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An Introduction to Kant's Aesthetics

An Introduction to Kant's Aesthetics
Author: Christian Helmut Wenzel
Publisher: John Wiley & Sons
Total Pages: 208
Release: 2008-04-15
Genre: Philosophy
ISBN: 1405150157

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In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies Kant’s Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant’s other work. Explains difficult concepts in plain language, using numerous examples and a helpful glossary. Proceeds in the same order as Kant’s text for ease of reference and comprehension. Includes an illuminating foreword by Henry E. Allison. Offers twenty-six further-reading sections, commenting briefly on books and articles from the English, German, and French, that are relevant for each topic Provides an extensive bibliography and a chapter summarizing Kant's main points.


Kant's Aesthetic Theory

Kant's Aesthetic Theory
Author: Donald W. Crawford
Publisher:
Total Pages: 200
Release: 1973
Genre:
ISBN: 9780608118338

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The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)

The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)
Author: Immanuel Kant
Publisher: Good Press
Total Pages: 318
Release: 2024-01-09
Genre: Philosophy
ISBN:

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The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.


Aesthetics, Theory and Interpretation of the Literary Work

Aesthetics, Theory and Interpretation of the Literary Work
Author: Paolo Euron
Publisher: BRILL
Total Pages: 251
Release: 2019-08-12
Genre: Education
ISBN: 9004409238

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This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features, presenting basic topics and ideas in their historical context and development in Western culture.


Kant's Aesthetic Theory

Kant's Aesthetic Theory
Author: David Berger
Publisher: A&C Black
Total Pages: 176
Release: 2011-10-27
Genre: Philosophy
ISBN: 1441145834

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Taste is ordinarily thought of in terms of two very different idioms - a normative idiom of taste as a standard of appraisal and a non-normative idiom of taste as a purely personal matter. Kant attempts to capture this twofold conception of taste within the terms of his mature critical philosophy by distinguishing between the beautiful and the agreeable. Scholars have largely taken Kant's distinction for granted, but David Berger argues that it is both far richer and far more problematic than it may appear. Berger examines in detail Kant's various attempts to distinguish beauty from agreeableness. This approach reveals the complex interplay between Kant's substantive aesthetic theory and his broader views on metaphysics and epistemology. Indeed, Berger argues that the real interest of Kant's distinction between beauty and agreeableness is ultimately epistemological. His interpretation brings Kant's aesthetic theory into dialogue with questions at the heart of contemporary analytic philosophy and shows how philosophical aesthetics can offer fresh insights into contemporary philosophical debates.


Kant's Theory of Freedom

Kant's Theory of Freedom
Author: Henry E. Allison
Publisher: Cambridge University Press
Total Pages: 322
Release: 1990-09-28
Genre: Philosophy
ISBN: 9780521387088

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An innovative and comprehensive interpretation of Kant's concept of freedom analyzes the role it plays in his moral philosophy and psychology and considers critical literature on the subject.


Kant’s Aesthetic Theory

Kant’s Aesthetic Theory
Author: Salim Kemal
Publisher: Palgrave Macmillan
Total Pages: 197
Release: 2014-01-14
Genre: Philosophy
ISBN: 9781349219452

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In this accessible yet authoritative book, the author explains the argument and strategy of Kant's analysis of beauty. He clarifies the nature of aesthetic claims, examines the scope of Kant's justification of their validity, and shows how these lead Kant to investigate the relationship between beautiful objects, morality, and subjects. In the course of his discussion, the author links Kant's theory to contemporary commentaries, including those by Donald Crawford, Jacques Derrida, Paul Guyer, Rudolph Makkreel, Mary McCloskey, and Kenneth Rogerson.


Aesthetics and Cognition in Kant's Critical Philosophy

Aesthetics and Cognition in Kant's Critical Philosophy
Author: Rebecca Kukla
Publisher: Cambridge University Press
Total Pages: 7
Release: 2006-07-03
Genre: Philosophy
ISBN: 1139455168

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This volume explores the relationship between Kant's aesthetic theory and his critical epistemology as articulated in the Critique of Pure Reason and the Critique of the Power of Judgment. The essays, written specially for this volume, explore core elements of Kant's epistemology, such as his notions of discursive understanding, experience, and objective judgment. They also demonstrate a rich grasp of Kant's critical epistemology that enables a deeper understanding of his aesthetics. Collectively, the essays reveal that Kant's critical project, and the dialectics of aesthetics and cognition within it, is still relevant to contemporary debates in epistemology, philosophy of mind, and the nature of experience and objectivity. The book also yields important lessons about the ineliminable, yet problematic place of imagination, sensibility and aesthetic experience in perception and cognition.


The Transfiguration of the Commonplace

The Transfiguration of the Commonplace
Author: Arthur C. Danto
Publisher: Harvard University Press
Total Pages: 228
Release: 1981
Genre: Art
ISBN: 9780674903463

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Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.


Subjective Universality in Kant's Aesthetics

Subjective Universality in Kant's Aesthetics
Author: Ross Wilson
Publisher: Peter Lang
Total Pages: 240
Release: 2007
Genre: Literary Criticism
ISBN: 9783039111060

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Drawing on a wide range of scholarship, this book offers a new and comprehensive examination of Kant's argument that aesthetic judgements are combined with a claim to subjective universality. The author gives a detailed account of the background to this claim in Kant's epistemology, logic, and metaphysics, before closely attending to the crucial sections of the Critique of the Power of Judgement. In particular, it is shown that Kant's aesthetics requires that his theory of the subject be rethought. Central to the theory of the subject that begins to emerge from the Third Critique is Kant's enigmatic notion of 'life' which is extensively explored here. This study, therefore, thoroughly examines the central features of Kant's account of aesthetic judgements, suggesting that a new and exciting theory of subjectivity begins to be outlined in Kant's aesthetics. The author argues for the placement of Kant's account of the subjective universality of aesthetic judgement at the centre of contemporary philosophical aesthetics.