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| Author | : Susie Hodge |
| Publisher | : Lorenz Books |
| Total Pages | : 0 |
| Release | : 2020-01-07 |
| Genre | : Art |
| ISBN | : 9780754832904 |
A sumptuous illustrated biography, history and gallery of the acclaimed artist of the late 19th and early 20th century.
| Author | : Charles Merrill Mount |
| Publisher | : |
| Total Pages | : 464 |
| Release | : 2003-01-01 |
| Genre | : |
| ISBN | : 9780758106834 |
| Author | : Susie Hodge |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Painters |
| ISBN | : 9780754819530 |
This book is an essential volume for anyone wanting to learn more about this fascinating and ground-breaking artist, and to study his greatest works in one collection. The book follows his early experiences and artistic education, as well as his personal life, shedding light on why Monet became the painter he did. The second half is a gallery of more than 300 of his works with analysis of each painting.
| Author | : Rosalind Ormiston |
| Publisher | : Lorenz Books |
| Total Pages | : 0 |
| Release | : 2012-04 |
| Genre | : Art |
| ISBN | : 9780754823780 |
An illustrated exploration of the artist, Rembrandt van Rijn, his life and context, with a gallery of 300 of his finest works.
| Author | : John Singer Sargent |
| Publisher | : Mfa Publications |
| Total Pages | : 247 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9780878467914 |
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
| Author | : Richard Ormond |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 2015-02-12 |
| Genre | : Artists |
| ISBN | : 9781855145450 |
Many of the sitters in this collection were John Singer Sargents close friends. They are posed informally, sometimes in the act of painting or singing, and it is evident from the bold way they confront us that they are personalities of a creative stamp. Brilliant as these pictures are as works of art and penetrating studies of character, they are also records of relationships, allegiances, influences and aspirations. This volume, and the exhibition it accompanies, aims to explore these friendships in depth and draw out their significance in the story of Sargents life and the development of his art. The book is structured chronologically, with sections arranged according to the places Sargent worked and formed relationships during his cosmopolitan career: Paris, London, New York, Italy and the Alps. The cast of characters includes famous names, among them Gabriel Fauré and Auguste Rodin, Robert Louis Stevenson and Henry James. But the authors also make their point with images of Sargents familiars, such as the artists Jane and Wilfrid de Glehn who accompanied him on his sketching expeditions to the Continent, and the Italian painter Ambrogio Raffele, a recurrent model in his Alpine studies. In such paintings Sargent explored the making of art (his own included) and the relationship of the artist to the natural world. These are examples of an absorbing range of images and personalities, all distinguished in one way or another for their artistry, and all linked by friendship and a shared aesthetic to the central figure of Sargent himself.
| Author | : Rick Wartzman |
| Publisher | : McGraw Hill Professional |
| Total Pages | : 176 |
| Release | : 2013-03-08 |
| Genre | : Business & Economics |
| ISBN | : 0071763082 |
A Photographic Celebration of the Life and Work of the Legendary Peter Drucker Born on November 19, 1909, Peter Drucker grew up in Austria and moved to Germany at the age of seventeen. When the Nazis rose to power in 1933, they burned and banned some of Drucker's earliest writings, and he fled the country. As Drucker witnessed the institutions of his nation fall apart one by one, he concluded that "performing responsible management is the alternative to tyranny." In 1937, Drucker and his wife immigrated to the United States--and the practice of management has never been the same. Drucker: A Life in Pictures celebrates the life and work of "the man who invented management," as Drucker was known. He was a prolific writer, a passionate teacher, and a brilliant adviser who influenced how organizations are run perhaps more than any single figure of the twentieth century. Drucker was also a loving husband and father, a loyal friend, and a passionate baseball fan. Drawn from the Drucker Archives, a part of the Drucker Institute at Claremont Graduate University, this trove of photos captures Drucker in all facets of his life--as an immigrant fleeing Hitler's Germany, a bestselling author, a beloved professor, and a consultant to major corporations, nonprofits, and government agencies. The images include Drucker's doctoral dissertation on international law; a handwritten note from General Electric's Jack Welch; a high honor bestowed upon Drucker by the Emperor of Japan; Drucker's typewriter; his walking stick and record collection; and the file the FBI kept on Drucker--along with other stunning photographs of his manuscripts, awards, personal letters, and other ephemera. The book is framed by extensive captions written by Drucker expert Rick Wartzman, and also includes excerpts of interviews with Drucker himself. All told, this handsome, unique photo history shines a spotlight on the many sides of one of the twentieth century's most influential figures. Drawn from the vast collection at the Drucker Archives, a part of the Drucker Institute at Claremont Graduate University, Drucker: A Life in Pictures features almost 100 photographs of Peter Drucker's correspondence, manuscripts, awards, personal items, and other ephemera. Much of it has never been seen before by the public. Each picture provides a glimpse into Drucker's long, fascinating, and hugely influential life, with every image placed into context through extensive captions written by Rick Wartzman, the Drucker Institute's executive director. Interlaced through the book are excerpts from various interviews that Drucker gave over the years. Drucker: A Life in Pictures is a fitting tribute to one of the most important minds of the twentieth century.
| Author | : Bruce Redford |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Allusions |
| ISBN | : 9780300219302 |
A revealing, interdisciplinary exploration of the brilliant visual quotations in the work of the celebrated grand-manner portraitist The work of portraitist John Singer Sargent (1856-1925) has come to epitomize the glamour and anxiety of his age. In this innovative study, Bruce Redford reveals the web of visual quotations and references that informed Sargent's most ambitious paintings. Throughout his career, Sargent was recognized and rewarded as a "Young Master" whose bravura portraits inspired comparison with the likes of Vel zquez, Van Dyck, and Reynolds. At the same time, his paintings responded to the stylistic experiments and cultural preoccupations of a world on the cusp of modernity. Sargent achieved this complex synthesis through a pictorial language composed of witty acts of allusion. John Singer Sargent and the Art of Allusion offers the first sustained inquiry into the painter's practice of quotation--one that created a complex visual code. Through comparative analysis among thematic groupings of portraits and analogous literary texts, Redford shows how Sargent devised and transmitted that code. The result is an enhanced awareness of Sargent's daring gamesmanship, his place in the history of portraiture, and the dynamics of allusion in both art and literature.
| Author | : Erica E. Hirshler |
| Publisher | : Yale University Press |
| Total Pages | : 257 |
| Release | : 2020-01-01 |
| Genre | : Art |
| ISBN | : 0300249861 |
In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962) a young African American elevator attendant at Boston's Hotel Vendome. McKeller became the principal model for Sargent's murals in the new wing of the Boston's Museum of Fine Arts, among the painter's most ambitious works. Sargent's nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent's iconic American paintings. Essays offer the first biography of Thomas McKeller and a window into African America life in early 20th century Roxbury. They address the artist's sexuality, his models, and consider questions of race and gender.
| Author | : Piet Mondrian |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Art, Abstract |
| ISBN | : 9781859957189 |
This exceptional book on Mondrian's work concentrates on the artist's American period. By birth a Dutchman, Piet Mondrian arrived in New York in September 1940. He died there four years later. A pioneer of abstract art, he was -- like Wassily Kandinsky and Kasimir Malevich -- one of those Western painters remarkable as much for the work he produced as for his writings on the theory of art. Mondrian's celebrity was affirmed immediately after his death, when the first retrospective exhibition of his works given by the New York Museum of Modern Art in 1945 afforded him both global recognition and a place in history. In this book, containing more than 400 reproductions, Mondrian's oeuvre finds new life and a new opportunity, as befits a master whom some would call the artist of his century. Virginia Pitts Rembert, through the skill of being able to pass on her own research and expertise, reveals Mondrian's secret strengths both as an artist and as an innovator.
