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Jiehua of the Qing Dynasty (1644-1911)

Jiehua of the Qing Dynasty (1644-1911)
Author: Miu-fun Chung (Anita)
Publisher:
Total Pages: 474
Release: 1999
Genre: Landscape painting, Chinese
ISBN:

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Eminent Chinese of the Qing Period (1644-1911/2)

Eminent Chinese of the Qing Period (1644-1911/2)
Author: Arthur W. Hummel
Publisher:
Total Pages: 1073
Release: 2017-03-31
Genre: China
ISBN: 9781614728504

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Preface / by Hu Shih -- Editor's note -- About this new edition of the ECQP -- Biographies, A-Z -- Contributors -- A note on Quan Zuwang, Zhao Yiqing and Dai Zhen / by Hu Shih -- Collections of Qing dynasty biographies -- List of Qing emperors -- Pinyin/Wade-Giles conversion table -- Names in chronological order -- Index of names -- Index of books -- Index of subjects -- Materials added to the 2016 edition


With the Cut of a Knife

With the Cut of a Knife
Author: Melissa S. Dale
Publisher:
Total Pages: 590
Release: 2000
Genre: China
ISBN:

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Drawing Boundaries

Drawing Boundaries
Author: Anita Chung
Publisher: University of Hawaii Press
Total Pages: 230
Release: 2004-09-30
Genre: Art
ISBN: 0824862260

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Qing China (1644–1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of “being there,” a characteristic, she argues, that underscores the Qing concern for the substance of things—a sensibility toward the physical world characteristic of the period and emblematic of a new worldview.


Painting Architecture

Painting Architecture
Author: Leqi Yu
Publisher: Hong Kong University Press
Total Pages: 217
Release: 2022-06-20
Genre: Art
ISBN: 9888754238

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In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate. “Architecture has been a subject of Chinese painting for two millennia, but has remained elusive. Painting Architecture explains the reasons as well as why the thirteenth and fourteenth centuries are pivotal. The book also translates the vast writings on architectural painting, places the paintings in historical context, and assesses the relation between the paintings and actual buildings. The superior scholarship and original interpretation ensure that paintings of architecture will be part of future discourse about Chinese painting.” —Nancy Steinhardt, professor, University of Pennsylvania “Focusing on the development of jiehua in the fourteenth century when the Mongols ruled China, Yu’s book raises issues beyond the field of painting history, including architectural history, aesthetics, and social-historical studies. It is a long-awaited contribution to a rarely studied painting genre and an admirable accomplishment of multidisciplinary research on Chinese art.” —Qianshen Bai, associate professor emeritus, Boston University


The Double Screen

The Double Screen
Author: Wu Hung
Publisher: Reaktion Books
Total Pages: 298
Release: 1996-11-22
Genre: Art
ISBN: 1861898428

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In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.


Pictures for Use and Pleasure

Pictures for Use and Pleasure
Author: James Cahill
Publisher: Univ of California Press
Total Pages: 278
Release: 2010
Genre: Art
ISBN: 0520258576

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"This is an outstanding piece of work: timely, essential, authoritative, and original. Cahill throws light on obscure artists, emerging styles and regional traditions, unexplored aspects of cultural life, enigmatic iconographies, and questions of authorship and authenticity, leaving the reader richly informed and full of new ideas."--Susan Nelson, Indiana University "Cahill brings the vast body of 'vernacular' painting into the legitimate venue of art historical criticism, giving connoisseurs, viewers, and readers a more capacious and accurate grasp of the world of Chinese pictorial art."--Susan Mann, author of The Talented Women of the Zhang Family


War and Popular Culture

War and Popular Culture
Author: Chang-tai Hung
Publisher: Univ of California Press
Total Pages: 468
Release: 2023-12-22
Genre: History
ISBN: 0520354869

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This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.


Mapping Chengde

Mapping Chengde
Author: Philippe Foret
Publisher: University of Hawaii Press
Total Pages: 234
Release: 2000-06-01
Genre: Architecture
ISBN: 0824863518

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The imperial residence of Chengde was built by two powerful and ambitious Manchu emperors between 1703 and 1780 in the mountains of Jehol. This volume, the first scholarly publication in English on the Manchu summer capital, reveals how this unlikely architectural and landscape enterprise came to help forge a dynasty's multicultural identity and concretize its claims of political legitimacy. Using both visual and textual materials, the author explores the hidden dimensions of landscape, showing how geographical imagination shaped the aesthetics of Qing court culture while proposing a new interpretation of the mental universe that conceived one of the world's most remarkable examples of imperial architecture.