singer offers a new approach to the philosophy of film. Returning to the classical debate between realists and formalists, he shows how the opposing positions may be harmonized and united. Singer concentrates on questions about appearance and reality, the visual and the literary, and the interplay between communication as a goal and alienation as a hazard in films of every sort. In three exemplary chapters, he provides suggestive readings of Woody Allen's The Purple Rose of Cairo, Luchino Visconti's Death in Venice, and Jean Renoir's The Rules of the Game. Reality Transformed will interest the general reader as well as students in all fields related to film studies.
