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| Author | : Minda Goodman Kraines |
| Publisher | : Mayfield Publishing Company |
| Total Pages | : 0 |
| Release | : 1997 |
| Genre | : Jazz dance |
| ISBN | : 9781559345491 |
This book captures the energy and vitality of jazz dance. Clear, well-illustrated descriptions of all basic jazz dance steps, combined with valuable information on improvisation, ballet, nutrition, and injury prevention and care, make this an essential resource for any jazz dance student.
| Author | : Minda Goodman Kraines |
| Publisher | : McGraw-Hill Education |
| Total Pages | : 240 |
| Release | : 2004-07-21 |
| Genre | : Performing Arts |
| ISBN | : 9780072844047 |
In an accessible, easy-to-read style, this text provides students with well-illustrated descriptions of all basic jazz steps and movements, including valuable information on alignment, improvisation, injury prevention, nutrition and fitness, and history of jazz dance. Throughout the text, "Movement Tips" boxes help students with particularly challenging movements, and "Precaution" boxes help students utilize correct techniques to avoid injury.
| Author | : Gus Giordano |
| Publisher | : Dance Horizons Book |
| Total Pages | : 248 |
| Release | : 1992 |
| Genre | : Performing Arts |
| ISBN | : |
A highly illustrated reference to all aspects of jazz dance by one of the art's most respected teachers.
| Author | : Minda Goodman Kraines |
| Publisher | : McGraw-Hill Humanities, Social Sciences & World Languages |
| Total Pages | : 0 |
| Release | : 2001 |
| Genre | : Jazz dance |
| ISBN | : 9780767419994 |
Jump into Jazz, Fourth edition, captures the energy and vitality of jazz dance. Clear, well-illustrated descriptions of all basic jazz dance steps, combined with the most current information on improvisation, alignment, nutrition, and injury prevention and care, make Jump into Jazz an essential resource for any jazz dance student. -- from back cover.
| Author | : James Robey |
| Publisher | : Human Kinetics |
| Total Pages | : 177 |
| Release | : 2015-12-28 |
| Genre | : Performing Arts |
| ISBN | : 1492585785 |
Human Kinetics’ Interactive Dance Series includes Beginning Tap Dance, Beginning Ballet, Beginning Modern Dance, and now Beginning Jazz Dance and Beginning Musical Theatre Dance. These titles are the traditional dance courses taught through dance, physical education, and fine arts departments for general education students, dance majors, and minors. Using the steps to success model and adaptations from the Outdoor Adventure series, these beginning dance titles contain components from these previous series. Beginning Jazz Dance is the perfect resource for helping students gain a strong foundation of beginning jazz dance techniques. Written by jazz dance choreographer and professor James Robey, this text • prepares students to have a successful experience in a beginning jazz dance technique course; • includes 80 photos accompanied by descriptions that visually present the beginning jazz dance technique and dance concepts that will reinforce and extend classroom learning; and • introduces students to the history, artists, significant works, styles, and aesthetics of the genre so they understand dance as a performing art. In addition, Beginning Jazz Dance comes with a web resource that includes 55 photos and 125 video clips of basic jazz dance technique. Students can access these photos and videos at any time for their study or practice, and instructors and students alike will benefit from the wealth of resources on the website, including assignments, worksheets, glossary terms with and without definitions, interactive chapter quizzes, and web links to help students develop their basic knowledge and skills. (The web resource is included with all new print books and some ebooks. For ebook formats that don’t provide access, the web resource is available separately.) Through the text, students learn these aspects of jazz dance: • The core concepts of jazz dance, the value of studying jazz dance, and class expectations • The structure of a jazz dance class, the roles of everyone in the studio, and how to be physically and mentally prepared for class • Tips on injury prevention, nutrition guidelines, and basic anatomy and kinesiology as applied to movement in jazz dance • Basic body alignment and positions in jazz dance • Jazz walks, kicks, turns, leaps, and floor work Beginning Jazz Dance provides students with the context, background information, and basic instruction they need in order to understand the genre and appreciate jazz dance as a performing art. This text, with its companion web resource, is ideal for dance majors, dance minors, and general education students enrolled in beginning jazz dance technique courses. It is also suitable for students in performing arts and magnet schools and high school dance programs.
| Author | : Minda Goodman Kraines |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 1983 |
| Genre | : Exercise |
| ISBN | : |
| Author | : Douglas H. Daniels |
| Publisher | : Beacon Press |
| Total Pages | : 294 |
| Release | : 2007-02-15 |
| Genre | : History |
| ISBN | : 9780807071373 |
The Blue Devils have received very little attention from jazz historians, though the band members and the writer Ralph Ellison (who sometimes sat in with them) spoke with conviction about their sterling musicianship and their legendary ability to defeat all competitors in battles of the bands. Chronicling the ten years the band was officially together, Douglas Daniels delves into the potent social and cultural history of the 1920s and the Depression to show the era's influence on the group's founding as well as on the players' careers.
| Author | : Paul F. Berliner |
| Publisher | : University of Chicago Press |
| Total Pages | : 904 |
| Release | : 2009-10-05 |
| Genre | : Music |
| ISBN | : 0226044521 |
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
| Author | : Jeff Gold |
| Publisher | : HarperCollins |
| Total Pages | : 835 |
| Release | : 2020-11-17 |
| Genre | : Music |
| ISBN | : 0063076764 |
A visual history of America’s jazz nightclubs of the 1940s and 1950s, featuring exclusive interviews and over 200 souvenir photos. In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Grammy Award-winning record executive and music historian Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo. Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern. Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.
| Author | : Robert Dietsche |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 2005 |
| Genre | : Health & Fitness |
| ISBN | : |
A fascinating blend of music, politics, and social history, Jumptown sheds light on a time and place overlooked by histories of Portland and jazz. For a golden decade following World War II, jazz talent and musical activity flourished in Portland. A thriving African American neighborhood--that would soon be bulldozed for urban renewal--spawned a jazz heyday rarely rivaled on the West Coast. Such luminaries as Duke Ellington, Charlie Parker, Oscar Peterson, Dave Brubeck, and Wardell Gray headlined Portland clubs and traded chops with the up-and-coming local talent. The Dude Ranch. Lil' Sandy's McClendon's Rhythm Room. The Frat Hall. The Chicken Coop. The Uptown Ballroom. Jazz historian Bob Dietsche leads a guided tour of the main jazz spots--from supper club to dance hall--capturing the emotion, excitement, and energy of an evening on the town. His book for the first time collects hundreds of pieces of local jazz history--photographs, personal recollections, reviews, maps, handbills--to create "an anatomy of a jazz village." Dietsche's compendium of stories and moments brings to life the citizens of the jazz village--the musicians and dancers, the disc jockeys and promoters, the critics and music teachers, the club owners and patrons. Jumptown celebrates and preserves this rich cultural past and showcases its continuing influence. In an afterword, Lynn Darroch recaps the highlights in Portland jazz since 1968 and shows how "Portland's twenty-first-century jazz scene reflects the city's original golden age, and the spirit of the Avenue remains in the sounds of today."
