Joseph Beuys in America
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Total Pages | : 221 |
Release | : 1987 |
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Total Pages | : 221 |
Release | : 1987 |
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Author | : Joseph Beuys |
Publisher | : Thunder's Mouth Press |
Total Pages | : 274 |
Release | : 1990 |
Genre | : Art |
ISBN | : 9780941423441 |
Writings and Interviews with the Artist.
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Total Pages | : 220 |
Release | : 1987 |
Genre | : Art, Modern |
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Author | : Joseph Beuys |
Publisher | : Thunder's Mouth Press |
Total Pages | : 274 |
Release | : 1993 |
Genre | : Art |
ISBN | : 9781568580074 |
Joseph Beuys in America,Writings by and Interviews with the Artist,A deeply interesting collection of material by and,about this most important of contemporary artists.,Of immense interest to all admirers of Beuys and,anyone interested in modern art.
Author | : Joseph Beuys |
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Total Pages | : |
Release | : 1974* |
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Author | : Joseph Beuys |
Publisher | : Steidl |
Total Pages | : 238 |
Release | : 1997 |
Genre | : Art |
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Artwork by Joseph Beuys.
Author | : Joseph Beuys |
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Total Pages | : 0 |
Release | : 1997 |
Genre | : Performance art |
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Author | : Joseph Beuys |
Publisher | : Conran Octopus |
Total Pages | : 52 |
Release | : 1993 |
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Author | : Joseph Beuys |
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Total Pages | : 274 |
Release | : 1990 |
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ISBN | : 9780941423441 |
Author | : Caroline Tisdall |
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Total Pages | : 168 |
Release | : 2008 |
Genre | : Architecture |
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This volume was the first attempt to capture a performance by Joseph Beuys in book form. Since its first appearance in 1976, it has become one of the most sought after documents of its kind, representing an important landmark in the way his art has been received. Beuys's most famous Action, I Like America and America Likes Me, took place in May 1974, when he spent seven days and nights in a room with a wild coyote. The artist's activities during his confinement with the coyote followed a repeated pattern. He employed a number of objects: felt, a walking stick, gloves, a flashlight and the Wall Street Journal - fifty copies were delivered daily, in two piles. Over the period of a week, man and beast developed a mode of wordless co-existence, a twosided performance that became rich with assumed meanings. Caroline Tisdall, a longstanding friend of the artist, who has written extensively on Beuys and has directed films about him, took most of the photographs and wrote the accompanying text.