International Journal of Canadian Studies
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Total Pages | : 316 |
Release | : 1995 |
Genre | : Canada |
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Total Pages | : 316 |
Release | : 1995 |
Genre | : Canada |
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Total Pages | : 299 |
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Total Pages | : 242 |
Release | : 1998 |
Genre | : Canada |
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Total Pages | : 612 |
Release | : 1979 |
Genre | : Canada |
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Total Pages | : 186 |
Release | : 1994 |
Genre | : Canada |
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Total Pages | : 730 |
Release | : 1985 |
Genre | : Canada |
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Author | : Andrea A. Davis |
Publisher | : Northwestern University Press |
Total Pages | : 328 |
Release | : 2022-01-15 |
Genre | : Literary Criticism |
ISBN | : 0810144603 |
In Horizon, Sea, Sound: Caribbean and African Women’s Cultural Critiques of Nation, Andrea Davis imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of horizon, sea, and sound as a critique of nation-state discourses and formations, including multicultural citizenship, racial capitalism, settler colonialism, and the hierarchical nuclear family. Drawing on Tina Campt’s discussion of Black feminist futurity, Davis offers the concept future now, which is both central to Black freedom and a joint social justice project that rejects existing structures of white supremacy. Calling for new affiliations of community among Black, Indigenous, and other racialized women, and offering new reflections on the relationship between the Caribbean and Canada, she articulates a diaspora poetics that privileges our shared humanity. In advancing these claims, Davis turns to the expressive cultures (novels, poetry, theater, and music) of Caribbean and African women artists in Canada, including work by Dionne Brand, M. NourbeSe Philip, Esi Edugyan, Ramabai Espinet, Nalo Hopkinson, Amai Kuda, and Djanet Sears. Davis considers the ways in which the diasporic characters these artists create redraw the boundaries of their horizons, invoke the fluid histories of the Caribbean Sea to overcome the brutalization of plantation histories, use sound to enter and reenter archives, and shapeshift to survive in the face of conquest. The book will interest readers of literary and cultural studies, critical race theories, and Black diasporic studies.
Author | : Roland Sintos Coloma |
Publisher | : University of Toronto Press |
Total Pages | : 408 |
Release | : 2017-06-16 |
Genre | : Social Science |
ISBN | : 1442630302 |
Roland Sintos Coloma and Gordon Pon’s Asian Canadian Studies Reader brings together essential writings by leading and emerging scholars in the field to explore the vibrancy of the diverse Asian diaspora in Canada. The Reader is the perfect textbook for undergraduate courses in Race and Ethnic Studies, Women and Gender Studies, and Migration and Diaspora Studies. The volume is organized into four main themes: ethnic, intersectional, comparative, and transnational encounters. It critically engages topics regarding orientalism, settler colonialism, globalization, and nationalism. Each groundbreaking essay challenges our conventional understandings of diversity and multiculturalism by tackling the intricacies of racism and racialization. By capturing the rich diversity within Asian Canadian communities, Coloma and Pon dispel the perceptions of Asians as always immigrants, newcomers, or model minorities. The Asian Canadian Studies Reader is the first interdisciplinary collection of essays intended for undergraduate use about Canada’s largest racialized minority group.
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