Key to Melodies and how to Harmonize Them
Author | : Edmondstoune Duncan |
Publisher | : |
Total Pages | : 112 |
Release | : 1906 |
Genre | : Harmony |
ISBN | : |
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Author | : Edmondstoune Duncan |
Publisher | : |
Total Pages | : 112 |
Release | : 1906 |
Genre | : Harmony |
ISBN | : |
Author | : William Edmondstoune Duncan |
Publisher | : |
Total Pages | : |
Release | : 1907 |
Genre | : |
ISBN | : |
Author | : Edmondstoune Duncan |
Publisher | : |
Total Pages | : 200 |
Release | : 1906 |
Genre | : Harmony |
ISBN | : |
Author | : Lawrence A. Buckler |
Publisher | : Xlibris Corporation |
Total Pages | : 201 |
Release | : 2012-02-28 |
Genre | : Music |
ISBN | : 1469142023 |
Any musician who composes or transcribes music or who plays accompaniment to a soloist will have a need to know what the chords are for the accompaniment. There are also occasions when the published chords to a piece are in error, and there is a need to know how to recognize and correct them. Simply put, the process of harmonizing chords to melody is all about identifying chord tones and intervals in a melody and determining the chords they imply. The decision to survey the literature on harmonizing chords was made because no single textbook on harmony could be found that extensively treated the subject. Of the scores of textbooks referenced herein, each one would touch upon or tell only part of the story. What was obviously needed was a book that gathered all the relevant materials in one place and outlined a practical procedure for harmonizing a melody. This document attempts to do this. The word harmonization as used here refers to the process of finding appropriate chords to accompany a melody. Hence, when we harmonize a melody, we create a chord accompaniment for it. The most beautiful melody may be ruined by a poor and inappropriate chord accompaniment, or a poor melody can be made interesting by an apt chord accompaniment. The intended purpose of this work is to provide suitable accompaniment chords only to a given melody in lead sheet format. The piece could then be performed by musicians playing the melody and chords together. This could be done either by two musicians, a soloist, and an accompanist or by a keyboard player who would play both melody and chords. It is not intended that a harmonizing bass line or other harmonizing voices be added to the given melody. It is also a primary purpose of this work to enable the transformation of raw melody into diatonic music by harmonizing only diatonic chords to it.
Author | : Dominic Pedler |
Publisher | : Omnibus Press |
Total Pages | : 713 |
Release | : 2010-05-25 |
Genre | : Music |
ISBN | : 0857123467 |
Thirty years after The Beatles split up, the music of Lennon, McCartney, Harrrison and Starkey lives on. What exactly were the magical ingredients of those legendary songs? Why are they still so influential for today's bands? This ground-breaking book sets out to explore The Beatles' songwriting techniques in a clear and readable style. It is aimed not only at musicians but anyone who has ever enjoyed the work of one of the most productive and successful songwriting parterships of the 20th Century. Author Dominic Pedler explores the chord sequences, melodies, harmonies, rhythms and structures of The Beatles' self-penned songs, while challenging readers to enhance their appreciation of the lyrics themselves with reference to the musical context. Throughout the book the printed music and lyrics of The Beatles' songs appear alongside the text, illustrating the author's explanations. The Songwriting Secrets Of The Beatles is an essential addition to Beatles literature - a new and perceptive analysis of both the music and the lyrics written and performed by what Paul McCartney still calls 'a really good, tight little band'.
Author | : Bill Hilton |
Publisher | : Carrier Books |
Total Pages | : |
Release | : 2016-10-28 |
Genre | : |
ISBN | : 9780956220417 |
Seven Studies in Pop Piano is a collection of short piano pieces that will help you learn the styles used by major pop pianists. The studies range from easy to intermediate. Each one comes with notes explaining the techniques used, the underpinning theory and harmony, and suggestions on how to develop your own improvisations.
Author | : George Anson Wedge |
Publisher | : |
Total Pages | : 210 |
Release | : 1924 |
Genre | : Harmony |
ISBN | : |
Author | : Mark Levine |
Publisher | : "O'Reilly Media, Inc." |
Total Pages | : 725 |
Release | : 2011-01-12 |
Genre | : Music |
ISBN | : 1457101459 |
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
Author | : Jermaine Griggs |
Publisher | : |
Total Pages | : 300 |
Release | : 2001-01-01 |
Genre | : |
ISBN | : 9780974484501 |
Learn to Play Piano by Ear using these easy-to-understand techniques, principles, and concepts. With over 300-pgs separated into 20 chapters, you'll explore everything from beginner fundamentals, to music theory, to chord formation, to chord progression formation, and more! From harmonization techniques to the concept of alterations, to improvisation, you'll not only be able to "speak" and understand this musical language but you'll be able to play piano by ear without a reliance on sheet music.
Author | : Felix Salzer |
Publisher | : Columbia University Press |
Total Pages | : 504 |
Release | : 1989 |
Genre | : Composition (Music) |
ISBN | : 023107039X |
-- Stanley Persky, City University of New York