Kino And The Woman Question PDF Download
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Author | : Judith Mayne |
Publisher | : |
Total Pages | : 232 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : |
Download Kino and the Woman Question Book in PDF, ePub and Kindle
Kino and the Woman Question is a study of Soviet silent films in terms of their complex and often contradictory explorations of woman's position within socialist culture and narrative. Judith Mayne argues that representations of women shaped, subverted, or otherwise complicated the cinematic and ideological goals of Soviet film in the 1920s.
Author | : Kate A. Baldwin |
Publisher | : Duke University Press |
Total Pages | : 364 |
Release | : 2002-10-17 |
Genre | : History |
ISBN | : 9780822329909 |
Download Beyond the Color Line and the Iron Curtain Book in PDF, ePub and Kindle
DIVRe-examines the relations between African Americans and the Soviet Union from a more transnational perspective and shows how these relations were crucial in the formation of Black modernism./div
Author | : Judith Mayne |
Publisher | : Indiana University Press |
Total Pages | : 274 |
Release | : 1990-12-22 |
Genre | : Performing Arts |
ISBN | : 9780253115041 |
Download The Woman at the Keyhole Book in PDF, ePub and Kindle
"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance "... this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." -- The Independent When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.
Author | : L. Bolton |
Publisher | : Springer |
Total Pages | : 243 |
Release | : 2011-07-28 |
Genre | : Performing Arts |
ISBN | : 0230308694 |
Download Film and Female Consciousness Book in PDF, ePub and Kindle
Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Bolton's approach demonstrates how the encounter between the philosophy of Luce Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.
Author | : Mozhgan Samadi |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 238 |
Release | : 2024-04-03 |
Genre | : Performing Arts |
ISBN | : 1527589145 |
Download Women and Martyrdom in Stalinist War Cinema Book in PDF, ePub and Kindle
The key question asked in this book is, how did Stalinist war cinema present Soviet women's resistance against the Nazi forces during World War II? This book challenges those scholarly works which support the idea of the compatibility of femininity and combat under Stalinism. Despite the Soviet regime’s claim of being opposed to any religious heritage, this book reveals how Stalinist cinema drew on Russian religious tradition and culture in the creation of cinematic representations of Soviet women during WWII. Further, the book shows how the adoption of Russian cultural and religious heritage in Soviet war cinema served Stalinist collective identity-construction policies and state-citizen relations. In so doing, this study contributes to a range of fields within Russian and Soviet studies, including gender studies, cinema studies, Soviet modernity, and the study of identity-construction and state-nation relations. Whilst this book is aimed at researchers and academics, it provides a supplementary source for undergraduate and postgraduate students of Soviet/Russian studies.
Author | : Peter Kenez |
Publisher | : CUP Archive |
Total Pages | : 300 |
Release | : 1992-06-26 |
Genre | : History |
ISBN | : 9780521428637 |
Download Cinema and Soviet Society, 1917-1953 Book in PDF, ePub and Kindle
The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Author | : Ian Aitken |
Publisher | : Routledge |
Total Pages | : 1561 |
Release | : 2013-10-18 |
Genre | : Performing Arts |
ISBN | : 1135206279 |
Download Encyclopedia of the Documentary Film 3-Volume Set Book in PDF, ePub and Kindle
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Author | : Chris Robé |
Publisher | : University of Texas Press |
Total Pages | : 520 |
Release | : 2012-11-29 |
Genre | : Performing Arts |
ISBN | : 0292749902 |
Download Left of Hollywood Book in PDF, ePub and Kindle
In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United States. Robé studies the development of this theory and criticism over the course of the 1930s, as artists and intellectuals formed alliances in order to establish an engaged political film movement that aspired toward a popular cinema of social change. Combining extensive archival research with careful close analysis of films, Robé explores the origins of this radical social formation of U.S. Left film culture. Grounding his arguments in the surrounding contexts and aesthetics of a few films in particular—Sergei Eisenstein's Que Viva Mexico!, Fritz Lang's Fury, William Dieterle's Juarez, and Jean Renoir's La Marseillaise—Robé focuses on how film theorists and critics sought to foster audiences who might push both film culture and larger social practices in more progressive directions. Turning at one point to anti-lynching films, Robé discusses how these movies united black and white film critics, forging an alliance of writers who championed not only critical spectatorship but also the public support of racial equality. Yet, despite a stated interest in forging more egalitarian social relations, gender bias was endemic in Left criticism of the era, and female-centered films were regularly discounted. Thus Robé provides an in-depth examination of this overlooked shortcoming of U.S. Left film criticism and theory.
Author | : Richard Taylor |
Publisher | : Bloomsbury Publishing |
Total Pages | : 296 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838718508 |
Download The BFI Companion to Eastern European and Russian Cinema Book in PDF, ePub and Kindle
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.
Author | : Kyle Stevens |
Publisher | : Oxford University Press |
Total Pages | : 713 |
Release | : 2022 |
Genre | : Motion pictures |
ISBN | : 0190873922 |
Download The Oxford Handbook of Film Theory Book in PDF, ePub and Kindle
Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.