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JULIUS CAESAR 1935: Shakespeare and Censorship in Fascist Italy

JULIUS CAESAR 1935: Shakespeare and Censorship in Fascist Italy
Author: Silvia Bigliazzi
Publisher: Skenè. Texts and Studies
Total Pages: 408
Release: 2019-12-29
Genre: Language Arts & Disciplines
ISBN:

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On 1 August 1935, only a few months before Mussolini launched the colonial enterprise in Ethiopia, Shakespeare’s Julius Caesar was produced at the Maxentius Basilica in Rome. The performance was organised by The National Workers’ Recreational Club (O.N.D.) and the script was submitted for censorship. However, the procedure followed a different course from the usual one as the commissioner was also part of the Fascist political system. This parallel edition presents for the first time the integral script of the censored text of Shakespeare’s Julius Caesar, in Raffaello Piccoli's 1925 Italian translation, and explores the implications of this peculiar type of censorship at the moment when, through Shakespeare, censoring became one and the same with political propaganda.


Julius Caesar 1935

Julius Caesar 1935
Author: William Shakespeare
Publisher:
Total Pages: 0
Release: 2019
Genre:
ISBN:

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Shakespeare and Crisis

Shakespeare and Crisis
Author: Silvia Bigliazzi
Publisher: John Benjamins Publishing Company
Total Pages: 304
Release: 2020-06-15
Genre: Literary Criticism
ISBN: 9027261113

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Shakespeare and Crisis: One hundred years of Italian narratives explores how Shakespeare intervened in the Italian socio-political and cultural scene between his third and fourth centenaries, at times which were manifestly perceived as ‘critical’. It asks which complex mythopoietic processes contributed to shaping regimes of reading Shakespeare in response to those times of crisis. Crises of national identity during the Great War and the Fascist regime, crises of history in the 1970s, and crises of representation in the second half of the twentieth century extending into the new millennium constitute the three main areas of a discussion that ultimately aims at probing into the role of literature at times of crisis. The volume situates itself at the juncture of European Shakespeare studies and studies of Shakespeare and Italy. It addresses essential questions about the position of literature in society, offering at different levels new insights for scholars, students, and the general reader.


Shakespeare and the Mediterranean 1: Romeo and Juliet

Shakespeare and the Mediterranean 1: Romeo and Juliet
Author: Silvia Bigliazzi
Publisher: Skenè. Texts and Studies
Total Pages: 300
Release: 2022-08-26
Genre: Language Arts & Disciplines
ISBN:

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The Mediterranean of Shakespeare’s dramas is a vast geopolitical space. Historically, it spans from the Trojan war to Greek mythology and the ancient Roman empire; geographically, from Venice and Sicily to Cyprus and Turkey, from Greece to Egypt, the Middle East and North Africa. But it is also the Mediterranean of Renaissance Italian cities and Romeo and Juliet is a beautiful example of how exotic frontiers for an English gaze may be replaced by closer yet different cultural Mediterranean frames. The volume offers studies on the circulation of the story of Romeo and Juliet and its ancient archetypes in early modern Europe, from Greece to Italy, France and Spain, as well as on contemporary receptions and performances of Shakespeare’s play in Sicily, the Balkans, Israel and Jordan.


Shakespeare Among Italian Criminologists and Psychiatrists, 1870s-1920s

Shakespeare Among Italian Criminologists and Psychiatrists, 1870s-1920s
Author: Emanuel Stelzer
Publisher: Skenè. Texts and Studies
Total Pages: 242
Release: 2021-05-09
Genre: Language Arts & Disciplines
ISBN:

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Italians found another way to engage with Shakespeare besides opera. In 1923, Italian intellectual Piero Gobetti wrote that his age would be remembered as a curious chapter in the reception history of Shakespeare, when the Bard got entangled with ideas of criminal anthropology. In fact, the uses of Shakespeare by Lombroso’s school are now forgotten. In the second half of the nineteenth century, Shakespeare began to be portrayed as a genius who anticipated the findings of the Italian Positivist School, or, alternatively, as an authority who could debunk them. Shakespeare’s own psyche and the characters of his plays were explored and pathologised. These studies occasionally percolated into the practices of courthouses, prisons, hospitals, and asylums, and had an impact on the performance of Shakespeare’s plays. This volume provides an edition of hitherto uncollected primary sources which document these uses of Shakespeare. Each text has a parallel English translation, and is introduced by a preface providing details about the context and its main discursive stances. The volume also features a critical introduction and explanatory notes.


Revisiting Shakespeare’s Italian Resources

Revisiting Shakespeare’s Italian Resources
Author: Silvia Bigliazzi
Publisher: Taylor & Francis
Total Pages: 320
Release: 2024-07-31
Genre: Literary Criticism
ISBN: 1040085644

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Revisiting Shakespeare’s Italian Resources is about the complex dynamics of transmission and transformation of the Italian sources of twelve Shakespearean plays, from The Two Gentlemen of Verona to Cymbeline. It focuses on the works of Sir Giovanni Fiorentino, Da Porto, Bandello, Ariosto, Dolce, Pasqualigo, and Groto, as well as on commedia dell’arte practices. This book discusses hitherto unexamined materials and revises received interpretations, disclosing the relevance of memorial processes within the broad field of intertextuality vis-à-vis conscious reuses and intentional practices.


Shakespeare and the Mediterranean 2: The Tempest

Shakespeare and the Mediterranean 2: The Tempest
Author: Fabio Ciambella
Publisher: Skenè. Texts and Studies
Total Pages: 202
Release: 2023-08-23
Genre: Language Arts & Disciplines
ISBN: 8846767365

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Is Shakespeare’s The Tempest a Mediterranean play? This volume explores the relationship between The Tempest and the Mediterranean Sea and analyses it from different perspectives. Some essays focus on close readings of the text in order to explore the importance of the Mediterranean Sea for the genesis of the play and the narration of the past and present events in which the Shakespearean characters participate. Other chapters investigate the relationship between the Shakespearean play, its resources from the Mediterranean Graeco-Latin past and its afterlives in twentieth-century poems looking at the Mediterranean dimension of the play. Moreover, influences on and of The Tempest are investigated, looking at how Italian Renaissance music may have influenced some choices concerning Ariel’s song(s) and how The Tempest has shaped the production of twentieth-century Italian directors. Finally, other chapters try to reaffirm the centrality of the Mediterranean Sea in The Tempest, bringing to the fore new textual evidence in support of the Mediterraneity of the play, by adopting and/or criticising recent approaches.


Staging 21st Century Tragedies

Staging 21st Century Tragedies
Author: Avra Sidiropoulou
Publisher: Routledge
Total Pages: 256
Release: 2022-06-16
Genre: Performing Arts
ISBN: 1000598918

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Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice. In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach twenty-first-century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West. Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.


A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.1

A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.1
Author: Emanuel Stelzer
Publisher: Skenè. Texts and Studies
Total Pages: 279
Release: 2022-12-15
Genre: Language Arts & Disciplines
ISBN:

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This volume aims at providing a comprehensive view of the performative as well as heuristic potentialities of the theatrical paradox in early modern plays. We are interested in discussing the functions and uses of paradoxes in early modern English drama by investigating how classical paradoxes were received and mediated in the Renaissance and by considering authors’ and playing companies’ purposes in choosing to explore the questions broached by such paradoxes. The book is articulated into three sections: the first, “Paradoxes of the Real”, is devoted to a theoretical investigation of the dramatic uses of paradoxes; the second, “Staging Mock Encomia” looks at the multiple dramatic functions of mock encomia and at the specific situations in which paradoxical praises were inserted in early modern plays; finally, the essays in “Paradoxical Dialogues” examine the connections between a number of early modern mock encomia and ancient or contemporary models.


War Discourse in Four Paradoxes: the Case of Thomas Scott (1602) and the Digges (1604)

War Discourse in Four Paradoxes: the Case of Thomas Scott (1602) and the Digges (1604)
Author: Fabio Ciambella
Publisher: Skenè. Texts and Studies
Total Pages: 228
Release: 2022-12-09
Genre: Language Arts & Disciplines
ISBN:

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In 1602 and 1604 two collections of paradoxes, both entitled Four Paradoxes, authored by Thomas Scott, and Thomas and Dudley Digges, respectively, were published. Scott, a Protestant preacher, wrote four poems about art, law, war, and service. On the other hand, the diplomat and intellectual Dudley Digges published his father’s two paradoxes about the art of war together with his own two texts concerning the worthiness of war and warriors. What do these two collections of paradoxes have in common, and why publishing their critical edition together? Apparently, besides sharing the same title, the two works do not seem to have anything else in common. Nevertheless, this modern spelling critical edition of both texts aims at demonstrating that they share political, cultural, and genre-related features connected with the circulation of paradoxical discourse about war in early modern England.