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Killing Kanoko

Killing Kanoko
Author: 伊藤比呂美
Publisher:
Total Pages: 0
Release: 2009
Genre: Literary Criticism
ISBN: 9780979975547

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Poetry. East Asian Studies. Translated from the Japanese by Jeffrey Angles. "I want to get rid of Kanoko/I want to get rid of filthy little Kanoko/I want to get rid of or kill Kanoko who bites off my nipples." "KILLING KANOKO is a powerful, long-overdue collection (in fine translation) of poetry from the radical Japanese feminist poet, Hiromi Ito. Her poems reverberate with sexual candor, the exigencies and delights of the paradoxically restless/rooted female body, and the visceral imagery of childbirth leap off the page as performative modal structures fierce, witty, and vibrant. Hiromi is a true sister of the Beats" Anne Waldman."


Maternal Regret: Resistances, Renunciations, and Reflections

Maternal Regret: Resistances, Renunciations, and Reflections
Author: Andrea O'Reilly
Publisher: Demeter Press
Total Pages: 209
Release: 2022-06-08
Genre: Social Science
ISBN: 1772583979

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This collection considers how maternal regret, as it is conveyed in remorse, resentment, dissatisfaction, and disappointment, troubles the assumptions and mandates of normative motherhood and how it is explored and critiqued in creative non-fiction, film, literature, and social media. Maternal regret is also examined in relation to the estrangement of mother and child and the remorse and grief felt by both mothers and children caused by the abandonment of mother or child. Finally, the collection explores how regret opens the space for maternal erudition, enlightenment, and evolution; and makes possible maternal empowerment. The book is organized by way of these three sections: the first “Resistances” examines how maternal regret as conveyed in remorse, disillusionment, and resentment counters and corrects normative motherhood, the second, “Renunciations” looks at how regret is experienced in mother-child abandonment, and the third, “Reflections” explores how regret may be an opportunity for maternal knowledge and power. Overall, the collection serves to debunk and destroy the final taboo of normative motherhood that of maternal regret.. Mothers voicing regret, as journalist Kingston writes, “signals a large groundswell of maternal reckoning, [one that] has been compared to the #MeToo campaign.”


My Work

My Work
Author: Olga Ravn
Publisher: New Directions Publishing
Total Pages: 365
Release: 2023-10-10
Genre: Fiction
ISBN: 081123472X

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From the acclaimed author of The Employees, a radical, funny, and mercilessly honest novel about motherhood. After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf Anna, who obsessively devours online news and compulsively orders clothes she can’t afford. To avoid sinking deeper into her depression, she forces herself to read and write. My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms—fiction, essay, poetry, memoir, and letters—to explore the relationship between motherhood, work, individuality, and literature.“Olga Ravn writes dazzlingly about the work of motherhood and the work of writing. Reading Ravn’s book, you run through the whole gamut of human emotion, as though you too were a new mother: tears, laughter, anger, fear, pain, frustration. This is powerful writing that’s hard to put down.”—Politiken


The Thorn Puller

The Thorn Puller
Author: Hiromi Ito
Publisher: Stone Bridge Press, Inc.
Total Pages: 289
Release: 2022-12-13
Genre: Fiction
ISBN: 1737625318

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Winner of the Sakutaro Hagiwara Prize and the Murasaki Shikibu Prize Caught between two cultures, award-winning author Hiromi Ito tackles subjects like aging, death, and suffering with dark humor, illuminating the bittersweet joys of being alive. The first novel to appear in English by award-winning author Hiromi Ito explores the absurdities, complexities, and challenges experienced by a woman caring for her two families: her husband and daughters in California and her aging parents in Japan. As the narrator shuttles back and forth between these two starkly different cultures, she creates a powerful and entertaining narrative about what it means to live and die in a globalized society. Ito has been described as a “shaman of poetry” because of her skill in allowing the voices of others to flow through her. Here she enriches her semi-autobiographical novel by channeling myriad voices drawn from Japanese folklore, poetry, literature, and pop culture. The result is a generic chimera—part poetry, part prose, part epic—a unique, transnational, polyvocal mode of storytelling. One throughline is a series of memories associated with the Buddhist bodhisattva Jizo, who helps to remove the “thorns” of human suffering.


Killing Kanoko

Killing Kanoko
Author: Hiromi Itō
Publisher: Inpress Books - Ipsuk
Total Pages: 0
Release: 2020
Genre: Feminism
ISBN: 9781911284420

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I want to get rid of Kanoko/I want to get rid of filthy little Kanoko/I want to get rid of or kill Kanoko who bites off my nipples. A landmark dual collection by one of the most important contemporary Japanese poets, in a "generous and beautifully rendered" translation. Now widely taught as a feminist classic, KILLING KANOKO is a defiantly autobiographical exploration of sexuality, community, and postpartum depression. Featuring some of her most famous poems, Ito writes in a defiantly autobiographical manner: Kanoko is Ito's oldest child. WILD GRASS ON THE RIVERBANK won the 2006 Takami Jun Prize, which is awarded each year to an outstanding, innovative book of poetry. Set simultaneously in the California desert and Japan, this collection focuses on migration, nature, and movement. At once grotesque and vertiginous, Itō interweaves mythologies, language, sexuality, and place into a genre-busting narrative of what it is to be a migrant. "Japan's most prominent feminist poet" - Poetry Foundation


Modernism in Practice

Modernism in Practice
Author: Leith Morton
Publisher: University of Hawaii Press
Total Pages: 244
Release: 2004-02-29
Genre: Poetry
ISBN: 9780824828073

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Postwar modernist verse has been rarely discussed in English-language works on Japanese literature, despite the fact that it has been the dominant mode of poetic expression in Japan since World War II. Now readers of modern Japanese poetry in translation have gained an impressive intellectual and linguistic companion in their enjoyment of modern Japanese verse. Modernism in Practice combines close readings of individual Japanese postwar poets and poetry with historical and critical analysis. Five of the seven chapters concentrate on the life and work of such outstanding poets as Soh Sakon, Ishigaki Rin, Ito Hiromi, Asabuki Ryoji, and Tanikawa Shuntaro. Several of these writers have only come into prominence in recent decades, so this work also serves to acquaint readers with contemporary Japanese verse. A significant dimension of this volume is the detailed and extensive treatment afforded two important areas of postwar Japanese verse: the poetry of women and of Okinawa. Modernism in Practice is noteworthy not only as an introduction to postwar Japanese poets and their times, but also for the numerous poems that appear in translation throughout the volume—many for the first time in book form.


My Mother She Killed Me, My Father He Ate Me

My Mother She Killed Me, My Father He Ate Me
Author: Kate Bernheimer
Publisher: Penguin
Total Pages: 486
Release: 2010-09-28
Genre: Fiction
ISBN: 1101464380

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The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.


The Necropastoral

The Necropastoral
Author: Joyelle McSweeney
Publisher: University of Michigan Press
Total Pages: 199
Release: 2015
Genre: Literary Criticism
ISBN: 0472052411

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An exploration of poetry as an expression of biology


Wild Grass on the Riverbank

Wild Grass on the Riverbank
Author: Hiromi Itō
Publisher:
Total Pages: 0
Release: 2014
Genre: Literary Criticism
ISBN: 9780989804844

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These poets will plunge you into dreamlike landscapes of volatile proliferation: shape-shifting mothers, living father-corpses, and pervasively odd vegetation


Border-Crossing Japanese Literature

Border-Crossing Japanese Literature
Author: Akiko Uchiyama
Publisher: Taylor & Francis
Total Pages: 251
Release: 2023-07-21
Genre: Literary Criticism
ISBN: 1000917932

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This collection focuses on metaphorical as well as temporal and physical border-crossing in writing from and about Japan. With a strong consciousness of gender and socio-historic contexts, contributors to the book adopt an intercultural and interdisciplinary approach to examine the writing of authors whose works break free from the confines of hegemonic Japanese literary endeavour. By demonstrating how the texts analysed step outside the space of ‘Japan’, they accordingly foreground the volatility of textual expression related to that space. The authors discussed include Takahashi Mutsuo and Nagai Kafū, both of whom take literary inspiration from geographical sites outside Japan. Several chapters examine the work of exemplary border-crossing poet, novelist and essayist, Itō Hiromi. There are discussions of the work of Tawada Yōko whose ability to publish in German and Japanese marks her also as a representative writer of border-crossing texts. Two chapters address works by Murakami Haruki who, although clearly affiliating with western cultural form, is rarely discussed in specific border-crossing terms. The chapter on Ainu narratives invokes topics such as translation, indigeneity and myth, while an analysis of Japanese prisoner-of-war narratives notes the language and border-crossing nexus. A vital collection for scholars and students of Japanese literature.