Kraton Ratu Boko
Author | : |
Publisher | : |
Total Pages | : 152 |
Release | : 2015 |
Genre | : |
ISBN | : 9786029827934 |
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Author | : |
Publisher | : |
Total Pages | : 152 |
Release | : 2015 |
Genre | : |
ISBN | : 9786029827934 |
Author | : Stephen Backshall |
Publisher | : Rough Guides |
Total Pages | : 1172 |
Release | : 2003 |
Genre | : Travel |
ISBN | : 9781858289915 |
This newly designed edition includes a full-colour section at the front of the guide featuring the authors'' selected highlights of the country. Throughout there is in-depth coverage of all the sights from Bali''s stunning white beaches and temples tothe enigmatic ruins of Java and the jungles of Sumatra. There are first-hand recommendations of the best places to surf, dive and trek and comprehensive listings of the best-value accommodation and eateries for all budgets. A detailed contexts section provides the reader with informed background on Indonesia''s history, religions and music.
Author | : Véronique Degroot |
Publisher | : Sidestone Press |
Total Pages | : 518 |
Release | : 2009 |
Genre | : Architecture |
ISBN | : 9088900396 |
Central Javanese temples were not built anywhere and anyhow. On the contrary: their positions within the landscape and their architectural designs were determined by socio-cultural, religious and economic factors. This book explores the correlations between temple distribution, natural surroundings and architectural design to understand how Central Javanese people structured the space around them, and how the religious landscape thus created, developed. Besides questions related to territory and landscape, Degroot's book analyzes the structure of the built space and its possible relations with conceptualized space, showing the influence of imported Indian concepts, as well as their limits. Going off the beaten track, this book explores the hundreds of small sites that scatter the landscape of Central Java. It is also one of very few studies to apply the methods of spatial archaeology to Central Javanese temples and the first in almost a century to present a descriptive inventory of the remains of this region.
Author | : |
Publisher | : BRILL |
Total Pages | : 272 |
Release | : 2012-12-11 |
Genre | : Art |
ISBN | : 9004260420 |
In praise of Prambanan is devoted to the Hindu-Javanese temple complex of Candi Prambanan, also known by its locally more popular name of Candi Loro Jonggrang. The book has two parts. Part One is a general introduction to the temple complex based on an examination of the existing scholarly literature. It offers a detailed state-of-the-art survey of publications on Candi Prambanan as well as of the religious conditions which made its creation possible. Part Two contains a selection of important articles—in English translation—about the temple complex by prominent Dutch scholars all of whom had first-hand knowledge of it: J.W. IJzerman, J.Ph. Vogel, N.J. Krom, F.D.K. Bosch, B. de Haan, W.F. Stutterheim, V.R. van Romondt and A.J. Bernet Kempers. The book is richly illustrated with photographs, drawings and maps.
Author | : Daigoro Chihara |
Publisher | : BRILL |
Total Pages | : 461 |
Release | : 1996-07 |
Genre | : Architecture |
ISBN | : 9004644962 |
This book deals with the technical, artistic and architectural aspects of the Hindu and Buddhist monuments from the beginning until today in Southeast Asia.
Author | : Paul Kekai Manansala |
Publisher | : Lulu.com |
Total Pages | : 530 |
Release | : 2006-10-01 |
Genre | : History |
ISBN | : 1430308990 |
"Quests of the Dragon and Bird Clan" examines how the seafaring trading people known as the "Nusantao" from Insular Southeast Asia influenced world history. This is a "blook," a book based on a weblog (blog). The decision to publish the book came after requests to make the information in the blog available in an easier-to-read and more portable format. The advantage of the printed work is that the blog entries are arranged in easy-to-manage chronological order with out the need for the clicking through the blog archives. The glossary entries are also in alphabetical order for easy look-up, and a word index and table of contents further increase the readiblity of the blog/book. Important supplementary articles have also been included in the appendices. A must-read for those who think there is more to history than what we find in "mainstream" publications.
Author | : Jean Gelman Taylor |
Publisher | : Yale University Press |
Total Pages | : 446 |
Release | : 2003-01-01 |
Genre | : History |
ISBN | : 0300097093 |
Sociale geschiedenis van Indonesië.
Author | : Andrea Acri |
Publisher | : ISEAS-Yusof Ishak Institute |
Total Pages | : 265 |
Release | : 2022-08-29 |
Genre | : Religion |
ISBN | : 9814951528 |
This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum
Author | : |
Publisher | : BRILL |
Total Pages | : 656 |
Release | : 2021-09-13 |
Genre | : History |
ISBN | : 9004488391 |
A rich collection of lengthy and thorough articles about such a broad field as the history, art and archeology of South and Southeast Asia, this volume is a worthy tribute to a great scholar. Professor J. G. de Casparis has lectured and published widely both at the School of African and Oriental Studies in London and at the Departments of South and Southeast Asian Studies in Leiden. Inspired by his lifelong devotion to this field, his former colleagues and students, now spread over many countries in Asia and the West, present the selected fruits of their research as a token of friendship and admiration. Epigraphy is the main theme in most of the thirty articles contained in this volume, but others focus on the Borobudur, the Old-Javanese calendar, books and writing materials, Buddhist iconography, and important issues such as the nature of the ‘lasting relationship’ between South and Southeast Asia, particularly in pre-Islamic times. All authors share the outspoken historical and textual approach, so characteristic of the work of Professor de Casparis and his circle, thus giving this book its inner coherence and consistency. This book is not just a random collection of papers. The scope and richness of the contributions will not fail to appeal to new generations of scholars and students working in this field, and as such this book is expected to fulfill its own role in the transmission of knowledge regarding the great civilizations of ancient South and Southeast Asia.
Author | : Noel B. Salazar |
Publisher | : Berghahn Books |
Total Pages | : 264 |
Release | : 2010-11-01 |
Genre | : Social Science |
ISBN | : 9781845456610 |
As tourism service standards become more homogeneous, travel destinations worldwide are conforming yet still trying to maintain, or even increase, their distinctiveness. Based on more than two years of fieldwork in Yogyakarta, Indonesia and Arusha, Tanzania, this book offers an in-depth investigation of the local-to-global dynamics of contemporary tourism. Each destination offers examples that illustrate how tour guide narratives and practices are informed by widely circulating imaginaries of the past as well as personal imaginings of the future.