Kuchipudi Bharatam, Or, Kuchipudi Dance
Author | : K. Uma Rama Rao |
Publisher | : |
Total Pages | : 116 |
Release | : 1992 |
Genre | : Performing Arts |
ISBN | : |
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Author | : K. Uma Rama Rao |
Publisher | : |
Total Pages | : 116 |
Release | : 1992 |
Genre | : Performing Arts |
ISBN | : |
Author | : Sunil Kothari |
Publisher | : Abhinav Publications |
Total Pages | : 249 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : 8170173590 |
One Of The Seven Major Classical Dance Forms Of India, Kuchipudi In Its Solo Avatara Has Acquired A Status Of A Classical Dance Form Of Andhra Pradesh. The Story Of Kuchipudi From Its Origin As A Dance-Drama And Its Emergence As A Solo Dance Form Is One Of The Most Fascinating Phenomena Engaging Attention Of The Gurus, The Performing Dancers And The Research Scholars. Essentially A Preserve Of The Male Dancers, Who Also Excelled In The Female Roles, Today Kuchipudi Is Being Mainly Performed By The Female Dancers. However, The Tradition Continues To Survive In Kuchipudi Village, Some 30 Kilometres Away From Vijayawada In Andhra Pradesh. The Traditional Dance-Dramas Continue To Exist Along With More Popular Solo Dance Form. Kuchipudi Has Innumerable Votaries Not Only In India But Also Abroad And Their Number Is Ever Increasing. Padma Shri Dr. Sunil Kothari, Dance Historian, Scholar And Critic, Traces In This Volume The Origins Of The Dance-Drama Tradition, Correlating The Prayoga, The Practice And The Shastra, The Theory And How From The Natya, The Drama, Its Integral Elements Nritya, Expressional Dance And Nritta, The Pure Dance In The Hands Of Creative, Traditional Gurus Have Shaped Its Present Solo Format, Giving It Its Own Identity. Based On His Extensive Field Work Dr. Kothari Has Studied The Allied Forms Like Vithi Bhagavatam, Turpubani Vidhi Natakam, Pagati Vesham, Navajanardana Parijatam, Bhagavata Mela Nataka, Kuravanji Dance- Idrama And Offered An Overview Of The Dance Form As It Exists Today And Continues To Develop In Its Many Ramifications. He Has Also Dwelt Upon The All-Pervading Influence Of Vempati Chinna Satyam And His Contibution In Sh Dj'Ing Kuchipudi Into A Solo Form Along With The Dance-Dramas That He Has Choreographed. The Brief Biographies Of The Traditional Gurus And Some Of The Celebrated Exponents I Add Tp The Value Of This Volume, Presenting The Current State Of Kuchipudi On The Contemporary Dance Scene. Profusely Illustrated With 166 Colour And 221 Black And White Photographs By The Ace Photographer A Vinash Pasricha And Designed By The Eminent Artist And Designer Dashrath Patel, Kuchipudi Is A Major Significant Study Of The Classical D'Ance Form Of Andhra Pradesh.
Author | : Library of Congress |
Publisher | : |
Total Pages | : 1516 |
Release | : 2007 |
Genre | : Subject headings, Library of Congress |
ISBN | : |
Author | : Library of Congress. Cataloging Policy and Support Office |
Publisher | : |
Total Pages | : 1512 |
Release | : 2007 |
Genre | : Subject headings, Library of Congress |
ISBN | : |
Author | : Katherine C. Zubko |
Publisher | : Lexington Books |
Total Pages | : 271 |
Release | : 2014-08-07 |
Genre | : Religion |
ISBN | : 0739187295 |
Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam examines how Bharata Natyam, a traditionally Hindu storytelling dance form, moves across religious boundaries through both incorporating choreography on Buddhist, Christian, Muslim, and Jain themes and the pluralistic identities of participants. Dancers traverse religious boundaries by reformulating an aesthetic foundation based on performative rather than solely textual understandings of rasa, conventionally defined as a formula for how to physically craft emotion on stage. Through the ethnographic case studies of this volume, dancers of Bharata Natyam innovatively demonstrate how the rasa of devotion (bhakti rasa), surprisingly absent from classic dance-related texts, serves as the pivotal framework for expanding on their own interreligious thematic and interpretive possibilities. In contemporary Bharata Natyam, bhakti rasa is not just about enhancing religious experience; instead, these dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and ethical dimensions in their work. Through the dancing body, multiple religious and secular interpretations fluidly co-exist.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9788186685129 |
Kuchipudi, from Andhra Pradesh, was originally a dance-drama form. This is a first attempt to demystify the nuances of a form that has always been the preserve of the males. The dramatic content of the form was passed from one generation to the other without a written script. It was only in the last century that pure dance sequences have been culled out to evolve a style that is distinct from the dance-drama form of the same generic name. This book attempts to decode the fine nuances of this vigourous and energetic form where the tandava and the lasya are entwined in an inseparable dance of the ardhnarishwar.
Author | : Judy Van Zile |
Publisher | : Theodore Front Music |
Total Pages | : 148 |
Release | : 1973 |
Genre | : Performing Arts |
ISBN | : 9780913360064 |
Author | : Simon Charsley |
Publisher | : Taylor & Francis |
Total Pages | : 230 |
Release | : 2020-11-29 |
Genre | : Performing Arts |
ISBN | : 1000084183 |
Introduction Part I: Caste, Community and performance A ritual performance of Kerala, Vayala Vasudevan Pillai The Patuas of Bengal, Makbul Islam Bards and goddesses: The Pombalas in Tirupati, Anand Akundy Explorations in the art forms of the Cindu madigas in Andhra, Y A Sudhakar Reddy and R R Harischandra Caste identity and performance in a fisher-village of Assam, Kishore Bhattacharjee Part II: Performance Beyond Caste Telugu pady natakam in Andhra: Performance dynamics, P Subbachary Modernising tradition: The yaksagana in Karnataka, Guru Rao Bapat Kalarippayatt as aesthetics and the politics of invisibility in Kerala, P K Sasidharan India People’s Theatre Association in colonial Andhra, V Ramakrishna Gaddar and the politics and pain of singing, D Venkat Rao Reviving moghal tamsa in Orissa, Sachi Mohanty Part III: Classical Dance and its Successors New directions in Indian dance, Sunil Kothari Transpositions in kuchipudi dance, Aruna Bhikshu The impact of commercialization in dance, K Subadra Murthy Art addressing social problems, Ananda Shankar Jayant
Author | : Harshita Mruthinti Kamath |
Publisher | : Univ of California Press |
Total Pages | : 244 |
Release | : 2019-06-04 |
Genre | : Social Science |
ISBN | : 0520972236 |
Learn more at www.luminosoa.org. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
Author | : Shovana Narayan |
Publisher | : |
Total Pages | : 246 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : |
India is the perhaps the only country with eight recognized classical dance forms and these have captured the imagination of people all over the world. This book provides abundant information combined with a study of the magnificence of techniques, presentations, incorporating details on costume and music in each of the eight classical forms.