Kojo Griffin
Author | : Kojo Griffin |
Publisher | : |
Total Pages | : 0 |
Release | : 2001 |
Genre | : Art, American |
ISBN | : 9780971384408 |
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Essay by Franklin Sirmans.
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Author | : Kojo Griffin |
Publisher | : |
Total Pages | : 0 |
Release | : 2001 |
Genre | : Art, American |
ISBN | : 9780971384408 |
Essay by Franklin Sirmans.
Author | : Liora Bresler |
Publisher | : Springer Science & Business Media |
Total Pages | : 1684 |
Release | : 2007-03-05 |
Genre | : Education |
ISBN | : 9781402048579 |
Providing a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), this essential handbook synthesizes existing research literature, reflects on the past, and contributes to shaping the future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the live practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each focusing on a major area or issue in arts education research.
Author | : Kojo Griffin |
Publisher | : |
Total Pages | : |
Release | : 1999 |
Genre | : |
ISBN | : |
Author | : G. Harris |
Publisher | : Springer |
Total Pages | : 243 |
Release | : 2006-04-13 |
Genre | : Performing Arts |
ISBN | : 0230554946 |
This work is a timely contribution to the debates surrounding feminism, theatre and performance. The excellent, cross-generational mix of theatre scholars and practitioners engaging in lively, cutting-edge debates on critical topics make this essential reading for students and scholars in Theatre and Performance Studies as well as Gender Studies.
Author | : Jonathan P. Binstock |
Publisher | : |
Total Pages | : 116 |
Release | : 2002 |
Genre | : Art, American |
ISBN | : 9780886750695 |
Author | : |
Publisher | : University of Washington Press |
Total Pages | : 76 |
Release | : 2003 |
Genre | : Architecture |
ISBN | : |
"The cultural significance of black hair is reflected in all aspects of contemporary American culture, from popular music and hip-hop fashion to Hollywood films and professional sports ... HairStories explores the history, style and meaning of black hair as seen through the eyes of three generations of major African American artists. Inspired by the Urban Bush Womens̕ performance HairStories ... the exhibition showcases more than 60 works by 27 artists and spans nearly a century of visual art, pop culture, music and literature. HairStories considers hair as a reflection of history, identity and race relations in America, from the days of segregation to today. The exhibition is organized around four themes: the syndrome of "good hair" vs. "bad hair," the importance of the barbershop and beauty salon as a center of the African American community, the social and political symbolism of hairstyles and hair as an expression of individuality"--Http://www.smoca.org/exhibit.php?id=60.
Author | : Jane Chin Davidson |
Publisher | : John Wiley & Sons |
Total Pages | : 597 |
Release | : 2023-10-04 |
Genre | : Art |
ISBN | : 1119841801 |
A Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions. Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere. A Companion to Contemporary Art in a Global Framework is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context.
Author | : Mary Jane Jacob |
Publisher | : MIT Press |
Total Pages | : 128 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780262100724 |
This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. The book is divided into three sections. The first contains essays by project curator Mary Jane Jacob, critic and coeditor Michael Brenson, and cultural critic Homi K. Bhabha. Their essays describe fresh approaches to contemporary art and its audiences at a time of increased access through technology and decreased government funding. The second section contains essays by the six artists/collaborative teams involved in the project. Their works, aimed at public participation, included installation-performances, collaborations with Atlanta communities, cross-country tours, and the creation and presentation of food as a means to stimulate conversation and construct community. The artists are: artway of thinking (Italy), Ery Camara (Senegal/Mexico), Mauricio Dias and Walter Riedweg (Brazil/Switzerland), Regina Frank (Germany), IRWIN (Slovenia), and Maurice O'Connell (Ireland).The final section contains seven essays by the critics, curators, educators, administrators, and artists who led the "Conversations on Culture" at The Castle. The essays are by Jacquelynn Baas, Michael Brenson, Lisa Graziose Corrin, Amina Dickerson and Tricia Ward, Steven Durland, Susan Krane, and Susan Vogel.
Author | : Touré |
Publisher | : Simon and Schuster |
Total Pages | : 280 |
Release | : 2011-09-13 |
Genre | : Social Science |
ISBN | : 1439177570 |
In this provocative book, writer, and cultural critic Touré explores the concept of Post-Blackness: the ability for someone to be rooted in but not restricted by their race. Touré begins his book by examining the concept of “Post-Blackness,” a term that defines artists who are proud to be Black, but don't want to be limited by identity politics and boxed in by race. He soon discovers that the desire to be rooted in but not constrained by Blackness is everywhere. In Who’s Afraid of Post-Blackness? he argues that Blackness is infinite, that any identity imaginable is Black, and that all expressions of Blackness are legitimate. Here, Touré divulges his own intimate, funny, and painful experiences of how race and racial expectations have shaped his life. He explores how the concept of Post-Blackness functions in politics, society, psychology, art, culture, and more. He knew he could not tackle this topic all on his own so he turned to 105 of the most important luminaries of our time for frank and thought-provoking opinions, including the Reverend Jesse Jackson, Cornel West, Henry Louis Gates Jr., Malcolm Gladwell, Michael Eric Dyson, Melissa Harris-Perry, Harold Ford Jr., Kara Walker, Kehinde Wiley, Glenn Ligon, Paul Mooney, New York Governor David Paterson, Greg Tate, Aaron McGruder, Soledad O'Brien, Kamala Harris, Chuck D, Mumia Abu-Jamal, and many others. By engaging this brilliant, eclectic group, and employing his signature insight, courage, and wit, Touré delivers a clarion call on race in America and how we can change our perceptions for a better future. Destroying the notion that there is a correct way of being Black, Who’s Afraid of Post-Blackness? will change how we perceive race forever.
Author | : Nana Adusei-Poku |
Publisher | : transcript Verlag |
Total Pages | : 219 |
Release | : 2021-04-30 |
Genre | : Art |
ISBN | : 3839452945 |
In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz.