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| Author | : Antonio Feros |
| Publisher | : Cambridge University Press |
| Total Pages | : 324 |
| Release | : 2006-03-30 |
| Genre | : History |
| ISBN | : 9780521025324 |
A reappraisal of the reign of Philip III of Spain (1598-1621), and the king's favourite, first published in 2000.
| Author | : Elizabeth R. Wright |
| Publisher | : Bucknell University Press |
| Total Pages | : 192 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780838754542 |
Recent studies have shed new light on how Philip III and his favorite, the duke of Lerma, fused art and politics as they ruled, making this an opportune time to ask these questions.".
| Author | : Ilenia Colón Mendoza |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 200 |
| Release | : 2018-06-11 |
| Genre | : Art |
| ISBN | : 1527512290 |
Portraits have a long history in royal courts as a way of communicating the monarch’s status, rulership, and even piety. This anthology places such art works studied in the context of their commission, production, and display. Artists use different representational strategies to convey important information about the sitter. These aspects combined with patronage, location and use of the work form a departure point from which to address portraits comprehensively. The intersection between artist, the portrayed and audience with the additional layer of formed identity allows the portrait to hold a special place as popular genre of Spanish art. The relationship between the use of the work and its context is key to understanding better the cultural and social norms of Spanish aristocracy and what they reveal about Spanish identity in general. Used to solidify governance, lineage, and marriage, portraits legitimized the negotiation of status, power, and social mobility.
| Author | : Ana María G. Laguna |
| Publisher | : Bucknell University Press |
| Total Pages | : 177 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0838757278 |
As a whole, this study demonstrates how, in order to examine a mind like Cervantes's, we need to approach his work and his world from a perspective as culturally integrative as his own." "This book includes twenty-eight illustrations."--Jacket.
| Author | : Harald E. Braun |
| Publisher | : John Wiley & Sons |
| Total Pages | : 223 |
| Release | : 2011-04-12 |
| Genre | : History |
| ISBN | : 144439679X |
This book presents one of the first studies of the Renaissance notion of conscience, through examining theological manuals, legal treatises, letters and other sources of the period. Represents one of the few modern studies exploring developments in scholastic and Renaissance notions of conscience Synthesizes literary, theological and historical approaches Presents case studies from England and the Hispanic World that reveal shared traditions, strategies, and conclusions regarding moral uncertainty Sheds new light on the crises of conscience of ordinary people, as well as prominent individuals such as Thomas More Offers new research on the ways practical theologians in England, Spain, and France participated in political debate and interacted with secular counsellors and princes
| Author | : Christopher J. Fettweis |
| Publisher | : Oxford University Press |
| Total Pages | : 313 |
| Release | : 2022-11-29 |
| Genre | : Great powers |
| ISBN | : 0197646646 |
"How do great countries stay that way? The United States is the most powerful actor in the international system, but it is facing a set of challenges that might lead to its decline as this century unfolds. This book looks to the past for guidance, examining the grand strategy of previous superpowers to see how they maintained, or failed to maintain, their status. Over the course of six cases, from Ancient Rome to the British Empire, it seeks guidance from the past for present U.S. policymakers. How did previous empires, regional hegemons, or simply dominant powers forge grand strategy? How did they define their interests, and then assemble the tools to address them? What did they do right, and where did they err? What - if anything - can current U.S. strategists learn from the experience of earlier superpowers?"--
| Author | : Calvin F. Senning |
| Publisher | : Routledge |
| Total Pages | : 434 |
| Release | : 2019-05-31 |
| Genre | : History |
| ISBN | : 1000021785 |
Geoffrey Parker has remarked that the Spanish Armada, though a disastrous defeat, was a considerable psychological success. Deep into the seventeenth century the specter of a returning armada haunted England. Twice in the middle of James I’s reign alarms occurred. One grew out of the king’s plan, opposed by Spain, to marry his daughter Elizabeth to the Calvinist elector of the Palatinate. The other derived from a rekindling of the disputed succession in the Cleves-Jülich duchies in the lower Rhineland, into which Spanish forces intervened militarily, while England suspected the formation of a large Spanish-led Catholic league, seemingly bent on invasion, which caused a few days of panic in London. Both scares were based on misinformation and rumor, worsened by longstanding English anxiety over Spanish designs and doubts about the loyalty of English Catholics, the persecution of whom intensified. The latter scare occasioned the appearance in London of a satirical print, long thought in England to be lost, of James holding the pope’s nose to the grindstone, but a copy sent to Madrid by the Spanish ambassador has survived, and, reproduced here, preserves what appears to be the oldest known example of English political satire in the print medium.
| Author | : Robert Bireley |
| Publisher | : Cambridge University Press |
| Total Pages | : 332 |
| Release | : 2003-06-26 |
| Genre | : History |
| ISBN | : 9780521820172 |
This book brings to light the extent to which the Thirty Years War was a religious war.
| Author | : Chiyo Ishikawa |
| Publisher | : U of Nebraska Press |
| Total Pages | : 252 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0803225059 |
This publication accompanies an exhibition of approximately 120 works of art and science loaned mostly from the Royal Collection of Spain (Patrimonio Nacional) to the Seattle Art Museum. Featuring the work of such artists as Bosch, Titian, El Greco, Bernini, Vel¾zquez, Murillo, Zubar¾n, and Goya, this publication includesøpaintings, sculpture, tapestries, scientific instruments, maps, armor, books, and documents. Eight essays provide historical context and artistic explication. Chronologically organized, the book charts the evolution of Spanish attitudes toward knowledge, exploration, and faith during three dynasties of Spain?s golden age, when the fervor for scientific and geographical knowledge coexisted with the expansion of empire and promotion of Christianity. The four themes of the exhibition are: The Image of Empire; Spirituality and Worldliness; Encounters across Cultures; Science and the Court. Spain in the Age of Exploration, 1492?1819, presents art and science from one of the most ambitious, magnificent, and complex enterprises in history.
| Author | : Margaret M. McGowan |
| Publisher | : Routledge |
| Total Pages | : 324 |
| Release | : 2016-04-29 |
| Genre | : History |
| ISBN | : 1317147316 |
The union of the two royal houses - the Habsburgs and the Bourbons - in the early seventeenth century illustrates the extent to which marriage was a tool of government in Renaissance Europe, and festivals a manifestation of power and cultural superiority. With contributions from scholars representing a range of disciplines, this volume provides an all-round view of the sequence of festivals and events surrounding the dynastic marriages which were agreed upon in 1612 but not celebrated until 1615 owing to the constant interruption of festivities by protestant uprisings. The occasion inspired an extraordinary range of records from exchanges of political pamphlets, descriptions of festivities, visual materials, the music of songs and ballets, and the impressions of witnesses and participants. The study of these remarkable sources shows how a team of scholars from diverse disciplines can bring into focus again the creative genius of artists: painters, architects and costume designers, musicians and poets, experts in equestrianism, in pyrotechnics, and in the use of symbolic languages. Their artistic efforts were staged against a background of intense political diplomacy and continuing civil strife; and yet, the determination of Marie de Médicis and her advisers and of the Duke of Lerma brought to a triumphant conclusion negotiations and spectacular commemorations whose legacy was to inform festival art throughout European courts for decades. In addition to printed and manuscript sources, the volume identifies ways of giving future researchers access to festival texts and studies through digitization, making the book both an in-depth analysis of a particular occasion and a blueprint for future engagement with digital festival resources.
