Johannes Brahms and Richard Mühlfeld
Author | : Emily Tyndall |
Publisher | : |
Total Pages | : 64 |
Release | : 2010 |
Genre | : Composition (Music) |
ISBN | : |
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Author | : Emily Tyndall |
Publisher | : |
Total Pages | : 64 |
Release | : 2010 |
Genre | : Composition (Music) |
ISBN | : |
Author | : Paul Vincent Petrucelly |
Publisher | : |
Total Pages | : 136 |
Release | : 2009 |
Genre | : |
ISBN | : |
Author | : Colin Lawson |
Publisher | : Cambridge University Press |
Total Pages | : 140 |
Release | : 1998-01-08 |
Genre | : Music |
ISBN | : 9780521588317 |
On its first appearance in 1891, Brahms' Clarinet Quintet was immediately recognised as a remarkable achievement, and a century later it still has the power to claim the hearts and minds of players and audiences alike. Widely regarded as Brahms' supreme achievement in the field of chamber music, the Clarinet Quintet is here placed in the context of the history of the clarinet and its repertory, and of Brahms' own compositions before 1891. The influence of the Meiningen clarinet virtuoso Richard Mühlfeld unleashed a new vein of creativity in Brahms, and this forms a basis for discussion, together with questions of performance practice (in relation to both clarinet and string quartet) and the legacy of Brahms' clarinet music. These chapters are complemented by a comprehensive analysis of the music.
Author | : Johannes Brahms |
Publisher | : Read Books Ltd |
Total Pages | : 30 |
Release | : 2016-05-20 |
Genre | : Music |
ISBN | : 1473363349 |
This volume contains Johannes Brahms' 1894 clarinet and piano score “Clarinet Sonata No.1 – Op.120”, dedicated to Richard Mühlfeld. This modern reprint of the original scores features clear, large margins, making it ideal for students and musicians alike. Johannes Brahms (1833 – 1897) was a seminal German composer and pianist. He was incredibly popular and influential during his lifetime and, Together with Johann Sebastian Bach and Ludwig van Beethoven, is often referred to as one of the “Three Bs”. He is widely considered to be both a traditionalist and an innovator, and wrote for piano, organ, symphony orchestra, chamber ensembles, and for voice and chorus. Featuring large, clear note heads and wide margins, this edition is perfect for studying and following the music. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.
Author | : Robert Pascall |
Publisher | : Routledge |
Total Pages | : 147 |
Release | : 2017-07-12 |
Genre | : Music |
ISBN | : 1351573241 |
In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms‘s developing creative concerns and trajectory. It constitutes therefore a study of alost work, of how a fully-formed master opens himself tothe in-flowing from afar (in Martin Heidegger‘s terms), and of the transformative reach and concomitant expressive richness of Brahms‘s creative thought.
Author | : Heather Platt |
Publisher | : Routledge |
Total Pages | : 578 |
Release | : 2012-07-26 |
Genre | : Music |
ISBN | : 1135847088 |
First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.
Author | : Johannes Brahms |
Publisher | : |
Total Pages | : 916 |
Release | : 1997 |
Genre | : Biography & Autobiography |
ISBN | : 9780199247738 |
This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.
Author | : Florence May |
Publisher | : |
Total Pages | : 350 |
Release | : 1905 |
Genre | : Composers |
ISBN | : |
Author | : Robert Pascall |
Publisher | : Routledge |
Total Pages | : 116 |
Release | : 2017-07-12 |
Genre | : Music |
ISBN | : 135157325X |
In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms‘s developing creative concerns and trajectory. It constitutes therefore a study of alost work, of how a fully-formed master opens himself tothe in-flowing from afar (in Martin Heidegger‘s terms), and of the transformative reach and concomitant expressive richness of Brahms‘s creative thought.
Author | : Leon Botstein |
Publisher | : W. W. Norton & Company |
Total Pages | : 456 |
Release | : 1999 |
Genre | : Music |
ISBN | : 9780393047080 |
The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.