Juan De Pareja Afro Hispanic Painter PDF Download
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Author | : David Pullins |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 184 |
Release | : 2023-04-03 |
Genre | : Art |
ISBN | : 1588397564 |
Download Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez Book in PDF, ePub and Kindle
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja.
Author | : Metropolitan Museum of Art (New York, N.Y.). Department of Communications |
Publisher | : |
Total Pages | : 0 |
Release | : 2023 |
Genre | : Painting, Spanish |
ISBN | : |
Download Juan de Pareja, Afro-Hispanic Painter Book in PDF, ePub and Kindle
Author | : Eric Velasquez |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 34 |
Release | : 2013-10-08 |
Genre | : Juvenile Fiction |
ISBN | : 0802735363 |
Download Grandma's Gift Book in PDF, ePub and Kindle
This prequel to Eric Velasquez's biographical picture book Grandma's Records is the story of a Christmas holiday that young Eric spends with his grandmother. After they prepare their traditional Puerto Rican Christmas celebration, Eric and Grandma visit the Metropolitan Museum of Art for a school project, where he sees a painting by Diego Velasquez and realizes for the first time that he could be an artist when he grows up. Grandma witnesses his fascination, and presents Eric with the perfect Christmas gift-a set of paints-to use in his first steps toward becoming an artist. A heart-warming story of self-discovery, Grandma's Gift is a celebration of the special bond between a grandparent and grandchild.
Author | : Agnes Lugo-Ortiz |
Publisher | : Cambridge University Press |
Total Pages | : 489 |
Release | : 2013-09-30 |
Genre | : History |
ISBN | : 1107354781 |
Download Slave Portraiture in the Atlantic World Book in PDF, ePub and Kindle
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Author | : Elizabeth Borton De Trevino |
Publisher | : Square Fish |
Total Pages | : 0 |
Release | : 2008-04-29 |
Genre | : Young Adult Fiction |
ISBN | : 9780312380052 |
Download I, Juan de Pareja Book in PDF, ePub and Kindle
When the great Velázquez was painting his masterpieces at the Spanish court in the seventeenth century, his colors were expertly mixed and his canvases carefully prepared by his slave, Juan de Pareja. In a vibrant novel which depicts both the beauty and the cruelty of the time and place, Elizabeth Borton de Treviño tells the story of Juan, who was born a slave and died an accomplished and respected artist. Upon the death of his indulgent mistress in Seville, Juan de Pareja was uprooted from the only home he had known and placed in the charge of a vicious gypsy muleteer to be sent north to his mistress's nephew and heir, Diego Velázquez, who recognized at once the intelligence and gentle breeding which were to make Juan his indispensable assistant and companion—and his lifelong friend. Through Juan's eyes the reader sees Velázquez's delightful family, his working habits and the character of the man, his relations with the shy yet devoted King Philip IV and with his fellow painters, Rubens and Murillo, the climate and customs of Spanish court life. When Velázquez discovers that he and Juan share a love for the art which is his very life, the painter proves his friendship in the most incredible fashion, for in those days it was forbidden by law for slaves to learn or practice the arts. Through the hardships of voyages to Italy, through the illnesses of Velázquez, Juan de Pareja loyally serves until the death of the painter in 1660. I, Juan de Pareja is the winner of the 1966 Newbery Medal. Latino Interest.
Author | : Jennifer A. Gonzalez |
Publisher | : MIT Press |
Total Pages | : 315 |
Release | : 2011-03-04 |
Genre | : Art |
ISBN | : 0262516020 |
Download Subject to Display Book in PDF, ePub and Kindle
An exploration of the visual culture of “race” through the work of five contemporary artists who came to prominence during the 1990s. Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepón Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer González offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes González, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All five of the American installation artists González considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space and the power of display in settings that mimic the very spaces they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, but also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as “artifacts” and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.
Author | : |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 36 |
Release | : 2023-05-05 |
Genre | : Art |
ISBN | : |
Download The Metropolitan Museum of Art: Publications 2023 Book in PDF, ePub and Kindle
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
Author | : Ana León-Távora |
Publisher | : Taylor & Francis |
Total Pages | : 239 |
Release | : 2024-06-24 |
Genre | : Literary Criticism |
ISBN | : 1040031978 |
Download Colonialist Gazes and Counternarratives of Blackness Book in PDF, ePub and Kindle
Building on the growing field of Afropean Studies, this interdisciplinary and intermedial collection of essays proposes a dialogue on Afro-Spanishness that is not exclusively tied to immigration and that understands Blackness as a non-essentialist, heterogeneous and diasporic concept. Studying a variety of twentieth- and twenty-first-century cultural products, some essays explore the resilience of the colonialist paradigms and the circulation of racial ideologies and colonial memories that promote national narratives of whitening. Others focus on Black self-representation and examine how Afro-Spanish authors, artists, and activists destabilize colonial gazes and constructions of national identity, propose decolonial views of Spain and Europe’s literature and history, articulate Afro-Diasporic knowledges, and envision Afro-descendance as an empowering tool.
Author | : Diana Berruezo-Sánchez |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2024-09-05 |
Genre | : Literary Criticism |
ISBN | : 0198914237 |
Download Black Voices in Early Modern Spanish Literature, 1500-1750 Book in PDF, ePub and Kindle
In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad range of texts and unearths new documents relating to black African poets, performers, and black confraternities. Her discoveries evince the broad yet largely disregarded literary and artistic impact of the African diaspora in early modern Spain, expanding the scope of linguistic practices beyond habla de negros and creating space for early modern black poets in the Spanish literary canon. These textual sources challenge established understandings of black Africans and black African history in early modern Spain. They show how black Africans exerted significant cultural agency by collectively contributing to and shaping the literary texts of the period, including those of the popular genre villancicos de negros, and by developing artistic traditions as musicians, dancers, and poets. As both creators and consumers of cultural forms, black African men and women navigated a restrictive, coercive slave society yet negotiated their own physical and cultural spaces.
Author | : Ian Alteveer |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 52 |
Release | : 2022-02-04 |
Genre | : Art |
ISBN | : 1588397459 |
Download Before Yesterday We Could Fly: An Afrofuturist Period Room Book in PDF, ePub and Kindle
Seneca Village—a vibrant nineteenth-century community of predominantly Black landowners and tenants—flourished just west of The Met's current location until the city used eminent domain to seize the land in 1857, displacing its residents to make room for the construction of Central Park. The Met's latest Bulletin, Before Yesterday We Could Fly: An Afrofuturist Period Room, imagines a different history in the form of a new type of installation that departs from traditionally Eurocentric period displays to present a fictional but resonant domestic space. Texts by Ian Alteveer, Hannah Beachler, Michelle Commander, and Sarah Lawrence honor the real, lived history of the Seneca Village residents, while also exploring works by Black creators from the eighteenth century to the present day through the empowering lens of Afrofuturism. Including images of new works by Njideka Akunyili Crosby, Roberto Lugo, and Cyrus Kabiru, as well as an original graphic novella by New York Times bestselling author and illustrator John Jennings, this publication foregrounds generations of Black creativity and looks forward to a resilient future.