John Leech and the Victorian Scene
Author | : Simon Houfe |
Publisher | : |
Total Pages | : 276 |
Release | : 1984 |
Genre | : Antiques & Collectibles |
ISBN | : |
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Author | : Simon Houfe |
Publisher | : |
Total Pages | : 276 |
Release | : 1984 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : John Leech |
Publisher | : Prabhat Prakashan |
Total Pages | : 384 |
Release | : 2021-01-19 |
Genre | : Fiction |
ISBN | : 8184307020 |
Unlike some other reproductions of classic texts. We have not used OCR; as this leads to bad quality books with introduced typos. In books where there are images such as portraits; maps; sketches etc. We have endeavored to keep the quality of these images; so they represent accurately the original artefact. We feel they deserve to be made available for future generations to enjoy.
Author | : John M. Picker |
Publisher | : Oxford University Press |
Total Pages | : 232 |
Release | : 2003-09-04 |
Genre | : Literary Criticism |
ISBN | : 0198034660 |
Far from the hushed restraint we associate with the Victorians, their world pulsated with sound. This book shows how, in more ways than one, Victorians were hearing things. The representations close listeners left of their soundscapes offered new meanings for silence, music, noise, voice, and echo that constitute an important part of the Victorian legacy to us today. In chronicling the shift from Romantic to modern configurations of sound and voice, Picker draws upon literary and scientific works to recapture the sense of aural discovery figures such as Babbage, Helmholtz, Freud, Bell, and Edison shared with the likes of Dickens, George Eliot, Tennyson, Stoker, and Conrad.
Author | : Gilbert Abbott À Beckett |
Publisher | : |
Total Pages | : 664 |
Release | : 1894 |
Genre | : England |
ISBN | : |
A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.
Author | : Janice Carlisle |
Publisher | : Cambridge University Press |
Total Pages | : 291 |
Release | : 2012-05-31 |
Genre | : Art |
ISBN | : 052186836X |
An innovative exploration of Victorian art and politics that examines how paintings and newspaper illustrations visualized franchise reform.
Author | : Rosemary Mitchell |
Publisher | : OUP Oxford |
Total Pages | : 330 |
Release | : 2000-07-13 |
Genre | : History |
ISBN | : 0191543225 |
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.
Author | : Susan Doyle |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 592 |
Release | : 2018-05-17 |
Genre | : Design |
ISBN | : 1628927550 |
Winner of the 2019 CHOICE Award "The authoritative book on the origins, history, and influence of illustration. Bravo!" David Brinley, University of Delaware, USA History of Illustration covers image-making and print history from around the world, spanning from the ancient to the modern. Hundreds of color images show illustrations within their social, cultural, and technical context, while they are ordered from the past to the present. Readers will be able to analyze images for their displayed techniques, cultural standards, and ideas to appreciate the art form. This essential guide is the first history of illustration written by an international team of illustration historians, practitioners, and educators.
Author | : Joanna Devereux |
Publisher | : Manchester University Press |
Total Pages | : 308 |
Release | : 2023-05-16 |
Genre | : History |
ISBN | : 1526161680 |
Nineteenth-century women illustrators and cartoonists provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women’s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture.
Author | : T. Moore |
Publisher | : Springer |
Total Pages | : 194 |
Release | : 2009-07-20 |
Genre | : Literary Criticism |
ISBN | : 0230623336 |
Although people may not realize it, the modern Christmas book market carries on a Victorian legacy. An explosion of Christmas print matter reinvigorated and regularized the holiday during the mid-Victorian period, infusing Christmas with emotionally-charged expectations of reading. Tara Moore elucidates the evolution of Christmas publishing trends that dictated authors writing schedules and reflected gift-giving rituals. As Victorian shopping customs evolved, publishers satisfied consumers with a range of holiday print matter, including novels, ghost stories, periodicals, children s books, and poetry. Ultimately, Victorian Christmas in Print analyzes how the revitalized holiday and the flurry of texts supporting it contributed to English national identity.
Author | : David Kunzle |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 650 |
Release | : 2021-07-29 |
Genre | : Literary Criticism |
ISBN | : 1496834003 |
Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.