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Author | : Judy Chicago |
Publisher | : Princeton University Press |
Total Pages | : 160 |
Release | : 2023-11-14 |
Genre | : Art |
ISBN | : 069125396X |
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"A collection of quotes from pioneering feminist artist Judy Chicago"--
Author | : Shirin Neshat |
Publisher | : Princeton University Press |
Total Pages | : 152 |
Release | : 2024-02-06 |
Genre | : Art |
ISBN | : 069125463X |
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"A collection of quotations from the influential contemporary Iranian visual artist Shirin Neshat"--
Author | : Marina Abramović |
Publisher | : Princeton University Press |
Total Pages | : 176 |
Release | : 2024-10-22 |
Genre | : Art |
ISBN | : 0691263736 |
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A collection of fascinating and provocative quotations from the world-renowned performance artist Marina Abramović is arguably the most important and influential performance artist of our time. For decades, she has broken boundaries in iconic works such as The Artist Is Present (2010), where she sat in silence across from members of the public at the Museum of Modern Art for up to eight hours a day for three months, and Rhythm 0 (1974), a six-hour performance in which she stood next to a table holding seventy-two objects, including a scalpel and a loaded gun, and a sign suggesting audience members could do to her whatever they wanted. Gathered from interviews, lectures, writings, and other sources, Abramović-isms is a unique collection of quotations that offers a window into the mind of this iconic trailblazer. “Artists have to be free human beings. They have to have the complete freedom to express their ideas with no restrictions.” “Our body is an absolute replica of the Universe, and this is why I took to studying myself—by studying myself, I can understand everything else and everybody else.” “Beauty doesn’t have a definition. What is important is what moves you.” “Don’t ever call me the grandmother of performance art. Just call me a warrior.”
Author | : Larry Warsh |
Publisher | : Princeton University Press |
Total Pages | : 152 |
Release | : 2024-10-22 |
Genre | : Art |
ISBN | : 0691266298 |
Download JR-isms Book in PDF, ePub and Kindle
A collection of compelling quotations from JR—the renowned French photographer, street artist, and activist JR is perhaps best known for taking portraits of regular people, reproducing the images at a monumental scale, and pasting them on the sides of buildings in the subjects’ neighborhoods. Among his many other notable projects are a gigantic photo of a child peering over the top of the barrier at the US-Mexico border and an enormous mural of inmates that covers the ground of an outdoor exercise yard at a California prison. Collected from interviews, writings, and other sources, JR-isms is an inspiring and thought-provoking collection of quotations from the exciting artist and activist, whose work reaches far beyond the traditional art world, from the streets of New York to the suburbs of Paris and the favelas of Brazil. “I was writing my names on walls to say ‘I exist,’ then I started pasting pictures of people with their names to say they exist.” “Art is not supposed to change the world. It can offer a new perspective, a new look, break down the walls we build between us, and humanize the ‘other.’ ” “I always make sure in my art that I even confront my own perspective.” “You know what they say, that the criminal always goes back to the crime scene? It works the same for the artist. When you do something in the street, you come back to see how people approach it. No one knows it’s you, but you’re right there.”
Author | : James Rosenquist |
Publisher | : Princeton University Press |
Total Pages | : 105 |
Release | : 2024-08-13 |
Genre | : Art |
ISBN | : 0691263280 |
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A beautifully illustrated and designed book of the important Pop artist’s previously unpublished working studies This book sheds new light on the fascinating working processes of American Pop artist James Rosenquist. Using the techniques of billboard painting and the visual language of advertising, Rosenquist’s paintings explore consumer culture, politics, war, and other themes through startling juxtapositions of powerful imagery, including of cars, women, celebrities, food, appliances, a fighter jet, and the mushroom cloud of an atomic bomb. James Rosenquist: Collages, Drawings, and Paintings in Process presents previously unpublished preparatory work by the artist—quick sketches to capture ideas, detailed studies, color keys, source materials, and photographs—alongside the iconic paintings that resulted.
Author | : Judy Chicago |
Publisher | : |
Total Pages | : 0 |
Release | : 2024-06-18 |
Genre | : Art |
ISBN | : 9780500027899 |
Download Judy Chicago: Revelations Book in PDF, ePub and Kindle
A new work from Judy Chicago, fifty years in the making: Judy Chicago: Revelations is the work she thought would never see the light of day. Her captivating narrative combatting the erasure of women from history unites seamlessly with illustrations first made in the 1970s and new work in a striking, contemporary design.
Author | : Judy Chicago |
Publisher | : |
Total Pages | : 1 |
Release | : 1986* |
Genre | : Needlework |
ISBN | : |
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Author | : Judy Chicago |
Publisher | : |
Total Pages | : 48 |
Release | : 2012-06-01 |
Genre | : Feminism in art |
ISBN | : 9780983931232 |
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Author | : Brooklyn Museum of Art |
Publisher | : |
Total Pages | : 6 |
Release | : 2002 |
Genre | : China painting |
ISBN | : |
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Author | : Judy Chicago |
Publisher | : iUniverse |
Total Pages | : 277 |
Release | : 2006-03-02 |
Genre | : Biography & Autobiography |
ISBN | : 1462098053 |
Download Through the Flower Book in PDF, ePub and Kindle
Through the Flower was my first book (I've since published nine others). I was inspired to write it by the writer and diarist, Anais Nin, who was a mentor to me in the early seventies. My hope was that it would aid young women artists in their development and that reading about my struggles might help them avoid some of the pitfalls that were so painful to me. I also hoped to spare them the anguish of "reinventing the wheel", which my studies in women's history had taught me was done again and again by women, specifically because we have not had access to our foremothers' experience and achievements-one consequence of the fact that we still learn both history and art history from a male-centered bias with insufficient inclusion of women's achievements. I must admit that when I re-read Through the Flower, I winced at some of the unabashed honesty; at the same time, I am glad that my youthful self had the courage to speak so directly about my life and work. I doubt that I could recapture the candor that allowed this book to reflect such unabashed confidence that the world would accept revelations so lacking in self-consciousness. And yet, it is precisely this lack that helps give the book its flavor, the flavor of the seventies, when so many of us believed that we could change the world for the better, a goal that has been-as one of my friends put it-"mugged by reality". And yet, better an overly idealistic hope that the world could be reshaped for the better than a cynical acceptance of the status quo. At least we tried-and I'm still trying. Perhaps I'm just too old now to change. Judy Chicago 2005